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This volume is an encyclopedia of country music performers who have used comedy as a central component of their presentation. Loyal Jones offers a conversational and informative biographical sketch of each performer, often including a sample of the musician's humor, a recording history, and amusing anecdotal tidbits. In an entertaining style, Jones covers performers throughout the twentieth century, from such early stars of vaudeville and radio barn dances as the Skillet Lickers and the Weaver Brothers and Elviry, to regulars on Hee Haw and the Grand Old Opry, continuing to current comedians such as the Austin Lounge Lizards, Ray Stevens, and Jeff Foxworthy.

Hearings

United States. Congress. Senate. Committee on Labor and Public Welfare

Published: 1965

Total Pages: 1634


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Throughout the country, and even this region, people view the South through myth and stereotype. It's not surprising. If they turn to newspapers, to television and radio, to popular films and literature, to most history books and folklore, they encounter these distortions. They find insulting portraits of Southerners, whitewashed presentations of southern economics and politics, selective visions of history, misunderstandings of relationships between people, and between people and their land and work. Many trivial qualities are romanticized; other important ones are totally ignored. Blacks are presented only as victims of racism, and labor struggles are completely forgotten. This view is inevitable when people simply treat the South as an aberration of mainstream America, or a remnant of some past culture. We at Southern Exposure look at the South from another perspective. This is our home, we are of it and examine it that we may know more of ourselves and our neighbors. These are the politics and culture that surround us and affect us daily, that we must analyze, praise and attack so our lives can grow and prosper. And this is the ground from which we must view the larger world. By listening to local tobacco farmers discuss the pressures on them to expand or die, we can better understand Earl Butz's plan for US agribusiness. By hearing a bluesman's story, we come to appreciate how a particular culture evolves from material hardship and inspires immense creativity.
Linda Sue Preston was born on a feather bed in the upper room of her Grandma Emmy's log house in the hills of eastern Kentucky. More than fifty years later, Linda Scott DeRosier has come to believe that you can take a woman out of Appalachia but you can't take Appalachia out of the woman. DeRosier's humorous and poignant memoir is the story of an educated and cultured woman who came of age in Appalachia. She remains unabashedly honest about and proud of her mountain heritage. Now a college professor, decades and notions removed from the creeks and hollows, DeRosier knows that her roots run deep in her memory and language and in her approach to the world. DeRosier describes an Appalachia of complexity and beauty rarely seen by outsiders. Hers was a close-knit world; she says she was probably eleven or twelve years old before she ever spoke to a stranger. She lovingly remembers the unscheduled, day-long visits to friends and family, when visitors cheerfully joined in the day's chores of stringing beans or bedding out sweet potatoes. No advance planning was needed for such trips. Residents of Two-Mile Creek were like family, and everyone was ""delighted to see each other wherever, whenever, and for however long."" Creeker is a story of relationships, the challenges and consequences of choice, and the impact of the past on the present. It also recalls one woman's struggle to make and keep a sense of self while remaining loyal to the people and traditions that sustained her along life's way. Told with wit, candor, and zest, this is Linda Scott DeRosier's answer to the question familiar in Appalachia--""Who are your people?""