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Pictures from Paradise examines the ways in which contemporary art photography has evolved within the English-speaking Caribbean, rising beyond depictions of idyllic scenes to tackle more complex social, racial, political and gender issues. Within the past few years, regional artists have provided an increasingly searching image of the Caribbean and the people who inhabit it. The only publication on contemporary Caribbean photography, Pictures from Paradise features more than 200 images from 18 established and up-and-coming artists, including Ewan Atkinson, Marvin Bartley, Terry Boddie, Holly Bynoe, James Cooper, Renee Cox, Gerard Gaskin, Abigail Hadeed, Gerard Hanson, Nadia Huggins, Marlon James, Roshini Kempadoo, O'Neil Lawrence, Ebony Patterson, Radcliffe Roye, Alex Smailes, Stacey Tyrell and Rodell Warner.
In this dazzling photo essay, Laman and Scholes present gorgeous full-color photographs of all 39 species of the Birds of Paradise that highlight their unique and extraordinary plumage and mating behavior.
The island of San Saypaz' is everything sexy, street-smart reporter Toni Jackson dreamed paradise would be-palm trees, white sand beaches, crystal blue waters, and breathtaking sunsets. Finding love with Detective Jameyson Tolliver is icing on the cake. But when a young woman is brutally murdered, Toni discovers paradise has a dark side. Jameyson's boss, the police chief, may have had a hand in the killing. Evidence disappears, and the vicious crime lord charged with the murder walks. There's a cover-up going on. Nothing is what it seems, people aren't who they appear to be. Toni's determination to uncover the truth comes at a steep price-her sources start turning up dead. Fearing for her life, she flees the island. But someone has plans for her, and paradise may well become a purgatory from which there is no escape!
This book covers the theological, philosophical, mystical, topographical, architectural and ritual aspects of the Muslim belief in paradise and hell.
"Glamorous 5" in the City of Garden Valley is a charming tale of Paradise - a twelve year old girl who is mesmerized by glamour and the allure of beauty. The story takes readers on a fun-filled journey through the buoyancy of a child's eyes in regard to a day of enjoyment experienced in Garden Valley Estates. Paradise demonstrates how the children of the Garden Valley Estates (an inner city development) enjoy one another, having fun, and ultimately take pleasure in their environment and life overall. Paradise's adoration of her older siblings is both endearing and delightful. Paradise's strong sense of family values as well as the merit she places in her sisters' opinions proves her wisdom and maturity. The story conveys the optimism and the enthusiasm of a child's expectations of amusement as well as the outcome of a well anticipated family event. Paradise proves that through sheer determination and a strong desire - anyone can achieve youthful happiness and fulfillment.
Painter, naturalist, writer and explorer, for almost 50 years she travelled to remote parts of Australia, India, Europe, America and New Guinea in pursuit of exotic flowers and wildlife to paint. Over 3000 works testify to her prodigious output. This publication will help establish her rightful place in Australian art.
Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.