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Features photographs of animals from the farm, the countryside, the forest, the jungle, and the sea to teach children about animals.
The classic companion to Goodnight Moon - Everyone′s favorite little rabbit is back, exploring the boundaries of "Your world. My world." My spoon. Daddy′s spoon. "The moon belongs To the man in the moon." Ages 1-4
In this colorful die-cut picture book by award-winning author Lois Ehlert, a child thanks the world for all of nature's wonders.
Diane Keaton’s cabinet of saved and found photographic curiosities is a visual autobiography of sorts and scrapbook of her fascinations and reflections. A visual autobiography of a kind as only Diane Keaton could tell it, via the celebrated star’s idiosyncratic and personal collections and ruminative texts, Savedoffers an unprecedented glimpse into the mind of the legendary film star. The book begins with an homage to movies—curiously, to old “b” grade horror flicks, such as Attack of the Puppet People—a passion that manifests in a collection of rare film stills showing large-brain aliens with crablike hands and terrified men with eyes growing from their shoulders. In a second chapter or collection, the reader encoun-ters “Cracked,” a startling selection of crinkled and neglected negatives: found portraits that speak of the past through the broken lens of time. Even more intimately revealing are photographs taken by the star herself, be they of pigeons while on downtime from the set of Reds in London or of the “greeters” of Hollywood Boulevard, caught at the other end of her Rolleiflex camera lens, now revealed as the seen, the experienced, the remembered, the cherished. But this is only the beginning, the surface of a very deep dive into the wellsprings of one of the great creative talents at work today. The book is an invitation to dive in.
This new edition of Roger Money-Kyrle's classic work is published together with three of his late papers, 'Cognitive development', 'The aim of psychoanalysis', and 'On being a psychoanalyst'. Its intention is to introduce new readers to this key Kleinian thinker, whose influence has been quiet and uncontroversial but deep and formative. The book also includes Donald Meltzer's discussion of the paper on 'Cognitive development'.
The present volume containing the dissertation of Dorion Cairns is the first part of a comprehensive edition of the philosophical papers of one of the foremost disseminators and interpreters of Husserlian phenomenology in North-America. Based on his intimate knowledge of Husserl’s published writings and unpublished manuscripts and on the many conversations and discussions he had with Husserl and Fink during his stay in Freiburg i. Br. in 1931-1932 Cairns’s dissertation is a comprehensive exposition of the methodological foundations and the concrete phenomenological analyses of Husserl’s transcendental phenomenology.The lucidity and precision of Cairns’s presentation is remarkable and demonstrates the secure grasp he had of Husserl’s philosophical intentions and phenomenological distinctions. Starting from the phenomenological reduction and Husserl’s Idea of Philosophy, Cairns proceeds with a detailed analysis of intentionality and the intentional structures of consciousness. In its scope and in the depth and nuance of its understanding, Cairns’s dissertation belongs beside the writings on Husserl by Levinas and Fink from the same period.
PLANET OF SAND: A world literally bald, completely covered by sand and devoid of life - or so the stranded spaceman thought until he saw the huge menacing girders whose origin and purpose he could not begin to fathom. WHITE SPOT: A gold locket containing a picture of a girl, found in millennia-old ruins on a planet some hundreds of light-years from Earth, threatens the existence of the entire human race. SECOND LANDING: A lost space team lands on a deserted planet, entirely unprepared for the strange world's one citizen; a great white amoeboid monster, hiding in wait to wreak its fury on any intruders.
"Pictures and information about lions for very young children"--
At its deepest, philosophical skepticism questions the sense of language. Skepticism manifests itself in different forms, three of the most powerful being logical, external-world, and religious skepticism. How has philosophy of religion addressed these challenges? The attempt to answer this question leads Lance Ashdown to a consideration of three prominent contemporary philosophers of religion: Richard Swinburne, John Hick, and William Alston. The author shows that these philosophers are indeed open to the criticisms of the three types of skepticism mentioned above. According to Ashdown, they are rightly to be considered as 'anonymous skeptics'. Readers familiar with the work of the theologian Karl Rahner will recognize an echo of his famous doctrine that non-Christian religious believers are really 'anonymous Christians', i.e., Christian believers who do not recognize themselves as such. In a similar way, the philosophers of religion under consideration are skeptics who most certainly would not identify themselves as such. They are anonymous skeptics in the sense that their epistemologies create the very conditions that allow for the severe and, on their own terms, unanswerable challenges of skepticism. At the same time, none of these philosophers thinks that skeptical objections pose a devastating or unanswerable threat to their epistemologies. For example, each of them is an avowed believer in God and is fully aware of the challenge of religious skepticism, yet none believes that skepticism need cause a rational Christian to abandon his or her beliefs. Nevertheless, each of the three philosophers adheres to a philosophical theory that remains open to the devastating critique of Philo in David Hume's essay Dialogue Concerning Natural Religion - who argues at his deepest that talk of God is meaningless.
Through My Eyes takes the reader on a journey through one boy’s life, from when he is a baby to when he starts school. The words represent what the boy is thinking, but he is not able to articulate the emotions he is feeling to his mother or his teacher. As the boy grows, he continues to find himself in new situations that are overwhelmingly uncomfortable, painful, loud, and upsetting. Each day becomes increasingly more challenging. Will the boy be able to cope in this big and scary world?