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Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances. Contributors examine colonial-era lithographs of Cuba’s landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island’s African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity—lo cubanoamericano, Cuban-Americanness—and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States. Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island’s people, culture, and history. Contributors: Anelys Alvarez | Lynnette M. F. Bosch | María A. Cabrera Arús | Iliana Cepero | Ramón Cernuda | Emilio Cueto | Carol Damian | Victor Deupi | Jorge Duany | Alison Fraunhar | Andrea O’Reilly Herrera | Jean-François Lejeune | Abigail McEwen | Ricardo Pau-Llosa | E. Carmen Ramos
Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances. Contributors examine colonial-era lithographs of Cuba?s landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island?s African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity?lo cubanoamericano, Cuban-Americanness?and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States. Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island?s people, culture, and history. Contributors: Anelys Alvarez | Lynnette M. F. Bosch | María A. Cabrera Arús | Iliana Cepero | Ramón Cernuda | Emilio Cueto | Carol Damian | Victor Deupi | Jorge Duany | Alison Fraunhar | Andrea O?Reilly Herrera | Jean-François Lejeune | Abigail McEwen | Ricardo Pau-Llosa | E. Carmen Ramos
This award-winning book by the acclaimed travel photographer showcases the vibrant beauty of Cuba in stunning images captured over twenty-one years. In more than fifty trips to Cuba over twenty-one years, Travel Photographer of the Year Award-winner Lorne Resnick has sought to capture the experience of being in Cuba: moments filled with passion, desire, and laughter. Featuring two hundred sixty-six extraordinary color and black-and-white photos, this exceptional volume provides a stunning portrait of the vitality of Cuban culture, the beauty of the island, and the enduring spirit of the Cuban people. With a foreword by celebrated author Pico Iyer and an introduction by noted art critic Gerry Badger, this volume combines poignant stories and gorgeous visuals. Cuba: This moment, Exactly So has won several awards including a gold medal in the photography category from the Independent Publishers Book Awards; a Silver medal from the IBPA Benjamin Franklin Award for Art/Photography, 1st place for Books in the International Photography awards. It was also a Foreword Reviews’ 2015 INDIEFAB Book of the Year Award winner.
Fidel’s Cuba commemorates the anniversary of the Cuban leader’s victory with black-and white portraits of great power. With an insider’s intimacy, Osvaldo and Roberto Salas followed Castro from his clean-shaven days to the Sierra Maestra, where he and Che Guevara prepared to lead insurgents to victory. The infamous Bay of Pigs invasion, the only known meeting of Ernest Hemingway and Fidel, and the daily life of the Cuban people are all chronicled here.
Touring the commercial graphic culture of pre-Castro Cuba, photography curator Levi and senior art director for The New York Times Heller present color reproductions of postcards, tourism advertisements, cigar boxes, music poster, hotel advertisements, and other items that combined graphic styles from the United States with a distinctive Cuban style. A brief introductory essay extols the virtue of this "golden age" of graphic design, noting that Cuba was portrayed as a "paradise" (for wealthy Americans and Europeans). Annotation copyrighted by Book News, Inc., Portland, OR
The VANISHING CUBA Deluxe Edition photo book is limited to only 500 copies, each signed and numbered, and comes packaged in a beautiful protective slipcase. Vanishing Cuba is a curated visual storytelling photo book by American photographer Michael Chinnici. The collection depicts the changes Cuba faces as it emerges from more than 60 years of isolation and decay. Michael's 24 trips to Cuba have yielded tens of thousands of photographs, thought-provoking, and emotional stories, and created lifelong friendships. Vanishing Cuba is about capturing Cuba's past, present, and future, and even more so, about capturing the "Soul of Cuba." Michael's love affair with Cuba and the Cuban people comes through in this compelling and beautifully produced book. The Deluxe Edition contains over 300 photographs and stories in a beautifully printed and produced 12.30" x 13.25" hardcover book. Designed by Michael, this 348-page museum-quality photo book is offset printed in Italy using only the finest Italian papers. The book's color images are printed using a 7-color Spectra7 System to provide the most vibrant colors. The book's black & white images are printed using a 3-black TriTone System, delivering superior B&W images with breathtaking images results. Michael has curated his 24 trips to Cuba into a wonderful storytelling photo collection. Each beautifully crafted book is produced with stories in both English and Spanish, with Cuban friends helping guide the narrative with beautiful essays. Michael's style of photography captures the "Soul of Cuba" in the most authentic, endearing, beautiful, and honest light.
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Photographs of the art, culture, and everyday life of Cuba taken from 2005-2015.
Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making over 25,000 images. Immersing herself in Cuba's history, literature and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective. Cuba The Elusive Island published by Harry N. Abrams in 1996--a collector's item--first brought together 100 of these images, along with a selection of writings by some of Cuba's most important writers. Twenty years later, Giovan re-edited the images, while working to preserve the original 6 x 9 color negatives. Through this intensive re-examination, a new more complex view of the historical significance of this work has emerged. Images previously disregarded or missed now stand out as a record of elements that no longer exist and one of a Cuba poised on the brink of change. The 120 selected images featured in The Cuba Archive , many of which have never been shown, reveal Cuba at a pivotal point in its storied and fascinating history, and bear witness to an inimitable, resilient and complex country and people.
Showcasing the colorful buildings and iconic classic cars of Havana, this verse picture book follows a Cuban boy and his family on their road trip into the city.