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Shape grammars provide a means for the recursive specification of shapes. The formalism for shape grammars is designed to be easily usable and understandable by people and at the same time to be adaptable for use in computer programs. Shape grammars are similar to phrase structura grammars, which were developed by Chomsky [ 1956, 1957]. Where a phrase structura grammar is defined over an alphabet of symbols and generates a language of sequences of symbols, a shape grammar is defined over an alphabet of shapes and generates a language of shapes. This dissertation explores the uses of shape grammars. The dissertation is divided into three sections and an appendix. In the first section: Shape grammars are defined. Some simple examples are given for instructiva purposes. Shape grammars are used to generate a new class of reversible figures. Shape grammars are given for some well-known mathematical curves (the Snowflake curve, a variation of Peano's curve, and Hilbert's curve). To show the general computational power of shape grammars, a procedura that given any Turing machine constructs a shape grammar that simulates the operation of that Turing machine is presented. Related work on various formalisms for pictura grammars is described. A symbolic characterization of shape grammars is given that is useful for implementing shape grammars in computer programs.
The role of the computer in the practice of organic chemistry has been firmly established over the past decade. Its uses as a large scale information storage and retrieval device in chemistry have been too numerous to mention. More recently, the applicability of computers to the problem of discovering valid and reasonable synthesis routes for organic molecules has been demonstrated. This has been both as an adjunct to the 1 chemist in the on-line interactive mode ,2,3 and also as a wholly computer-directed system seeking to simulate the intelligent prob- 4 lem-solving activity of the human organic synthetic chemist. ,5 In all of these computer applications to organic chemistry, it has been necessary to devise some computer-compatible repres- tation of an organic molecule that is both canonical and c- venient for table look-ups. This is in order that entities that have been constructed at different times under different circumstances can be identified and classified, with identical molecules being recognized as such even if their connection matrices list the elements of the molecule in different orders. E. J. Corey and W. T. Wipke, Science, 166, 178 (1969). 2 E. J. Corey, W. T. Wipke, R. D. Cramer III and W. J. Howe, J. Americ. Chern. Soc. , 94, 421 (1972) and 431 (1972). 3 E. J. Corey, R. D. Cramer III and W. J. Howe, ~. Americ. Chern. Soc. , 94, 440 (1972). 4 H. L. Gelernter, N. S. Sridharan and A. J.
Contemporary Architecture and the Digital Design Process introduces the reader to new developments in the computer modelling of design form in contemporary architectural practice through a series of detailed case studies. The book illustrates how evolving design practices use and exploit the potential of new computing technologies in a wide range of areas and application. A central thesis of this book is that technology follows design demand, rather than design adjusting to available new technology. Designers are not merely passive recipients of prescribed computing tools and techniques. Instead, they are increasingly able to express their intuitive design ideas through the rational medium of computing. The book features several contemporary building projects, each of which introduces a range of CAD and computing issues based upon the work of creative architectural and engineering design practices. These include the offices of Frank O. Gehry, Peter Cook and Colin Fournier, Anthony Hunt Associates, Peter Hubner, Szyskowitz-Kowalski, and Faulkner Brown. All these examples show what architects need to know and the skills they need to acquire to use advanced CAD technology.
*Learn how to express your design ideas in CAD *Understand the principles of CAD that are essential to all architects *Turns theory into practice with an international range of contemporary architectural projects