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Timberdick is back! She's living in a church vestry and working nights in the Curiosity Shop, when a stranger is murdered at the top of the stairs. Timberdick's girls are the likely suspects, and Timbers is arrested - but she has no time to waste in a police cell. She has a murder to solve - and a 'bun in the oven' as well.
When a game of marbles ends with a body, the citizens of Goodladies Junction fear that one of their neighbours was wrongly hung for murder, twenty years before. They turn to their local policeman, PC Ned Machray, who has to cope with a runaway pig and a wayward cinema usherette as he picks his way through a web of blackmail, stolen love affairs and guilty silence. He is hit by a widow’s bucket, nearly strangled on a drainpipe and shot by his own side. But he is no nearer solving the mystery until Timberdick, the cheapest call-girl on Goodladies Road, saves the day and the true depth of poison is horribly revealed.
“I’m twice the detective you’ll ever be. I already know who murdered Amy Bulpit and I’m not telling you.”Ned Machray knew she was teasing. It was all part of Timberdick’s game to teach him a lesson... Can Ned and Timberdick work as a team to solve the mystery?
The year is 1937. Ned Machray has been a policeman for only a few weeks when he finds his first murder. But five nosy housewives think he is too much of a tenderfoot to solve the crime on his own...
When Ned Machray, an out of work policeman, is dispatched to help an old soldier flee the country, he finds that the old tavern has been bombed, Ma Shipley is working her girls from a smutty tearoom, and the manor is controlled by an embittered Chief Inspector who works from the back of a taxi office.
1965 delivers a new baby and an old murder for Timberdick, our saucy detective and the cheapest call-girl on Goodladies Road.
According to Ken Tucker, television is where the mass culture action really is. It's where the weasel goes pop. But for such a fluid, of-the-moment, democratic yet "cool" medium, a strangling accretion of false pieties, half-remembered history, and misplaced nostalgia has grown up around it--the prose equivalent of choking vines. In this book, Ken Tucker shares his zealous opinions about the best and worst of television, past and present Everyone has firm beliefs about what he loves and hates about TV. If TV fans think the high point of televised political wit was M*A*S*H, or that Johnny Carson was the true king of late-night, Ken Tucker does his damnedest to convince them that they've been hoodwinked, duped by pixilated mists of memory and bad TV criticism. His dazzling, provocative, and entertaining pieces include LOVES: James Garner as TV's Cary Grant, Pamela Anderson's breasts, David Brinkley--the only anchor who understood that being an anchor was a hollow ego-trip, Heather Locklear as the ultimate TV Personality, Bill O'Reilly--why the biggest asshole on TV is a great TV personality. And from his HATE lists: "The Sopranos" as The Great Saga That Sags, Miss Peggy as media star, Bob Newhart: Human Prozac, Worst Mothers on TV, Star Trek-Sci-Fi suckiness decked out as utopian idealism. His perception and passion about this much maligned medium gives the lie to passive cliché's like "vegging out in front of the boob tube." This book is the TV version of Michael Moore's Stupid White Men or Bill O'Reilly's The No-Spin Zone.
The Timberdick Mysteries are a series of murder stories set in the sleazy back-streets of a south coast seaport in post-war Britain. The amateur detective is a call-girl who solves the mysteries by listening carefully to what people say. “I got there by thinking, not by fingerprints,” she tells her policeman friend in the first novel. The Case of the Naughty Wife is the latest Timberdick mystery, eagerly awaited by readersCan Glenn Miller’s lost trombone be the key to Timberdick’s latest murder mystery? When the Hoboken Arms burns down, the butchered body of a wayward husband is found in the yard. The next morning, Timberdick has to cope with a dead Admiral on her front room carpet. The Chief Constable’s wife blames an escaped convict but Timberdick’s not so sure. She knows that her favourite policeman, Glenn Miller’s mysterious trombone and the Chief Constable’s wife were in a country pub in January 1945. Now, in 1966, they’re together again.Timbers is sure that the trombone will lead to the murderer, but her every step forward is thwarted by thunder and lightning and wives who won’t behave!
"Her thoughts turned to the kiss they'd shared. Sure, she'd been kissed before, but never like that. Never in a way that had left her feeling forever changed, like the memory of it was as much a part of her as any of her limbs. She could still feel the tingling sensation on her lips, and dark criminal or not, she wanted more." Years ago, Grey Wolf Jared Black was cast from the pack for a crime he didn't commit. If they wanted him to be an outlaw cowboy, fine. Now, he's the mysterious criminal wolf known only as the Rogue, a name his former packmates won't soon forget. But when a vampire threat endangers the lives of their entire species, Jared must confront his former packmates again, even if that means betraying the only woman he's ever loved... Ever since Maeve Gray escaped the pack's bloodsucking enemies, she's been determined to save her species—and fast. But when a wicked cowboy wolf shows up on the Grey Wolf ranch, offering everything Maeve's heart desires, her eyes are opened to a whole new world beyond the packlands. For this cowgirl, sleeping with the enemy could prove as desirable as it is deadly... To his enemies, he's known as the Rogue. To her, he's her only chance at survival...
Winner of the Pulitzer Prize and a documentary from Ken Burns on PBS, this New York Times bestseller is “an extraordinary achievement” (The New Yorker)—a magnificent, profoundly humane “biography” of cancer—from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with—and perished from—for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.