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First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan's pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan's own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of Pictures From Home clarifies the multiplicity of voices - both textual and pictorial - in order to afford a fresh perspective of this seminal body of work -- Provided by the publisher.
Picturing home examines the depiction of domestic life in British feature films made and released in the 1940s. It explores how pictorial representations of home onscreen in this period re-imagined modes of address that had been used during the interwar years to promote ideas about domestic modernity. Picturing home provides a close analysis of domestic life as constructed in eight films, contextualising them in relation to a broader, offscreen culture surrounding the suburban home, including magazines, advertisements, furniture catalogues and displays at the Daily Mail Ideal Home Exhibition. In doing so, it offers a new reading of British 1940s films, which demonstrates how they trod a delicate path balancing prewar and postwar, traditional and modern, private and public concerns.
Bestselling author Mary Hoffman is renowned for writing about social issues for children. This big book edition for use in schools tackles a highly topical and controversial subject in a sensitive, non-patronizing and interesting way. It also contains vivid artwork by up-and-coming illustrator Karin Littlewood.Ages 5-9
Hoping for trees or a flower garden, Tiffany transplants and cares for some seedlings that she finds and is surprised by what they become.
Mobilizing Music in Wartime British Film examines the preoccupation with art music and total war that animated British films of the 1940s.
From the villainous beast of “Little Red Riding Hood” and “The Three Little Pigs,” to the nurturing wolves of Romulus and Remus and Rudyard Kipling’s The Jungle Book, the wolf has long been a part of the landscape of children’s literature. Meanwhile, since the 1960s and the popularization of scientific research on these animals, children’s books have begun to feature more nuanced views. In Picturing the Wolf in Children’s Literature, Mitts-Smith analyzes visual images of the wolf in children’s books published in Western Europe and North America from 1500 to the present. In particular, she considers how wolves are depicted in and across particular works, the values and attitudes that inform these depictions, and how the concept of the wolf has changed over time. What she discovers is that illustrations and photos in works for children impart social, cultural, and scientific information not only about wolves, but also about humans and human behavior. First encountered in childhood, picture books act as a training ground where the young learn both how to decode the “symbolic” wolf across various contexts and how to make sense of “real” wolves. Mitts-Smith studies sources including myths, legends, fables, folk and fairy tales, fractured tales, fictional stories, and nonfiction, highlighting those instances in which images play a major role, including illustrated anthologies, chapbooks, picture books, and informational books. This book will be of interest to children’s literature scholars, as well as those interested in the figure of the wolf and how it has been informed over time.
Sometimes life is full of surprises, especially when you least expect them... Born into the Scottish Clan MacBain and the 17th century ancestral home, Drumblair Castle, Liv MacBain has always dreamt of leaving the ancient homestead and becoming her own person in the world of fashion. From a young age, she worshipped the trailblazing designs of the haute couture glitterati, hoping one day to join them. With older brother Kerr, the rightful heir, Liv has been free to spread her wings. Fast forward. Liv, is now 28 years old, working at a high-end fashion house and living her dream life in New York. She’s never been happier. Until everything changes with one devastating phone call from her brother, Kerr, that brings her rushing back to Scotland. Old friends and adversaries resurface and Liv faces a difficult decision that could mean her dream future can no longer be a reality. Or can you have your castle and your career? Praise for Lisa Hobman 'Involving and intriguing!' - Sue Moorcroft ⭐️⭐️⭐️⭐️⭐ Heart-warming and sometimes heart-wrenching journey of discovery' - Heidi Swain ⭐️⭐️⭐️⭐️⭐️ 'I love it! - A feel-good, uplifting story of lost love and second chances...' - Holly Martin 'I loved the book. It’s a captivating story with a relatable heroine and beautifully vivid settings. A perfect holiday read!' - Darcie Boleyn 'Simply gorgeous’- Jessica Redland 'A really uplifting, feel-good read about hope and love that really did warm my heart.'- Kim Nash 'A gorgeous, heart-warming romantic journey, reminds us to never give up on love...' - Lucy Coleman 'You will fall in love with this story of fresh starts and mending broken hearts' - Mandy Baggot 'Be prepared to fall in love over and over again.'- Nancy Barone 'What a beautiful read' - Sarah Bennett
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.