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The result of twenty years of searching out and recording ancient designs on rocks in Oregon and Washington, Pictographs and Petroglyphs of the Oregon Country is now in a convenient, one-volume edition. The authors, Malcolm and Louise Loring, began their monumental task in the early 1960s as members of the Oregon Archaeological Society committee dedicated to surveying and recording rock art. Soon finding themselves a committee of two, they soldiered on with the monumental task of cataloging and illustrating rock art of the region. After Malcolm retired from the US Forest Service in 1963, he and Louise began a full-time effort to record the sites. For many of these sites, this volume is the only record. Part I describes sites in Washington along the Columbia River and sites in northern and central Oregon. Part II contains sites in southern Oregon, Idaho, and Nevada.
While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.
Recipient of the Jo Anne Stolaroff Cotsen Prize The product of ten years of fieldwork at Little Lake Ranch in the Rose Valley, the southern gateway to the Owens Valley, this book presents the results of intensive rock art analyses carried out by the interdisciplinary research team of the UCLA Rock Art Archive. The research attempts to establish a connective web of associations to break down traditional but artificial barriers between rock art and the rest of archaeology. Through time-honored methods of stylistic analysis, the focus is on recent breakthroughs in the analysis of meaning and religion in the context of landscape attributes and ecological opportunities. Regional or ethnic differences suggested by the rock art record has made it possible to create a flexible analytical framework containing previously unpublished or overlooked archaeological excavation and object data. This book describes the occurrence, concentration, distribution, and formal variation of pecked and painted motifs. Scratched, pecked, and painted patterns are analyzed separately. Full-color illustrations throughout enhance the physical appeal of this beautiful book.
In June of 1998 U.S. Fish & Wildlife Service (USFWS) archaeologists, along with students from the Earthwatch program, worked to record both the petroglyph panels and the other cultural resources of the lake. This paper is a report of that archaeological work. It provides a description of the cultural resources of the site, explains the methodologies used to record the petroglyph panels, includes digitized representations of the petroglyphs and photographs of a few of the petroglyph panels and other archaeological features at the site.--Taken from abstract p. iii.
For over half a millennium, the megalithic ruins of Tiwanaku in the highlands of the Andes mountains have stood as proxy for the desires and ambitions of various empires and political agendas; in the last hundred years, scholars have attempted to answer the question "What was Tiwanaku?" by examining these shattered remains from a distant preliterate past. This volume contains twelve papers from senior scholars, whose contributions discuss subjects from the farthest points of the southern Andes, where the iconic artifacts of Tiwanaku appear as offerings to the departed, to the heralded ruins weathered by time and burdened by centuries of interpretation and speculation. Visions of Tiwanaku stays true to its name by providing a platform for each scholar to present an informed view on the nature of this enigmatic place that seems so familiar, yet continues to elude understanding by falling outside our established models for early cities and states.