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“[In Pimp], Iceberg Slim breaks down some of the coldest, capitalist concepts I’ve ever heard in my life.” —Dave Chappelle, from his Nextflix special The Bird Revelation Pimp sent shockwaves throughout the literary world when it published in 1969. Iceberg Slim’s autobiographical novel offered readers a never-before-seen account of the sex trade, and an unforgettable look at the mores of Chicago’s street life during the 1940s, 50s, and 60s. In the preface, Slim says it best, “In this book, I will take you, the reader, with me into the secret inner world of the pimp.” An immersive experience unlike anything before it, Pimp would go on to sell millions of copies, with translations throughout the world. And it would have a profound impact upon generations of writers, entertainers, and filmmakers, making it the classic hustler’s tale that never seems to go out of style.
"Mama Black Widow" is the nickname of Otis Tilson, a comely and tragic black queen adrift with his brothers and sisters in the dark ghetto world of pimpdom and violent crime. His story is told in the gut-level language of the homosexual underworld--an unforgettable testament of life lived on the margins of a racist and predatory urban hell.
Originally published in 1973, "Black Players" was the first book to undertake a thorough examination of the urban pimp culture. Social anthropologists Richard and Christina Milner were allowed access to the secretive and controversial world of pimps and prostitutes, and allowed the players to describe themselves, and the rules of the game in their own words.
The author takes you into the vivid reality of the worlds most critique profession and its surrounding elements. Pimps, prostitutes, knowing and unknowing contributors to the business are presented in a form in which no other book of this genre or documentary has been able to offer. A lifestyle full of mystifications that has been known throughout time to bring perplexity to the general public caused by the media misrepresentation and household stereotypes is hereby being made clear and comprehensible. The art, science, and chemistry of the game are combined in this dogmatically designed non-fiction work of literature so that readers can have an understanding about the Naked Soul of Pimps and Prostitutes.
This volume is a compilation of new original qualitative and ethnographic research on pimps and other third party facilitators of commercial sex from the developed and developing world. From African-American pimps in the United States and Eastern European migrants in Germany to Brazilian cafetãos and cafetinas this volume features the lives and voices of the men and women who enable diverse and culturally distinct sex markets around the world. In scholarly, popular, and policy-making discourses, such individuals are typically viewed as larger-than-life hustlers, violent predators, and brutal exploiters. However, there is actually very little empirical research-based knowledge about how pimps and third party facilitators actually live, labor, and make meaning in their everyday lives. Nearly all previous knowledge derives from hearsay and post-hoc reporting from ex-sex-workers, customers, police and government agents, neighbors, and self-aggrandizing fictionalized memoirs. This volume is the first published compilation of empirically researched data and analysis about pimps and third parties working in the sex trade across the globe. Situated in an age of highly punitive and ubiquitous global anti-trafficking law, it challenges highly charged public policy stereotypes that conflate pimping and sex trafficking, in order to understand the lived experience of pimps and the men and women whose work they facilitate.
According to reports of the World Health Organization, the prostitution of women and children is increasing dramatically throughout the world. The problem is particularly acute in the lower socioeconomic sectors of the population, including teen runaways, drug addicts, and victims of abuse. This survey focuses first on defining prostitution and then on the motivations of those who became prostitutes. In Part II the overall scope of the problem is examined, along with the various subcultures (e.g., street walkers and call girls) and the prevalence of drugs, crime and victimization. Part III covers teenage prostitution and the issues of child sexual abuse. Part IV details other dimensions of the sex trade industry, such as pornography, male prostitutes, customers, laws, and the effects of decriminalization and legalization. Female prostitution outside the United States is discussed in Part V.
This book examines one of the most contested issues facing feminists, human rights activists and governments around the globe – the international sex trade. For decades, the liberal left has been conflicted as to whether pro-prostitution activists or abolitionists hold the correct view, and debates are ongoing as to who holds the key to the solutions facing the women and girls involved. Over the course of two years, Bindel conducted 250 interviews in almost 40 countries, cities and states, traveling around Europe, Asia, North America, Australia, New Zealand, and East and South Africa. Visiting legal brothels all around the world, Bindel got to know pimps, pornographers, survivors of the sex trade, and the women being sold by men classed as ‘business entrepreneurs’. Whilst meeting feminist abolitionists, pro-prostitution campaigners, police and government officials, and the men who drive the demand, Bindel uncovered the lies, mythology and criminal activity that shroud this global trade, and suggests here a way forward for the women seeking to abolish the oldest oppression. Informed by the lived human experience of those interviewed, this book will be of great interest to feminists, students, criminal justice advocates, criminologists and human rights activists.
Publisher description
Untangles the intricately knotted issues around hip-hop culture and its treatment of young black women Pimps Up, Ho’s Down pulls at the threads of the intricately knotted issues surrounding young black women and hip hop culture. What unravels for Tracy D. Sharpley-Whiting is a new, and problematic, politics of gender. In this fascinating and forceful book, Sharpley-Whiting, a feminist writer who is a member of the hip hop generation, interrogates the complexities of young black women's engagement with a culture that is masculinist, misogynistic, and frequently mystifying. Beyond their portrayal in rap lyrics, the display of black women in music videos, television, film, fashion, and on the Internet is indispensable to the mass media engineered appeal of hip hop culture, the author argues. And the commercial trafficking in the images and behaviors associated with hip hop has made them appear normal, acceptable, and entertaining - both in the U.S. and around the world. Sharpley-Whiting questions the impacts of hip hop's increasing alliance with the sex industry, the rise of groupie culture in the hip hop world, the impact of hip hop's compulsory heterosexual culture on young black women, and the permeation of the hip hop ethos into young black women's conceptions of love and romance. The author knows her subject from the inside. Coming of age in the midst of hip hop's evolution in the late 1980s, she mixed her graduate studies with work as a runway and print model in the 1990s. Her book features interviews with exotic dancers, black hip hop groupies, and hip hop generation members Jacklyn “Diva” Bush, rapper Trina, and filmmaker Aishah Simmons, along with the voices of many “everyday” young women. Pimps Up, Ho’s Down turns down the volume and amplifies the substance of discussions about hip hop culture and to provide a space for young black women to be heard. 2007 Popular Culture Association/American Culture Association Emily Toth Award