Download Free Picturing Health And Illness Book in PDF and EPUB Free Download. You can read online Picturing Health And Illness and write the review.

A study of visual sources, from 19th-century textbook illustrations to recent government AIDS posters, which finds that the history of our perception of the "beautiful body" is charged with anxieties about contagion and ugliness. It's also entangled with political implications brought about by our interpretation of race as a medical category, says Gilman (liberal arts and human biology, U. of Chicago). A history both of medicine and of the aestheticization of the body. Many bandw illustrations. Originally published in Great Britain by Reaktion Books as Health and Illness: Images of Difference. Annotation copyright by Book News, Inc., Portland, OR
This timely study demonstrates how images of beauty and ugliness have constructed a visual history that records the artificial boundaries dividing "healthy" bodies from those that are "ill". "Gilman tells an excellent tale."—Jewish Chronicle
This timely study demonstrates how images of beauty and ugliness have constructed a visual history that records the artificial boundaries dividing "healthy" bodies from those that are "ill". "Gilman tells an excellent tale."—Jewish Chronicle
Analyzing the visual culture of public health from the nineteenth century to the present.
The essays in this collection examine women in diverse roles; mother, socialite, prostitute, celebrity, medical practitioner and patient. The wide range of commentators allows a diverse picture of women’s health in this period.
Propaganda played an essential role in influencing the attitudes and policies of German National Socialism on racial purity and euthanasia, but little has been said on the impact of medical hygiene films. Cinematically Transmitted Disease explores these films for the first time, from their inception during the Weimar era and throughout the years to come. In this innovative volume, author Barbara Hales demonstrates how medical films as well as feature films were circulated among the German people to embed and enforce notions of scientific legitimacy for racial superiority and genetically spread “incurable” diseases, creating and maintaining an instrumental fear of degradation in the German national population.
Outstanding Academic Title, 2007, Choice magazine Steve McQueen had cancer and was keeping it secret. Then the media found out, and soon all of America knew. McQueen’s high profile changed forever the way the public perceived a dreaded disease. In When Illness Goes Public, Barron H. Lerner describes the evolution of celebrities' illnesses from private matters to stories of great public interest. Famous people who have become symbols of illness include Lou Gehrig, the first “celebrity patient”; Rita Hayworth, whose Alzheimer disease went undiagnosed for years; and Arthur Ashe, who courageously went public with his AIDS diagnosis before the media could reveal his secret. And then there are private citizens like Barney Clark, the first recipient of a permanent artificial heart, and Lorenzo Odone, whose neurological disorder became the subject of a Hollywood film. While celebrity illnesses have helped to inform patients about treatment options, ethical controversies, and scientific proof, the stories surrounding these illnesses have also assumed mythical characteristics that may be misleading. Marrying great storytelling to an exploration of the intersection of science, journalism, fame, and legend, this book is a groundbreaking contribution to our understanding of health and illness.
This is an investigation into representations of illness combining issues of sociology, ethics and aesthetics.
This book investigates how graphic medicine enables sufferers of mental illness to visualise the intricacies of their internal mindscape through visual metaphors and reclaim their voice amidst stereotyped and prejudiced assumptions of mental illness as a disease of deviance and violence. In this context, by using Lakoff and Johnson’s conceptual metaphor theory (CMT), this study uncovers the broad spectrum of the mentally ills’ experiences, a relatively undertheorised area in medical humanities. The aim is to demonstrate that mentally ill people are often represented as either grotesquely exaggerated or overly romanticised across diverse media and biomedical discourses. Further, they have been disparaged as emotionally drained and unreasonable individuals, incapable of active social engagements and against the healthy/sane society. The study also aims to unsettle the sanity/insanity binary and its related patterns of fixed categories of normal/abnormal, which depersonalise the mentally ill by critically analysing seven graphic narratives on mental illness.
Challenges our understanding of health, risks, facts, and clinical trials [Payot]