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The summer adventure of five children takes them into a strange country peopled by little green men.
In this challenging book, written as a series of open letters to an American friend, Pierre Berton reaches into his profound knowledge of the country’s history and geography to dissect, praise, explain and occasionally criticize the national character. He does so, not with abstract opinions but with apt and colourful examples taken from the past and the present: Sam Steele’s gold rush censorship of the Turkish Whirlwind Danseuse; Ontario’s grudging acceptance of beer in three Toronto ballparks; New York’s St. Patrick’s Day Parade; Lorne Greene’s rueful return to Toronto; William Van Horne’s tirade against winter carnivals; the role of Kentucky in the War of 1812; W.A.C. Bennett’s surprising takeover of the B.C. Electric Company on the day of its president’s funeral. All these apparently disconnected incidents are woven into a carefully thought-out dissection of the national character, a distillation of more than thirty years of Berton research.
The bestselling, award-winning author of The American Invasion of Canada “has given great drama and immediacy to that turning point in Canadian history” (Maclean’s). On Easter Monday 1917 with a blizzard blowing in their faces, the four divisions of the Canadian Corps in France seized and held the best-defended German bastion on the Western Front—the muddy scarp of Vimy Ridge. The British had failed to take the Ridge, and so had the French who had lost 150,000 men in the attempt. Yet these magnificent colonial troops did so in a morning at the cost of only 10,000 casualties. The author recounts this remarkable feat of arms with both pace and style. He has gathered many personal accounts from soldiers who fought at Vimy. He describes the commanders and the men, the organization and the training, and above all notes the thorough preparation for the attack from which the British General Staff could have learned much. The action is placed within the context both of the Battle of Arras, of which this attack was part, and as a milestone in the development of Canada as a nation. “This wonderful book brings to life the amazing men who came across the Atlantic nearly a century ago and won a famous victory which helped change a nation forever . . . the wonderful prose of Pierre Berton is all from the heart and you should share in it.” —War History Online “The cinematic writing plunks the reader in the midst of the actual battle, and a judicious use of quotes from soldiers’ diaries and letters helps provide a ground-level perspective.” —Quill & Quire
The first ever biography of one of Canada’s best-known and most colourful personalities by an award-winning author. From his northern childhood on, it was clear that Pierre Berton (1920—2004) was different from his peers. Over the course of his eighty-four years, he would become the most famous Canadian media figure of his time, in newspapers, magazines, radio, television, and books — sometimes all at once. Berton dominated bookstore shelves for almost half a century, winning Governor General’s Awards for Klondike and The Last Spike, among many others, along with a dozen honorary degrees. Throughout it all, Berton was larger than life: full of verve and ideas, he approached everything he did with passion, humour, and an insatiable curiosity. He loved controversy and being the centre of attention, and provoked national debate on subjects as wide-ranging as religion and marijuana use. A major voice of Canadian nationalism at the dawn of globalization, he made Canadians take interest in their own history and become proud of it. But he had his critics too, and some considered him egocentric and mean-spirited. Now, with the same meticulous research and storytelling skill that earned him wide critical acclaim for The Spinster and the Prophet, Brian McKillop traces Pierre Berton’s remarkable life, with special emphasis on his early days and his rise to prominence. The result is a comprehensive, vivid portrait of the life and work of one of our most celebrated national figures.
To commemorate the bi-centenary of the War of 1812, Anchor Canada brings together Pierre Berton's two groundbreaking books on the subject. The Invasion of Canada is a remarkable account of the war's first year and the events that led up to it; Pierre Berton transforms history into an engrossing narrative that reads like a fast-paced novel. Drawing on personal memoirs and diaries as well as official dispatches, the author has been able to get inside the characters of the men who fought the war - the common soldiers as well as the generals, the bureaucrats and the profiteers, the traitors and the loyalists. The Canada-U.S. border was in flames as the War of 1812 continued. York's parliament buildings were on fire, Niagara-on-the-Lake burned to the ground and Buffalo lay in ashes. Even the American capital of Washington, far to the south, was put to the torch. The War of 1812 had become one of the nineteenth century's bloodiest struggles. Flames Across the Border is a compelling evocation of war at its most primeval - the muddy fields, the frozen forests and the ominous waters where men fought and died. Pierre Berton skilfully captures the courage, determination and terror of the universal soldier, giving new dimension and fresh perspective to this early conflict between the two emerging nations of North America.
To America's leaders in 1812, an invasion of Canada seemed to be "a mere matter of marching," as Thomas Jefferson confidently predicted. How could a nation of 8 million fail to subdue a struggling colony of 300,000? Yet, when the campaign of 1812 ended, the only Americans left on Canadian soil were prisoners of war. Three American armies had been forced to surrender, and the British were in control of all of Michigan Territory and much of Indiana and Ohio. In this remarkable account of the war's first year and the events that led up to it, Pierre Berton transforms history into an engrossing narrative that reads like a fast-paced novel. Drawing on personal memoirs and diaries as well as official dispatches, the author has been able to get inside the characters of the men who fought the war — the common soldiers as well as the generals, the bureaucrats and the profiteers, the traitors and the loyalists. Berton believes that if there had been no war, most of Ontario would probably be American today; and if the war had been lost by the British, all of Canada would now be part of the United States. But the War of 1812, or more properly the myth of the war, served to give the new settlers a sense of community and set them on a different course from that of their neighbours.
Over 1.5 million Canadians were on relief, one in five was a public dependant, and 70,000 young men travelled like hoboes. Ordinary citizens were rioting in the streets, but their demonstrations met with indifference, and dissidents were jailed. Canada emerged from the Great Depression a different nation. The most searing decade in Canada's history began with the stock market crash of 1929 and ended with the Second World War. With formidable story-telling powers, Berton reconstructs its engrossing events vividly: the Regina Riot, the Great Birth Control Trial, the black blizzards of the dust bowl and the rise of Social Credit. The extraordinary cast of characters includes Prime Minister Mackenzie King, who praised Hitler and Mussolini but thought Winston Churchill "one of the most dangerous men I have ever known"; Maurice Duplessis, who padlocked the homes of private citizens for their political opinions; and Tim Buck, the Communist leader who narrowly escaped murder in Kingston Penitentiary. In this #1 best-selling book, Berton proves that Canada's political leaders failed to take the bold steps necessary to deal with the mass unemployment, drought and despair. A child of the era, he writes passionately of people starving in the midst of plenty.
Canadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.