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Dazzling collection of poems, songs and lyric meditations.
Poet, philosopher, translator, typographer, and cultural historian Robert Bringhurst is a modern-day Renaissance man. He has forged a career from diverse but interwoven vocations, finding ways to make accessible to contemporary readers the wisdom of poets and thinkers from ancient Greece, the Middle East, Asia, and North American First Nations. This collection shows the ways in which his industry-standard textbook The Elements of Typographic Style, his remarkable translations of Haida oral epics, and his experimental and traditional poetry and prose form a single coherent project. Listening for the Heartbeat of Being brings together a range of literary scholars, poets, journalists, and publishers to comment on Bringhurst’s far reaching body of work. The essays include a comprehensive biography of Bringhurst, first-hand accounts of his book design and production efforts, an analysis of his ground-breaking polyphonic performance poems, and re-considerations of the Masterworks of the Classical Haida Mythtellers translation trilogy. Experienced Bringhurst scholars join well-known writers such as Dennis Lee and Margaret Atwood to create a multi-dimensional view of Bringhurst’s career. Guided by the simple faith that "everything is connected to everything else," Bringhurst’s ability to listen closely to the great minds of many cultures and represent their voices pragmatically is, as this diverse and insightful book shows, of greater interest than ever in a world facing unprecedented ecological crisis and intensive cultural evolution. Contributors include Margaret Atwood, Nicholas Bradley (University of Victoria), Crispin Elsted (Barbarian Press), Clare Goulet (Mount St. Vincent University), Iain Higgins (University of Victoria), Ishmael Hope, Peter Koch (Peter Koch Printers), Dennis Lee, Scott McIntyre, Katherine McLeod (Concordia University), Kevin McNeilly (University of British Columbia), Káawan Sangáa, and Erica Wagner.
The problems it addresses include emotion representation, annotation of music excerpts, feature extraction, and machine learning. The book chiefly focuses on content-based analysis of music files, a system that automatically analyzes the structures of a music file and annotates the file with the perceived emotions. Further, it explores emotion detection in MIDI and audio files. In the experiments presented here, the categorical and dimensional approaches were used, and the knowledge and expertise of music experts with a university music education were used for music file annotation. The automatic emotion detection systems constructed and described in the book make it possible to index and subsequently search through music databases according to emotion. In turn, the emotion maps of musical compositions provide valuable new insights into the distribution of emotions in music and can be used to compare that distribution in different compositions, or to conduct emotional comparisons of different interpretations of the same composition.
The Oxford Handbook of Music Composition Pedagogy presents an illuminating collection of philosophy, research, applied practice, and international perspectives to highlight the practices of teaching and learning in the field of music composition. The Handbook offers various strategies and approaches in composition for teachers, music teacher educators, and students of music education.
The present collection of essays endeavours to furnish informed responses to central questions posed by the editors: Is the fact that the marvellous coexists with the factual and never resolves itself into the supernatural an indication that the whole literary project of 'magical realism' is an instrumental and representational form which can be regarded as particularly suitable for reconciling dichotomies and oppositions otherwise experienced as intolerable? Was 'magical realism' an explosive process in cultural dynamics, taking place at intersections of heterogeneous cultures most favourable to the efflorescence of this type of literature? The authors of the various essays - on Patrick White and David Malouf, Ben Okri, Syl Cheney-Coker, Robert Kroetsch, Gwendolyn MacEwan, Jack Hodgins, Salman Rushdie, Janet Frame, Wilson Harris and others - provide a dynamic focus on the reality at stake beneath the surface representations of 'magical realism' in post-colonial literatures.
With this Eighth Edition, The Musical Classroom celebrates thirty years as a leading resource for future and in-service teachers as they engage children in the exciting world of music! Teachers, with the help of this user-friendly text, can develop the understandings and skills needed to teach elementary school music. The forty-four model lessons are the centerpiece to the book's long-lasting success. A collection of over 170 children's songs from around the world; instructional information for learning to play the recorder, keyboard, guitar, and Autoharp(TM); and the theoretical, pedagogical, and practical backgrounds needed for reaching all learners complete the comprehensive resource of The Musical Classroom. Note: This is the standalone book. If you want the accompanying audio CD, order the ISBN 9781138656703, which is available for separate sale.
If you're ready to master music memorization, sharpen your memory, and deliver flawless performances, then HowExpert Guide to Music Memorization is the perfect resource for you. This guide offers a clear, step-by-step approach to improving your skills, whether you're a beginner building confidence or an experienced musician striving for mastery. - Chapter 1: Introduction to Music Memorization – Discover the crucial role memorization plays in musical mastery and learn to overcome common misconceptions. - Chapter 2: The Science Behind Memorization – Explore how the brain processes music, different types of memory, and the psychological factors that influence effective memorization. - Chapter 3: Preparing Your Mind and Environment – Optimize your practice space, develop focus techniques, and foster a mindset that supports memorization success. - Chapter 4: Building a Strong Musical Memory – Strengthen auditory, visual, and kinesthetic memory using proven repetition techniques for solid recall. - Chapter 5: Segmenting and Chunking Techniques – Break music into manageable sections and apply chunking strategies to master complex pieces. - Chapter 6: Visualization Techniques for Memorization – Use mental imagery and musical maps to navigate sheet music, supported by tailored visualization exercises. - Chapter 7: Analytical Approaches to Memorization – Leverage music theory, analyze harmonic and melodic patterns, and simplify the memorization process through structured analysis. - Chapter 8: Auditory Techniques for Memorization – Enhance ear training, use singing and humming as tools, and internalize music effectively. - Chapter 9: Kinesthetic Techniques for Memorization – Build muscle memory through repetition and explore the connection between movement and memorization. - Chapter 10: Memorizing Short Pieces – Apply effective strategies for memorizing short compositions with insights from a practical case study. - Chapter 11: Memorizing Complex Pieces – Use advanced techniques for large-scale works and multi-movement pieces, illustrated with orchestral case studies. - Chapter 12: Memorizing Different Musical Genres – Adapt memorization techniques for classical, jazz, pop, and other genres for a well-rounded skillset. - Chapter 13: Memorizing for Ensemble and Collaborative Work – Learn how to memorize for ensembles, synchronize with other musicians, and get tips for accompanists. - Chapter 14: Long-Term Retention of Memorized Music – Reinforce your memory with regular review, and tackle memory decay and retrieval issues. - Chapter 15: Performance-Ready Memorization – Transition from practice to performance with confidence, manage anxiety, and execute memorized music flawlessly. - Chapter 16: Troubleshooting Memorization Challenges – Overcome mental blocks, recover from memory slips, and efficiently re-memorize forgotten pieces. - Chapter 17: Developing Your Unique Memorization Style – Tailor memorization strategies to your strengths and develop a personalized approach. - Chapter 18: Incorporating Memorization Into Daily Practice – Build a consistent routine focused on memorization while balancing other musical skills. - Chapter 19: Teaching Music Memorization to Others – Discover effective teaching strategies, create personalized exercises, and encourage a positive memorization mindset. - Chapter 20: Conclusion and Reflection – Reflect on your progress, celebrate your achievements, and embrace continuous growth as a musician. - Appendices – Access helpful resources, practice schedules, templates, and exercises to further enhance your memorization skills and tackle specific challenges. Master music memorization, boost your confidence, and perform flawlessly. HowExpert Guide to Music Memorization gives you the tools to unlock your full potential and take your musicianship to the next level. HowExpert publishes how to guides on all topics from A to Z.