Download Free Pindars Poetry Patrons And Festivals Book in PDF and EPUB Free Download. You can read online Pindars Poetry Patrons And Festivals and write the review.

Ancient sport made a huge if indirect contribution to the literature of ancient Greece, since some sixty poems by Pindar and Bacchylides ('epinikian odes'), written to commemorate victories, survive from the Classical period. This book is a collection of essays about that literature, and about the social and physical context for which it was written. The editors assembled an internationally distinguished team of speakers for the original 2002 seminar series held in London, and thesepapers form the backbone of the book. But to ensure coherence and comprehensive coverage, they have commissioned three further papers, and have themselves written a long thematic Introduction. The result is a stellar team of authors, and a book which looks at an important literary phenomenon inlight of the latest archaeological and sociological insights, as well as evaluating the poetry both as poetry and as a performance genre with distinctive characteristics.
A Companion to Greek Literature presents a comprehensive introduction to the wide range of texts and literary forms produced in the Greek language over the course of a millennium beginning from the 6th century BCE up to the early years of the Byzantine Empire. Features contributions from a wide range of established experts and emerging scholars of Greek literature Offers comprehensive coverage of the many genres and literary forms produced by the ancient Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the novel, and technical literature Includes readings that address the production and transmission of ancient Greek texts, historic reception, individual authors, and much more Explores the subject of ancient Greek literature in innovative ways
This book delves into the intricate and, as argued, essential relationship between poetics and religion in Pindar. It explores how performance, cult, and religious attitudes intersect, offering readers a nuanced approach to Pindaric poetry concerning the relationship between mortals and the divine. Marinis approaches the world of Pindaric poetry within its historical context, enabling readers to explore the cultural and religious foundations of Pindar’s lyric verse. The chapters examine both epinician poetry and cultic songs, the two major genres of the Pindaric corpus. This monograph focuses on the interconnectedness of poetics and religion, a central question that is essential for understanding the distinctive nature of Pindaric poetry. It examines the diverse ways in which Pindaric poetic tropes intersect with religious themes through detailed analysis and scholarly research. Readers gain an understanding of the significance of performance and cult in the public enactment of Pindar’s works, exploring the relations between mortals – the composer of the song, its performer, and the victor in the case of epinician poetry – and the divine, highlighting the complexities of ancient Greek literature regarding religious practices and attitudes. Through its rigorous examination of Pindaric poetics and religious themes, this book offers readers a profound insight into the religious dimensions of ancient Greek poetry and the enduring legacy of Pindar’s oeuvre. Poetics and Religion in Pindar is suitable for scholars and students working on ancient Greek literature, particularly the works of Pindar and lyric poetry, as well as those interested in classical literature and ancient Greek religion and culture more broadly.
By setting epinician in dialogue with the colorful stories about athletes that circulated in the same period, The Poetics of Victory in the Greek West offers a new and compelling account of the Deinomenids' self-promotion and of the complex communities within and around the Deinomenid empire.
The Poetics of Victory in the Greek West examines the relationship between epinician and the heroizing narratives about athletes, or "hero-athlete narratives," that circulated orally in Sicily and Italy in the late archaic and early classical period. Drawing on the colorful stories told about athletes in later sources, the fragments of Simonides, and the surviving odes of Pindar and Bacchylides, it argues that epinician was formed in opposition to orally transmitted narratives and that these two forms-epinician and the hero-athlete narrative-promoted opposed political visions, with epinician promoting the Deinomenid empire and its structures and the hero-athlete narrative opposing Deinomenid rule. Combining an intimate knowledge of the material culture of the Greek West with an innovative use of available source material, The Poetics of Victory in the Greek West exposes the rich intersections between athletics and politics in Sicily and Italy, offering a new and compelling account of Deinomenid self-promotion and of the varied and complex communities that operated under the Deinomenids' control or within their shadow. Further, by establishing models of production and interpretation for the orally transmitted narratives and bringing them into dialogue with epinician, The Poetics of Victory in the Greek West reveals much about epinician as a form, how it developed in the Greek West, what meanings it already carried, and what meanings it accrued as it was appropriated by Hieron the second Deinomenid ruler.
Citizenship in Antiquity brings together scholars working on the multifaceted and changing dimensions of citizenship in the ancient Mediterranean, from the second millennium BCE to the first millennium CE, adopting a multidisciplinary and comparative perspective. The chapters in this volume cover numerous periods and regions – from the Ancient Near East, through the Greek and Hellenistic worlds and pre-Roman North Africa, to the Roman Empire and its continuations, and with excursuses to modernity. The contributors to this book adopt various contemporary theories, demonstrating the manifold meanings and ways of defining the concept and practices of citizenship and belonging in ancient societies and, in turn, of non-citizenship and non-belonging. Whether citizenship was defined by territorial belonging or blood descent, by privileged or exclusive access to resources or participation in communal decision-making, or by a sense of group belonging, such identifications were also open to discursive redefinitions and manipulation. Citizenship and belonging, as well as non-citizenship and non-belonging, had many shades and degrees; citizenship could be bought or faked, or even removed. By casting light on different areas of the Mediterranean over the course of antiquity, the volume seeks to explore this multi-layered notion of citizenship and contribute to an ongoing and relevant discourse. Citizenship in Antiquity offers a wide-ranging, comprehensive collection suitable for students and scholars of citizenship, politics, and society in the ancient Mediterranean world, as well as those working on citizenship throughout history interested in taking a comparative approach.
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
A comparative analysis of epinikian song and inscribed epigram, especially their integration with the proclamation of athletic victory.
The Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.