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Few problems in British history have proved as intractable as that of the origin and ethnic associations of the Picts. For although we may find numerous references to them within Roman and Celtic sources they have left us no historical texts of their own. So often we find the early Picts mentioned within histories of Roman Britain as mere opponents of Roman arms -- but who these tattooed barbarians were remains a mystery. First published in hardback 1998 now also available in Kindle hard and soft editions Modern opinion holds that the Picts were Celts, like the Scots and Welsh. This book seeks to demonstrate the scarcity of evidence for this common assumption and follows instead the evidence of native tradition. In a stimulating new study the author offers a view of the Picts that is certainly not the current text book standard. It concentrates on the very oldest traditions of Pictish origins, which together with early historical sources, would suggest that the Picts were not Celts at all, but ‘Scythians’. It will put an alternative case that the Picts were Finno-Ugrian immigrants from the Baltic coast. The author provides an investigation which subjects the traditions of Pictish origin to thorough scrutiny and by offering a viewpoint that does not commence from a Celtic bias, thereby offers some new ideas on a much neglected subject.
Modern opinion holds that the Picts were Celts, like the Scots and Welsh. This text seeks to demonstrate the scarcity of the evidence for this common assumption and follows instead the evidence of native tradition. The author offers a view of the Picts that concentrates on the oldest traditions of Pictish origins, which together with early historical sources, would suggest that the Picts were not Celts at all, but Scythians and presents an alternative case that the Picts were Finno-Ugrian immigrants from the Baltic coast.
The Picts were an ancient nation who ruled most of northern and eastern Scotland during the Dark Ages. Despite their historical importance, they remain shrouded in myth and misconception. Absorbed by the kingdom of the Scots in the ninth century, they lost their unique identity, their language and their vibrant artistic culture. Amongst their few surviving traces are standing stones decorated with incredible skill and covered with enigmatic symbols - vivid memorials of a powerful and gifted people who bequeathed no chronicles to tell their story, no sagas to describe the deed of their kings and heroes. In this book Tim Clarkson pieces together the evidence to tell the story of this mysterious people from their emergence in Roman times to their eventual disappearance.
Few problems in British history have proved as intractable as that of the origin and ethnic associations of the Picts. For although we may find numerous references to them within Roman and Celtic sources they have left us no historical texts of their own. So often we find the early Picts mentioned within histories of Roman Britain as mere opponents of Roman arms -- but who these tattooed barbarians were remains a mystery.Modern opinion holds that the Picts were Celts, like the Scots and Welsh. This book seeks to demonstrate the scarcity of evidence for this common assumption and follows instead the evidence of native tradition.In a stimulating new study the author offers a view of the Picts that is certainly not the current text book standard. It concentrates on the very oldest traditions of Pictish origins, which together with early historical sources, would suggest that the Picts were not Celts at all, but 'Scythians'. It will put an alternative case that the Picts were Finno-Ugrian immigrants from the Baltic coast.The author provides an investigation which subjects the traditions of Pictish origin to thorough scrutiny and by offering a viewpoint that does not commence from a Celtic bias, thereby offers some new ideas on a much neglected subject. Originally published in 1998 and for some years out of physical print, this new edition will make this unique research available once again to researchers who are looking both for a source book of the earliest literary references to the people of Scotland and wish to take the research further. Equally interesting to Scots who just want to understand their own past.
Following the devastating war in Gaul, Arthur's Men have returned to Britain bearing a terrible secret while stories abound of Arthur's continuing triumphs across the sea. Prosperity and peace are the rule in King Arthur's Golden Age, but storms gather.The looming conflicts threaten more than any border or throne. The course of history, the future of the British people, will be decided by the actions of a very few.
Some years ago a revolution took place in Early Medieval history in Scotland. The Pictish heartland of Fortriu, previously thought to be centred on Perthshire and the Tay found itself relocated through the forensic work of Alex Woolf to the shores of the Moray Firth. The implications for our understanding of this period and for the formation of Scotland are unprecedented and still being worked through. This is the first account of this northern heartland of Pictavia for a more general audience to take in the full implications of this and of the substantial recent archaeological work that has been undertaken in recent years. Part of the The Northern Picts project at Aberdeen University, this book represents an exciting cross disciplinary approach to the study of this still too little understood yet formative period in Scotland's history.
Fifteen hundred years have turned history into legend...After three generations of struggle against ruthless invaders, Britain has finally clawed its way back within reach of peace and prosperity. Across the sea, Rome is crumbling under an onslaught of barbarian attacks, internal corruption and civil war. Desperate for allies, Rome's last great emperor looks to Britain and the rising fame of her High King, Arthur.Arthur believes the coming war is inevitable, but many are opposed. Dissent, intrigue and betrayal threaten to tear the fragile British alliance apart from within, while the enemies of Britain wait for the first sign of weakness.Meanwhile, Gawain, a young warrior craving fame, is swept up in Arthur's wake as the king raises an army. While Gawain's wife and kin face their own struggles at home, the young warrior finds himself taking on more than he bargained for, and heading into the greatest battle his people have faced in generations.The Retreat to Avalon is the exciting beginning of the historical fiction trilogy The Arthurian Age, introducing readers to the origins of King Arthur and the world he lived and fought for.
During the first millennium AD the most northerly part of Britain evolved into the country known today as Scotland. The transition was a long process of social and political change driven by the ambitions of powerful warlords. At first these men were tribal chiefs, Roman generals or rulers of small kingdoms. Later, after the Romans departed, the initiative was seized by dynamic warrior-kings who campaigned far beyond their own borders. Armies of Picts, Scots, Vikings, Britons and Anglo-Saxons fought each other for supremacy. From Lothian to Orkney, from Fife to the Isle of Skye, fierce battles were won and lost. By AD 1000 the political situation had changed for ever. Led by a dynasty of Gaelic-speaking kings the Picts and Scots began to forge a single, unified nation which transcended past enmities. In this book the remarkable story of how ancient North Britain became the medieval kingdom of Scotland is told.