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Piero Fornasetti was a master of the decorative imagination. His motifs conjure up the illusionism of Arcimboldo, the grand architectural fantasies of Piranesi and Palladio, and something of the wit of Pirandello or even Picasso. Fornasetti's decorations transform furniture, created in collaboration with Gio Ponti, into art objects touched by trompe l'oeil humour. His designs endure in an astonishing variety of forms: chairs, desks, screens, pianos, plates, masks and other objects all present the artist's timeless vocabulary. Fornasetti's endless invention is celebrated here in a book published to coincide with a major retrospective exhibition in Paris. His visual puns and decorative devices are set out in the context of his paintings, little considered until now. Bibliophilia occupies centre stage, with graphic schemes, designs for imaginary libraries and bookcases set in ironic interiors. The book gathers a plentiful array of his famous Themes and Variations, a series of plate designs drawing on over 500 variations on the face of a famous operatic beauty. A full chronology of Fornasetti's life and work accompanies the text.
This elaborate volume, authored by the designer’s son, is a splendid celebration of one of the world’s most inventive design minds. Combining whimsy and elegance, Piero Fornasetti (1913–1988) transformed everyday objects like cups, scarves, and screens into works of art featuring his idiosyncratic leitmotifs, such as the hand, the female face, and luminescent fish. Additionally, he created a wide range of works, including idealized architectural fantasy drawings, book designs, and provocative nudes, as well as the decor for the luxury liner Andrea Doria. Perhaps most famous for dazzling pieces of trompe l’oeil furniture, Fornasetti was rediscovered in the 1980s and has remained much sought-after by collectors worldwide. Featuring 2,800 illustrations, many never before published, the monograph is designed to be an "artist’s book" that reflects as faithfully as possible Fornasetti’s own approach to design. Fornasetti’s work is organized by type and includes paintings, sculptures and etchings, furniture, graphics, textiles, glass, screens, trays, and ceramics, as well as smaller categories. With unique and exhaustive access to the archives, this epic undertaking covers detailed technical, biographical, and bibliographical information, including a list of exhibitions and a register of the complete works. A must-have for collectors and connoisseurs alike.
Piero Fornasetti is often described as a visionary. A Milan artist, Fornasetti was at the same time a painter, sculptor, designer, craftsman, and an engraver of art books. In his lifetime, he created more than 11,000 items, most of which are one-of-a kind. It is actually said that his production of objects and furniture is one of the largest in the 20th century. Perpetuating the workshop tradition today is his son Barnaba, who has revived his most popular pieces and created new ones. In an illustrated Memoire devoted to Piero Fornasetti's work, the book critically discusses his contribution to 20th century art and design.
An extensive illustrated survey of one of the most inventive design minds of the twentieth century. Combining whimsy and elegance, Piero Fornasetti transformed everyday objects like cups, scarves, and plates into much sought-after works of art with his idiosyncratic motifs, such as the hand, the female face, and luminescent fish. His dazzling pieces of trompe l’oeil furniture, created in collaboration with Gio Ponti, are also highly prized by collectors worldwide. Fornasetti’s boundless imagination is celebrated here in a book published to document a major retrospective exhibition at the Musée des Arts Décoratifs in Paris. The first half of the monograph is organized by type and includes Fornasetti’s paintings, drawings, and furniture. The second half focuses on favorite themes: his use of trompe l’oeil, architectural drawings, and his variations on the face of a famous operatic beauty. Featuring 400 illustrations covering almost fifty years of a protean and prolific designer and artist like no other, this is a must-have for Fornasetti connoisseurs and anyone interested in design.
This is a lively, intellectual biography of a leading protagonist of 20th century culture and his relations with other protagonists, such as Gramsci, Keynes and Wittgenstein. The book includes an authoritative interpretation of his main work Production of Commodities by Means of Commodities, a survey of the debates which followed its publication, a
Karl Lagerfeld’s world-famous cat dispenses essential advice on lifestyle, diet, fashion, beauty, and international travel for the uber-fashionable feline. Choupette—the constant feline companion of designer Karl Lagerfeld, creative director at Chanel—is a celebrity pet like no other. She has it all, from her own iPad to private jet service. She eats from Goyard silver seated next to Karl at the table, has been immortalized in Tokidoki figurines with the Kaiser, and has inspired his couture collections. "I never thought that I would fall in love like this with a cat," Mr. Lagerfeld said in a CNN interview. Choupette delivers words of wisdom to her 37,000+ Twitter devotees, but here, for the first time, she shares her complete lifestyle guide. Humorously themed chapters cover diet, beauty, healthcare, fashion tips, secret loves and pet hates for the pampered cat, along with observations and advice from Madame Horn (her vet), and Madame Françoise (her lady’s maid). Photographs taken by Karl himself include his Sacred Cat of Burma on fashion shoots with Laetitia Casta and Linda Evangelista. The book is completed with drawings, poetry, and photographs of literary cat-lovers including Ernest Hemingway, Truman Capote, Saul Steinberg, Dorothy Parker, and Edward Gorey. This season’s most talked-about cat book is the perfect chic gift for cat lovers, the fashion-conscious, and style-aware readers.
Born in Italy to a well-to-do Jewish family, Emilio Segrè (1905-1989) became Enrico Fermi’s first graduate student in 1928, contributed to the discovery of slow neutrons and was appointed director of the University of Palermo’s physics laboratory in 1936. While visiting the Radiation Laboratory in Berkeley, California in 1938, he learned that he had been dismissed from his Palermo post by Mussolini’s Fascist regime. Ernest O. Lawrence hired him to work on the cyclotron at Berkeley with Luis Alvarez, Edwin McMillan, and Glenn Seaborg. Segrè was one of the first to join Oppenheimer at Los Alamos, where he became a group leader on the Manhattan Project. In 1959, he won the Nobel Prize in physics for the discovery of the antiproton. He was a professor of physics at UC Berkeley from 1946 until 1972. “[A] readable, absorbing, interesting autobiography... A valuable contribution by a person who witnessed the development of much of modern nuclear physics. Segrè’s description of the historic neutron experiments performed in Rome during the mid-1930s by Enrico Fermi’s group, of which Segrè was a member, is of inestimable worth.” — Glenn T. Seaborg, Physics Today “A Mind Always in Motion is Emilio Segrè’s account — published four years after his death in 1989 — of his personal life and his life in physics... It is absorbing, moving in places and frequently revealing. Segrè noted in his preface, ‘I have not sought to display manners and tact I never had, and I have tried to treat myself no better than any one else.’ He ably succeeded in these purposes.” — Daniel J. Kevles, Nature “For general readers with an interest in the history of nuclear physics, Segrè... is among the most personable witnesses.” — Publishers Weekly
Rachel Carter launches a mind-blowing time-travel trilogy with her YA novel So Close to You. Lydia Bentley doesn’t believe the rumors about the Montauk Project, that there’s some sort of government conspiracy involving people vanishing and tortured children. But her grandfather is sure that the Project is behind his father’s disappearance more than sixty years earlier. While helping her grandfather search Camp Hero, a seemingly abandoned military base on Long Island, for information about the disappearance, Lydia is transported back to 1944—just a few days before her great-grandfather’s disappearance. Lydia begins to unravel the dark secrets of the Montauk Project and her own family history, despite warnings from Wes, a mysterious boy she is powerfully attracted to but not sure she should trust.