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The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty year period. They are a unique source for identification and authentication and an invaluable key both to design ideas and the jewellery of the period. AUTHOR: Alastair Duncan is a consultant on nineteenth and twentieth century decorative arts to Christie's, New York. He is author of books, catalogues and articles on this and related subjects and one of the world's foremost authorities on the subject of Art Nouveau. 8 colour and 2500 b/w illustrations
Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.
A collection of Jewish-American literature written by various authors between 1656 and 1990.
Not in catalog (Orion Blinded)
'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.
During the German advance through Belgium into France in 1940, Captain de Reixach is shot dead by a sniper. Three witnesses, involved with him during his lifetime in different capacities - a distant relative, an orderly and a jockey who had an affair with his wife - remember him and help the reader piece together the realities behind the man and his death.A groundbreaking work, for which Claude Simon devised a prose technique mimicking the mind's fluid thought processes, The Flanders Road is not only a masterpiece of stylistic innovation, but also a haunting portrayal - based on a real-life incident - of the chaos and savagery of war.
The essays in this volume grew out of a symposium at the University of Maryland's Center for Renaissance and Baroque Studies and the Walters Art Gallery in Baltimore.