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Four distinguished Soviet historians evoke the daily life of St. Petersburg just at the point--1890 to 1914--when it was witnessing the last moments of its imperial incarnation and, simultaneously, the first shocks of social and technological change. Many of the 317 photographs have never before been published.
In her previous books on Versailles and Newport, photographer Deborah Turbeville has succeeded in brilliantly evoking the moods, auras, ghosts, and allure of each place's past glories. Now, in her new book, she turns to the fabled capital of imperial Russia and its dark successor, Leningrad. Based on repeated visits to St. Petersburg over the last two years, Studio St. Petersburg is a passionate and highly personal exploration of the Russian people and their turbulent history. In haunting, dreamlike images of grand and extravagant Czarist palaces (many in ruins), churches, and other buildings, as well as the faces and figures of the Russian people -- ballerinas, actors, officials, and workers, pictured both in tightly cropped closeups and orchestrated scenes -- Turbeville creates a powerful, intuitive portrait of St. Petersburg. With brief texts drawn from the memoirs of artists and writers who experienced both Czarist and Communist rule, Studio St. Petersburg brilliantly summons up the lost world of imperial St. Petersburg and the embattled, brilliant culture of the Soviet era.
“Readers fascinated with the Romanovs and this tumultuous period in Russian history will be enthralled by this deliciously dark and memorable novel.” —Publishers Weekly Inspired by real characters, this transporting historical fiction debut spins the fascinating story of two princesses in the Romanov court who practiced black magic, befriended the Tsarina, and invited Rasputin into their lives—forever changing the course of Russian history. As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra, who—as an Anglo-German—is also an outsider and is not fully accepted by members of the court. After numerous failed attempts to precipitate the birth of a son and heir, the Tsarina is desperate and decides to place her faith in the sisters’ expertise with black magic. Promising the Tsarina that they will be able to secure an heir for the Russian dynasty, Militza and Stana hold séances and experiment with rituals and spells. Gurus, clairvoyants, holy fools, and charlatans all try their luck. The closer they become to the Tsarina and the royal family, the more their status—and power—is elevated. But when the sisters invoke a spiritual shaman, who goes by the name of Rasputin, the die is cast. For they have not only irrevocably sealed their own fates—but also that of Russia itself.
Bill DeYoung "takes a prideful romp through some of the quirkiest carefree and fun-loving experiences of our boomer childhood. He gently reminds us that history has occurred, too, in our lifetime. For those new to our city or interested to learn more, it'll quickly help you discover the tremendous breadth of activities our city had generated to attract people to our peninsula and separate them from their hard-earned vacation pay." From the foreword by Chris Steinocher, CEO of the St. Petersburg, FL Area Chamber of Commerce.
Before becoming a city, St. Petersburg was a utopian vision in the mind of its founder, Peter the Great. Conceived by him as Russia's "window to the West," it evolved into a remarkably harmonious assemblage of baroque, rococo, neoclassical, and art nouveau buildings that reflect his taste and that of his successors, including Anna I, Elizabeth I, Catherine the Great, and Paul I. Crisscrossed by rivers and canals, this "Venice of the North," as Goethe dubbed it, is of unique beauty. Never before has that beauty been captured as eloquently as on the pages of this sumptuous volume. From the stately mansions lining the fabled Nevsky Prospekt to the magnificent palaces of the tsars on the outskirts of the city, including Peterhof, Tsarskoe Selo, Oranienbaum, Gatchina, and Pavlovsk, photographer Alexander Orloff's portrait of St. Petersburg does full justice to the vision of its founder and namesake. The text, by art historian Dmitri Shvidkovsky, chronicles the history of the city's planning and construction from Peter the Great's time to the reign of the last tsar, Nicholas II. Anyone who has ever visited--or dreamed of visiting--the city of "white nights" will find St. Petersburg irresistible.
A wide-ranging history of this city on Florida’s Gulf Coast, one of America’s oldest, with numerous photos and maps included. The Making of St. Petersburg captures the character of this bay city through its past, from the Spanish clash with indigenous peoples to the creation of the downtown waterfront parks and grand hotels. Take a journey with local historian, preservationist, and former museum executive Will Michaels as he chronicles St. Petersburg’s storied history, including the world’s first airline, the birth of Pinellas County, and the good old American pastime, Major League Baseball. From hurricanes to home run king Babe Ruth, the people and events covered in this work paint a rich portrait of a coastal Florida city and capture St. Petersburg’s unique sense of place.
This book is sure to minister to the person that is struggling to get past their past. Louis Adams says, "Even though we have been traumatized by the events of our past, and though life may seem uncertain through your eyes, remember God has an ultimate plan for your life that will rock your world! Through this book, you will understand why those sometimes tragic and disappointing events of your past are used to make you a stronger and wiser person. Mr. Adams decided to cover this topic in this book because of the state of the world today. Adams says, "We have seen so much tragedy the last couple of years and I don't want anyone to blame God for it!" In addition, "There is so much Chaos in the Christian church today; I pray that God restores us in all sincerity so that His purpose and will can be done in the world. www.louisadams.com
Whether it was the demands of life, leisure, or a combination of both that forced our hands, we have developed a myriad of artefacts—-maps, notes, descriptions, diagrams, flow-charts, photographs, paintings, and prints—-that stand for other things. Most agree that images and their close relatives are special because, in some sense, they look like what they are about. This simple claim is the starting point for most philosophical investigations into the nature of depiction. On Images argues that this starting point is fundamentally misguided. Whether a representation is an image depends not on how it is perceived but on how it relates to others within a system. This kind of approach, first championed by Nelson Goodman in his Languages of Art, has not found many supporters, in part because of weaknesses with Goodman's account. On Images shows that a properly crafted structural account of pictures has many advantages over the perceptual accounts that dominate the literature on this topic. In particular, it explains the close relationship between pictures, diagrams, graphs and other kinds of non-linguistic representation. It undermines the claim that pictures are essentially visual by showing that audio recordings, tactile line drawings, and other non-visual representations are pictorial. Also, by avoiding explaining images in terms of how we perceive them, this account sheds new light on why pictures seem so perceptually special in the first place. This discussion of picture perception recasts some old debates on the topic, suggests further lines of philosophical and empirical research, and ultimately leads to a new perspective on pictorial realism.