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Haunting and revealing photographs sent home by Norwegian immigrants in America as visual document and collective expression of the emigrant experience Between 1836 and 1915, in what has been called history’s largest population migration, more than 750,000 Norwegians emigrated to North America. Writing home, the newcomers sent thousands of pictures—America–photographs, as they are called in Norway. In these photographs, the emigrant experience unfolds as framed by thousands of Norwegian transplants in towns, cities, and rural communities across America. Pictures of Longing brings more than 250 America–photographs into focus as a moving account of Norwegian migration in the nineteenth and early-twentieth centuries, conceived of and crafted by its photographer-authors to shape and reshape their story. To clarify the historic nature and the cultural function of the America-photographs, art historian and photography scholar Sigrid Lien located thousands of the photographs in public and private archives and museums in Norway and the United States. Reading these photographs alongside letters sent home by Norwegian immigrants, Lien provides the first comprehensive account of this collective photographic practice involving “the voice of the many.” Pictures of Longing shows, in fascinating detail, how the photographs, like the accompanying letters, contribute to the cultural grassroots expression of Norwegian migration. They steer us toward multiple, fragmented, and dispersed histories and also complement the existing fabric of established historical narratives, demonstrating photography’s potential to engage with history.
"A spellbinding work of literature, Latitudes of Longing follows the interconnected lives of characters searching for true intimacy. The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature"--
Isak Dinesen and the land and people she loved are nowhere so real and compelling as in Longing for Darkness, written by Dinesen's majordomo, Kamante, and now boasting a smart new cover. Readers familiar with Out of Africa may recognize many of the enchanting stories. These celebrated tales and others are retold here from Kamante's perspective and are enhanced with his own drawings and letters, Dinesen's words and snapshots, and photographs by Peter Beard. Writes Beard, "Over a period of 12 years, as if divesting himself of his possessions, Kamante put down the extra dimensions of truth which are at the heart of Out of Africa."
Zettel, an en face bilingual edition, collects fragments from Wittgenstein's work between 1929 and 1948 on issues of the mind, mathematics, and language.
In So Much Longing in So Little Space, Karl Ove Knausgaard explores the life and work of Edvard Munch. Setting out to understand the enduring power of Munch’s painting, Knausgaard reflects on the essence of creativity, on choosing to be an artist, experiencing the world through art and its influence on his own writing. As co-curator of a major new exhibition of Munch's work in Oslo, Knausgaard visits the landscapes that inspired him, and speaks with contemporary artists, including Vanessa Baird and Anselm Kiefer. Bringing together art history, biography and memoir, and drawing on ideas of truth, originality and memory, So Much Longing in So Little Space is a brilliant and personal examination of the legacy of one of the world’s most iconic painters, and a meditation on art itself.
In 2003, Frank Gohlke and Joel Sternfeld were commissioned to photograph one of the densest concentrations of ethnic diversity in the world, the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough's boundaries, Gohlke and Sternfeld had not only captured the complicated dy - namic that sustains Queens and its myriad communities; they had also evolved a unique theory of landscape photography in which landscape is a visible manifestation of the invisible emotions of its inhabitants. The collection inherits the strength of each photographer's eye. Gohlke's Queens consists of streets, houses, fences, gardens, parklands, shorelines, and waste spaces, the terri - tory where human arrangement contends endlessly with the forces that undo it: unruly vegetation, weather, rot, decay, and the "creative destruction" of a voracious commercial culture. Sternfeld focuses on the indigenous shops, restau - rants, mosques and temples that make a walk in Queens feel like a walk in Thailand, India or Peru-or all of them at once. Often tucked into homes or converted factories, these plac - es signify a home country, or perhaps a home country that exists more in the mind than in actuality. In conjunction with an essay by the acclaimed writer Suketu Mehta, this book is a powerful instrument for understand - ing a landscape that seems to defy interpretation. Gohlke and Sternfeld successfully make the dizzying patchwork of Queens accessible and visible.
A Sky Longing for Memories is a Makoto Shinkai fan's dream! Featuring art created by the beloved director, this full-color art book is packed with art from the many movies he directed for Studio CoMix Wave. The book is a 175 page LANDSCAPE FORMAT softcover, the majority of which are images, a rare treat in the realm of fanbooks. Inside you will find hundreds of backgrounds from from his award-winning works: 5 Centimeters per Second, The Place Promised in Our Early Days, Voices of a Distant Star, and a TV advertisement for the Mainichi Newspaper. In addition to the backgrounds, there is a section about the software and technique behind CoMix Wave's animation, which discuss the key features of the software the studio has developed to use at various stages of production. The English edition also comes with a lengthy interview with Mr. Shinkai and other key members of his studio.
10 lectures in Düsseldorf, April 12-18, 1909; participants' notes from Q&A sessions (CW 110) Ever since nature and consciousness were separated during the late Middle Ages --giving rise to scientific thinking that considers only the physical world and views the mind as merely an epiphenomenon of neural chemistry --the spiritual beings who are the universe have felt abandoned and unable to complete their work, which depends on human collaboration for its success. Human beings have likewise felt abandoned and alienated.In these remarkable lectures, Rudolf Steiner reestablishes the human being as a participant in an evolving, dynamic universe of living spiritual beings: a living universe, whole and divine. He does so in concrete images, capable of being grasped by human consciousness as if from within.How is this possible? Implicit in Rudolf Steiner's view is the fact that, essentially, the universe consists of consciousness. Everything else is illusion. Hence, to understand the evolution of the cosmos and humanity in any terms other than consciousness is also an illusion. Whenever we are dealing with grand cosmic facts, we are dealing with states of consciousness. But states of consciousness never exist apart from the beings who embody them. Therefore, the only true realities are beings in various states of consciousness. In this sense, Steiner's spiritual science is a science of states of consciousness and the beings who embody them. Indeed, any science --physics, chemistry, botany, psychology --is a science of beings. And the sensory perception, or physical trace, is simply the outer vestment of the activity of beings in various states of consciousness. To describe these beings, Steiner uses the names made familiar by the wisdom traditions of the West. He speaks of the evolutionary states of Saturn, Sun, Moon, and so on; the nine choirs of angels; elemental beings and nature spirits; and the elements of fire, earth, air, and water. The Spiritual Hierarchies and the Physical World: Zodiac, Planets & Cosmos is a translation from German of Geistige Hiearchien und ihre Wiederspiegelung in der physischen Welt. Tierkreis, Planeten, Kosmos(GA 110). The Spiritual Hierarchies and the Physical World: Reality and Illusion (1996) contained a previous edition of this lecture course.