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The history books tell us that Piers Gaveston was many things: arrogant, ambitious, avaricious, flamboyant, extravagant, reckless, brave, and daring, indiscreet, handsome, witty, vivacious, vain, and peacock-proud, a soldier and champion jouster, the son of a condemned witch, who used witchcraft, his own wicked wiles, and forbidden sex to entice and enslave King Edward II, alienate him from his nobles and advisors, and keep him from the bed of his beautiful bride Isabelle. Edward's infatuation with Gaveston, and the deluge of riches he showered on him, nearly plunged England into civil war. Now the object of that scandalous and legendary obsession tells his side of the story in The Confession of Piers Gaveston: "Mayhap even now, when I have only just begun, it is already too late to set the story straight. My infamy, I fear, is too well entrenched. Whenever they tell the story of Edward's reign I will always be the villain and Edward, the poor, weak-willed, pliant king who fell under my spell, the golden victim of a dark enchantment. There are two sides to every coin; but when the bards and chroniclers, the men who write the histories, tell this story, will anyone remember that?"
The history books tell us that Piers Gaveston was many things: arrogant, ambitious, avaricious, flamboyant, extravagant, reckless, brave, and daring, indiscreet, handsome, witty, vivacious, vain, and peacock-proud, a soldier and champion jouster, the son of a condemned witch, who used witchcraft, his own wicked wiles, and forbidden sex to entice and enslave King Edward II, alienate him from his nobles and advisors, and keep him from the bed of his beautiful bride Isabelle. Edward's infatuation with Gaveston, and the deluge of riches he showered on him, nearly plunged England into civil war. Now the object of that scandalous and legendary obsession tells his side of the story in The Confession of Piers Gaveston: "Mayhap even now, when I have only just begun, it is already too late to set the story straight. My infamy, I fear, is too well entrenched. Whenever they tell the story of Edward's reign I will always be the villain and Edward, the poor, weak-willed, pliant king who fell under my spell, the golden victim of a dark enchantment. There are two sides to every coin; but when the bards and chroniclers, the men who write the histories, tell this story, will anyone remember that?"
A brilliant retelling of a true medieval tale that has entered gay mythology. "What Hunt has done is no less than the finest of literature: creating myth, in its most powerful form, whose vision enriches us" -- John Preston "Chris Hunt has carved out a comfortable niche as the author of highly readable historical epics set against a well-researched background" -- Gay times, London "First of all, let it be set down that Piers Gaveston was the most beautiful creation on God's earth, and if it had not been so, his joys and his pains would have been in proportion the less. Set it down that Gaveston had eyes as green as emeralds, and a smile that dazzled like the sun..". And so Edward II begins the famous tale of his excellent Gaveston. They were young lovers blinded by dreams of Camelot and knights in shining armor, but caught in a web of courtly jealousy and prejudice that eventually destroyed them both. Their story has inspired writers and dramatists from Christopher Marlowe to Derek Jarman, and is recreated here in Chris Hunt's inimitable and well-researched style.
“A great book to introduce you to three fascinating sisters whose marriages during the reign of the infamous Edward II transformed England.” —Adventures of a Tudor Nerd The de Clare sisters Eleanor, Margaret and Elizabeth were born in the 1290s as the eldest granddaughters of King Edward I of England and his Spanish queen Eleanor of Castile, and were the daughters of the greatest nobleman in England, Gilbert “the Red” de Clare, Earl of Gloucester. They grew to adulthood during the turbulent reign of their uncle Edward II, and all three of them were married to men involved in intense, probably romantic or sexual, relationships with their uncle. When their elder brother Gilbert de Clare, Earl of Gloucester, was killed during their uncle’s catastrophic defeat at the battle of Bannockburn in June 1314, the three sisters inherited and shared his vast wealth and lands in three countries, but their inheritance proved a poisoned chalice. Eleanor and Elizabeth, and Margaret’s daughter and heir, were all abducted and forcibly married by men desperate for a share of their riches, and all three sisters were imprisoned at some point either by their uncle Edward II or his queen Isabella of France during the tumultuous decade of the 1320s. Elizabeth was widowed for the third time at twenty-six, lived as a widow for just under forty years, and founded Clare College at the University of Cambridge. “Another enjoyable read on women in history that don’t always get the limelight that they deserve. Kathryn Warner has done it once again by providing a well-written, well-researched, informative and engaging read.” —Where There’s Ink There’s Paper
Takes the reader into the world of ghosts and spirits in Warwickshire, following their footsteps into the unknown.
Depicting with shocking openness the sexual and political violence of its central characters’ fates, Edward the Second broke new dramatic ground in English theatre. The play charts the tragic rise and fall of the medieval English monarch Edward the Second, his favourite Piers Gaveston, and their ambitious opponents Queen Isabella and Mortimer Jr., and is an important cultural, as well as dramatic, document of the early modern period. This modernized and fully annotated Broadview Edition is prefaced by a critical but student-oriented introduction and followed by ample appendix material, including extended selections from Marlowe’s historical sources, texts bearing on the play’s complex sexual and political dynamics, and excerpts from contemporary poet Michael Drayton’s epic rendition of Edward the Second’s reign.
The dramatic life and mysterious death of the reviled Edward II, focusing on the vivid personality of the erratic and contradictory king, his unorthodox lifestyle and his passionate relationships with his male favourites, including Piers Gaveston