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Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.
Photography was invented in France in 1839 - the year before the Treaty of Waitangi was signed in New Zealand. Within a few years, cameras were charting the life and times of people at this end of the planet. See What I Can See is a celebration of that remarkable, well-travelled, ever-changing invention - the camera - the New Zealand that it captured, and the artists who wielded it. See What I Can See is a book about darkness and light, about careful planning and doing things on the spur of the moment, about the quickness of digital photography and the slowness of old technology. It's a woman driving a tractor and a kid in a Colgate tube, a rock at Ngauruhoe and a Wahine survivor on a truck, it's surfies and selfies and cabbages the size of kings. The book also presents a picture of a country - Aotearoa New Zealand - living its life, dreaming its dreams and taking care of its day-to-day business. See What I Can See is an introduction to New Zealand photography that will appeal to young and curious photographers, students of New Zealand art history, or anyone who wants to sample the extraordinary range of images made in this country by our photographers.
Between 1845 and 1872, various groups of Maori were involved in a series of wars of resistance against British settlers. The Maori had a fierce and long-established warrior tradition and subduing them took a lengthy British Army commitment, only surpassed in the Victorian period by that on the North-West Frontier of India. Warfare had been endemic in pre-colonial New Zealand and Maori groups maintained fortified villages or pas. The small early British coastal settlements were tolerated, and in the 1820s a chief named Hongi Hika travelled to Britain with a missionary and returned laden with gifts. He promptly exchanged these for muskets, and began an aggressive 15-year expansion. By the 1860s many Maori had acquired firearms and had perfected their bush-warfare tactics. In the last phase of the wars a religious movement, Pai Maarire ('Hau Hau'), inspired remarkable guerrilla leaders such as Te Kooti Arikirangi to renewed resistance. This final phase saw a reduction in British Army forces. European victory was not total, but led to a negotiated peace that preserved some of the Maori people's territories and freedoms.
"... The Rex Nan Kivell Exhibition of Early New Zealand Pictures is an important artistic occasion ... the average quality is surprisingly high, especially when one realises that so many of the artists were also primarily surveyors, engineers, soldiers, or politicians. There is another aspect to this particular exhibition -- the accurate, factual representation makes it of historical importance. The life of those early years in New Zealand is graphically displayed in these pictures. The artists made many studies of the Maoris [sic] and their customs. The first settlement, the growth of townships, and the changing landscape are portrayed over the years ... The entire Nan Kivell Collection covers not only New Zealand and the Pacific, but also Australia ..." -- Foreword.
"Old New Zealand" by Frederick Edward Maning. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Reproduction of the original: Old New Zealand by A Pakeha Maori
In Old New Zealand (1863), F.E. Maning recalls living alongside Maori in "the good old times before Governors were invented, and law, and justice, and all that." His account of the early contact period is widely acknowledged to be a masterpiece of some sort, but the extent to which it is fiction, autobiography, ethnography, history, or satire remains a matter for debate. This is the first scholarly edition of Maning's writings. It includes a revealing selection of Maning's unpublished letters, and Alex Calder contributes an introduction and notes that illuminate the works' historical, ethnographic, and literary contexts, showing how settler colonialism is an incomplete and contested process, the problems of which are enacted in Maning's writings, and repeated in the history of their reception.
Post-Mount Kembla Disaster social history, comprised of portraits of 14 local personalities and their stories.