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In A Wayward Mood gathers together the most important work of this visionary teacher and cultural observer. It is the essential Daniel C. Noel. For more than forty years, Daniel C. Noel wrote and taught at the nexus of religion, literature, and cultural studies, working in the tradition of C.G. Jung, Joseph Campbell, and James Hillman. His books include Seeing Castaneda; Approaching Earth--A Search for the Mythic Significance of the Space Age; Paths to the Power of Myth;and The Soul of Shamanism. Noel passed away in August, 2002.
The essays in this collection survey the work of some of the most important British and Irish novelists of today. They not only consider afresh the work of novelists who established their reputations before 1960, such as Doris Lessing and William Golding; they also discuss the work of more recent novelists, among them Kazuo Ishiguro, Angela Carter and Graham Swift. The contributors are drawn from various parts of the English-speaking world, and provide a variety of original perspectives on the novelists concerned.
Originally published in 1988, the last few decades had seen the appearance of some brilliant and complex new kinds of fiction. The ambitious experiments of writers such as Greene, Garcia Márquez, Borges, Nabakov, Calvino, Beckett, Eco, Spark, Hoban, Murdoch, Bellow, Ozick, and Lessing among others had all proved the vitality of contemporary fiction in discovering exciting new forms and styles. Yet because of the difficulty of many of the texts, contemporary fiction as a genre had acquired an undeservedly unpopular reputation among students and other readers. In a very real way, the reader had become nervous rather than confident in the face of a literature that in fact is more aware of and generous to that reader than earlier and more apparently accessible literature ever managed to be. And the new fiction’s seeming remoteness from the reader is exaggerated, in a sense, by the critical academic response at the time, which tended to obscure the texts themselves behind the many aesthetic and cultural theories which had sprung up in the study of fictionalizing or narrativity in general. Elizabeth Dipple is anxious to dispel readers’ fears about these texts. She has chosen an international list of major writers of the time and presents a detailed discussion of each. Beginning each chapter with a brief explanation of the context in which each fictionist is to be examined, she then concentrates on an analysis of key texts, aiming always to look beyond jargon and theory back to the sources themselves. Professor Dipple’s purpose was to convey to the reader some of her own admiration and enthusiasm for contemporary fiction and to persuade him or her to take a fresh look at a group of writers who were producing what she felt would surely be seen by future generations as among the most sophisticated and accomplished fiction of our time.
Author Robert A. Parker has compiled here his critique of hundreds of novels he has read. This is the third of six volumes that cover authors alphabetically, in this case from George Gissing to Milan Kundera. More than 85 authors are represented, including Greene, Hawthorne, Hemingway, Hersey, Horgan, James, Joyce, Kazantzakis Kafka, Kennedy, and King. They reflect a broad range of writing styles, cultural influences, and moral philosophies. All works are rated on their literary achievement, the effectiveness of plot, character, and setting, plus their recognition of the moral, ethical and spiritual values of mankind. Here is a unique critical perspective that measures the meaning of literature against the meaning of life.
This study attempts to make sense of a group of novels that deal in a symbolic way with contemporary forms of collective disaster (the prospect of nuclear war, the Holocaust, environmental destruction). It shows similarities among British, American, Canadian and other novels never before grouped together and argues that they constitute a distinct sub-genre of fiction: the trauma novel. In so doing, the book sets forth an original theory about how literary symbolism functions as part of a cultural response to collective trauma.
The main aim of the book has been to include writers, movements, forms of writing and textual strategies, critical ideas, and texts that are significant in relation to postmodernist literature. In addition, important scholars, journals, and cultural processes have been included where these are felt to be relevant to an understanding of postmodernist writing. This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. This book is an excellent access point for students, researchers, and anyone wanting to know more about the postmodernist literature and theater.
A Russell Hoban Omnibus presents four of Hoban's novels: the haunting The Lion of Boaz-Jachin and Jachin-Boaz; the popular Turtle Diary (which was made into a movie starring Glenda Jackson and Ben Kingsley); Pilgermann; and his newest work, Mr Rinyo-Clacton's Offer, a brilliant Faustian comedy published here for the first time in the United States. Book jacket.
An international journal of contemporary writing.
This book offers an innovative view of everyday reality. It clarifies how the spatial dimension of reality, as well as our personal and inter-personal perception and interaction with reality, aggravates human separateness at the expense of human connectedness. It shows how many urgent societal challenges are affected by an imbalance between spatial and the non-spatial aspects, and offers an analysis of the impoverishment of society, both in spatial terms (spatialisation) and in informational terms (digitalisation). Drawing on insights from quantum physics and depth psychology, it proposes an unorthodox view of the potential of humans, and of reality in itself, that was lost in this impoverishment. "I found this book hugely interesting, highly original and very well written. I haven’t come across these ideas presented in quite this way, and so the book could be considered a groundbreaking contribution" Dr Stephan Harding, Resident Ecologist Schumacher College, Author of 'Animate Earth'. "It rarely happens that we are invited by a scholarly text to look at reality in a basically different way than the one we are used to, at least in a way that is seductive and compelling at the same time. But this is precisely what the text of Pieter Brabers has done with me." Dr John Rijsman, Emeritus Professor of Social Psychology, Tilburg University.