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Ronsard's "Franciad" appeared at a crucial point in French history. The first four books, after many years of elaboration, finally left the presses of Parisian printer Gabriel Buon on September 13, 1572, less than a month after the St. Bartholomew's Day massacre-an event normally thought to have been ordered by Catherine de Medici, the mother of King Charles IX, Ronsard's patron. France thus sorely lacked national unity; Ronsard's unfinished epic, on the other hand, sought to bolster national (Catholic) pride by providing a shared genealogy that made the French King a descendant of Hector and the Trojan War. The contrast between the historical reality and Ronsard's poetic monument underscores the epic's underlying ideology and its inscription in a slightly earlier, more positive, belief in the destiny of the French nation. "Phillip John Usher's vibrant and highly readable translation, along with its wide-ranging notes and introduction, make the case that the poem as it stands merits a wider audience. . . . A work of scholarship and a labor of love, this volume will deepen the appreciation of new and old readers alike. . . ." -Kathleen Wine, "Renaissance Quarterly" "[T]his work should not be overlooked." -C. E. Campbell, "Choice"
Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.
One of France's most influential love poets, Pierre de Ronsard embraced a variety of themes from politics, science, and philosophy to bawdy and risqué material that outraged religious reformers. Drawing on classical and Italian poetic models and on powerful imagery from ancient mythology, Ronsard created verse that revolutionized the French poetic tradition. His style ranges from the sublime rhetoric of the Pindaric odes and hymns to the lyricism and sensuality of his sonnets. Ronsard's poetry has influenced many twentieth-century writers and artists, including W. B. Yeats, Sylvia Plath, and Henri Matisse. The dual-language format of this new edition provides English-speaking readers with an enhanced perspective on one of the most innovative voices in the history of European poetry.
The greatest poet of the French Renaissance, Pierre de Ronsard wrote poems that were committed to memory by Elizabeth I and Mary, Queen of Scots, with whom he maintained a close friendship. He influenced Yeats and other modern poets. This is the first complete translation into English of one of the great sonnet sequences. These poems follow the poet's love of an unattainable beauty, Cassandra, enhanced with explorations of classical myth. Clive Lawrence's translation won the John Dryden Translation Competition at the University of East Anglia.
The French poets Ronsard and Du Bartas enjoyed a wide but varied reception throughout early modern Europe. This volume is the first book length monograph to study the transnational reception histories of both poets in conjunction with each other.