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Discover magic! Join the vibrant, prismatic world of luminous alcohol inks. Mercurial, versatile, inexpensive, and wildly colorful, alcohol inks are one of the newest mediums to hit the art community. Pigments of Your Imagination is your essential guide for working with alcohol inks, from choosing which inks to use for each project to learning how to maximize your artistic potential with a wide variety of fascinating techniques. Using an assortment of materials and tools, learn how to work on a variety of surfaces, including paper, glass, metal, fabric, and plastic. Find inspiration for your own masterpieces in the step-by-step demos and guest artist gallery. From the beginning craftsperson to the professional artist, Pigments of Your Imagination offers a broad insight into the expansive world of alcohol inks. Explore the limits of your artistic ingenuity with alcohol inks. Jump start your creativity!
Pigment of the Imagination chronicles the story of phytochrome, the bright-blue photoreversible pigment through which plants constantly monitor the quality and presence of light. The book begins with work that led to the discovery of phytochrome and ends with the latest findings in gene regulation and expression. The phytochrome story provides a paradigm for the process of scientific discovery. This book should thus be of interest to scientists who work on phytochrome and related subjects in plant science, as well as to all scientists and science historians interested in how a scientific research field begins, develops, and matures.Documents the science and history of phytochrome research over an 80 year spanCombines information from scientific literature, archival documents, and in-person inteviewsDescribes in scholarly and readable style an elegant example of biological discoveryAccessible to researchers and students in all areas of science and history of science
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
This updated 2nd edition features a revised chapter. True Colors is about artists who create color from natural materials and about the historical importance and environmental sustainability of this practice. Deep conversations with 26 artisans from every part of the globe reveal their wisdom, traditions, and know-how—and suggest that we ignore what they know at our peril. Traditional approaches to making color offer sustainable options to a fashion system badly in need of them and memorable cultural narratives to a world hungry for beauty and spirituality. True Colors provides an immersive visual experience and an inspiring travelogue of personal stories and practical information from artists who are leaving their mark on the world.
"With magical, concise and perceptive poems, Newbery-Honor winning author Joyce Sidman captures the life of a tree frog in an intimate and moving way. A master of the science note, her fascinating sidebars help bind the twin poems together and ground our perspective. We learn how treefrogs have sticky toe pads, how they still themselves when in danger, how they can change from green to gray to camouflage themselves - even how they eat their own skins, which is full of nutrients. The narrator's connection with this small creature brings solace, comfort, and a sense of mystery"--
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.
The cry of a victim's heart is to be heard, understood, and free from their pain. God listens to the victim's cry. This book describes the practical steps God established to help hurting people identify and release offenses, judgments, and disappointments in order to bring hope and healing to their hearts.
In 1913, psychiatrist and psychoanalyst Carl Gustav Jung (1875-1961) experienced an episode of psychosis, seeing visions and hearing voices in what he called a horrible 'confrontation with the unconscious.' But, instead of seeking to minimize the hallucinations after this initial episode, Jung believed there was tremendous value in this unconscious content and developed methods to encourage hallucinations. Over some sixteen years, he recorded his experiences in a series of small journals, which he later transcribed in a large, red, leather-bound volume, commonly known as 'The Red Book'. Jung never published the Liber Novus, as he called this pivotal part of his oeuvre, and left no instructions for its final disposition, and it therefore remained unpublished until recently. 'The Red Book Hours' complements the facsimile edition and English-language translation of 'The Red Book', published in 2009, and draws out the insights into Jung's affinity with art as a means of personal insight.