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A sleazy, neon- and grease-stuffed chronicle of London’s rock scene during the pivotal year of 1972—from Marc Bolan to the New York Dolls. Elvis, Eddie, Chuck, Gene, Buddy, and Little Richard were the original rockers. Dylan, the Beatles, the Stones, and the Who formed rock’s second coming. As the 1960s turned into the 1970s, the crucial question was who would lead rock ’n’ roll’s third generation? Pin-Ups 1972 tracks the London music scene during this pivotal year, all Soho sleaze, neon, grease, and leather. It begins with the dissolution of the underground and the chart success of Marc Bolan. T. Rextasy formed the backdrop to Lou Reed and Iggy Pop’s British exile and their collaborations with David Bowie. This was the year Bowie became a star and redefined the teenage wasteland. In his wake followed Roxy Music and the New York Dolls, future-tense rock ’n’ roll revivalists. Bowie, Bolan, Iggy, Lou, Roxy, and the Dolls—pin-ups for a new generation.
The essential collection of pin-ups from photographer Robert Alvarado. He subtly combines color, form, and style to create an allure that captivates onlookers and confounds fellow photographers. The influence of pin-up photography pioneers like Alberto Vargas and Gil Elvgren is clear, but throughout the 145 alluring examples of Alvarado's work, his signature approach to this classic form will impress you in a way that only modern photography can. A year of trial and error went into achieving the look presented here: luscious images with flat color and a shine that accentuates the models' key features. Through Alvarado's modern innovations, which are debated on photography blogs, he composes pin-ups with models in traditional poses, in clothes, lingerie, or tastefully nude, looking directly at the camera.
Contains a collection of graphic art pictures of pin-up girls that went into battle with allied soldiers during World War II.
From the delicate cherry blossom tree to a fearsome falcon, tattoos are testament to the everlasting connection between man and art. Presenting the very best in tattoo art, this inspirational sourcebook is a great starting point for anyone wanting to acquire a tattoo who is unsure of the creative possibilities. Filled with stunning photographic images, it showcases the talent of top artists from around the world. This extensive gallery is arranged into imaginative sections, including: • Famous faces • Fantasy • Pin-up girls • Cartoon characters and humorous scenes • Personal narratives and symbolism • Abstract art and dot work. This book will appeal equally to both prospective and seasoned tattoo enthusiasts as well as those simply interested in immersing themselves in this intriguing decorative art.
Gives an account of the author's life from age twelve to eighteen, crafted from diaries, notebooks, and letters, and reflects all the joys and sorrows of growing up in the 1970s.
This book is the follow-up to the groundbreaking Chocolate Cheesecake, and is a new collection of modern black pin-up photography. Modern black pin-ups are becoming more popular as more photographers and models seek to expand the genre of pin-up photography beyond its historical limitations. This second book showcases over a dozen of today's best pin-up photographers and their work with over fifty of the most beautiful black pin-up models. With images that embody black glamour and feminine empowerment, Chocolate Cheesecake 2 displays the range of flavors found in contemporary black pin-up culture. Redefining modern notions of beauty through the styles of the past, Chocolate Cheesecake 2 continues the celebration of modern black pin-up beauty.
9x12, in full color. Hardbound, Smythe sewn. Over 100 new paintings, drawings, and studies. Comments by Olivia on technique, models, and the creative process. Interviews with: Hugh Hefner Bettie Page Dita Von Teese Margaret Cho
Exploring the explosion of the Who onto the international music scene, this heavily illustrated book looks at this furious band as an embodiment of pop art. “Ours is music with built-in hatred,” said Pete Townshend. A Band with Built-In Hate pictures the Who from their inception as the Detours in the mid-sixties to the late-seventies, post-Quadrophenia. It is a story of ambition and anger, glamor and grime, viewed through the prism of pop art and the radical leveling of high and low culture that it brought about—a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude, and style, as it was uniquely embodied by the Who: first, under the mentorship of arch-mod Peter Meaden, as they learned their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very center of things in Soho. Guided by contemporary commentators—among them, George Melly, Lawrence Alloway, and most conspicuously Nik Cohn—Stanfield describes a band driven by belligerence and delves into what happened when Townshend, Daltrey, Moon, and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how the Who confronted their lost youth as it was echoed in punk.