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McKean uses mixed media to take readers on a journey unlike any other: "The Coast Road" follows a desperate wife trying to find her missing husband, whose ghostly image appears in unexpected ways. "Black Holes," written by an anonymous journalist, concerns the politically sensitive true story of Chinese villagers induced by the government to sell their blood, only to be infected with AIDS through poor medical practice. Tales of sadness and humor, insightful travelogues, and diary entries fill the pages of McKean's latest masterful achievement. Winner of the Victoria and Albert Museum Illustrated Book of the Year award.
Using his astonishing illustrative skills, Dave McKean creates a world of his own, and then tells stories from it in his own distinctly skewed style. In The Coast Road', a desperate wife searches for her husband, whose ghostly image keeps appearing in mysterious and unexpected ways; 'Black Holes' tells the true story of the tragic consequences of medical malpractice in a Chinese village. Deftly balancing tragedy and humour, McKean's imagination is once again allowed to run riot via the medium of his drawings, paintings, photographs and digital creations.'
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*Shortlisted for the John Creasey (New Blood) Dagger Award 2017* World-weary Jonathan Craine is a detective at the LAPD who has spent his entire career as a studio ‘fixer’, covering up crimes of the studio players to protect the billion-dollar industry that built Los Angeles. When one of the producers of The Wizard of Oz is found dead under suspicious circumstances, Craine must make sure the incident passes without scandal and that the deceased’s widow, the beautiful starlet Gale Goodwin, comes through the ordeal with her reputation unscathed. But against his better instincts, Craine finds himself increasingly drawn to Gale. And when a series of unsavoury truths begin to surface, Craine finds himself at the centre of a conspiracy involving a Chicago crime syndicate, a prostitution racket and a set of stolen pictures that could hold the key to unravelling the mystery.
At last -- Dave McKean's landmark Cages as it was meant to be seen and read: a true novel in visual form. Eight years in the making. McKean is an artist with something important to say. In Cages, he has created a fully-realized microcosm, a world consisting of a street, a night club and an apartment house. With this, McKean has a means to comment on mythology, art, God, creation, sex, love and hate. For McKean, Cages is, "the closest I've come to describing my world." And Cages is a beautiful world.
'An inspiration to anyone who still finds old age too distressing a prospect to take seriously' The Times Old age is no longer a blip in the calendar, just a few declining years before the end. Old age is now a major and important part of life: It should command as much thought - even anxiety - as teenagers give to exam results and young marrieds how many children to have . . . I am in my 80s and moving towards the end of my life. But in a more actual sense, I have moved from my dear home of 50 odd years into another . . . the home where I will be until the end. Writing here of how it has happened is in a sense a reconciliation with what cannot be avoided, but which can be confronted When Joan Bakewell, Labour Peer, author and famous champion of the older people's right to a good and fruitful life, decided that she could no longer remain in her old home, she had to confront what she calls 'the next segment of life.' Disposing of things accumulated during a long life, saying goodbye to her home and the memories of more than fifty years, thinking about what is needed for downsizing - all suddenly became urgent and emotional tasks. And then there was managing family expectations. Some new projects such as planning the colours and layout of a new, smaller flat, were exciting and some things - the ridding herself of books, paintings, memento - took courage. So much of the world is on the move- voluntarily or not - and so many people are living to a great old age. In using the tale of her own life , Joan Bakewell tells us a story of our times and how she is learning to live to the sound and tune of The Tick of Two Clocks: the old and the new.
Dave McKean's Pictures That Tick Volume 2 illuminates the artistic prowess of this acclaimed storyteller! McKean uses mixed media to take readers on a journey unlike any other: "The Coast Road" follows a desperate wife trying to find her missing husband, whose ghostly image appears in unexpected ways. "Black Holes," written by an anonymous journalist, concerns the politically sensitive true story of Chinese villagers induced by the government to sell their blood, only to be infected with AIDS through poor medical practice. Tales of sadness and humor, insightful travelogues, and diary entries fill the pages of McKean's latest masterful achievement. Winner of the Victoria and Albert Museum Illustrated Book of the Year award!
Pictures That Tick collects Dave McKean's groundbreaking short comics stories from the 1990s and early 2000s. A true iconoclast, McKean mixes illustration, painting, photography, sculpture, and digital art for a comics experience unlike any other. Some pieces are poignant, some are silly, but all are beautiful and thought provoking. Each is completely unique, and gathered together they represent a tour-de-force achievement. Pictures That Tick stretches the boundaries of comics art, and the short-story format allows him to create an even broader artistic vision.