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In the 1930's and 1940's, the prevalent American view of China was that of a friendly, democratic, and increasingly Christian state, in many ways akin to the United States. This view was fostered by a wide range of literary, political, and business leaders, including Pearl S. Buck, Franklin D. Roosevelt, Wendell Willkie, Joseph Stillwell, Claire Chennault, and most notably, the powerful publisher of Life and Time, Henry R. Luce. This book shows how the notion of the Chinese as aspiring Americans helped shape American opinions and policies toward Asia for almost twenty years. This notion derived less from the reality of Chinese historical or cultural similarities than from a projection of American values and culture; in the American view, fueled by various political, economic, and religious interests, China was less a geographical entity than a symbol of American hopes and fears. One of the more important consequences was the idealization of China and the demonization of Japan.
Contents: V. II, part 1. Translation and annotations -- V. II, part 2, Chinese text.
Our object in producing this book is to supply information about Chinese art that is at once authoritative and introductory. To many it may seem curious that no previous volume of the kind exists ; but to those who know the extreme difficulty of a detailed study of even one part of Chinese art, with its enormous periods and its close relationship to Eastern ideas, it may rather seem curious that anyone should attempt such a summary. We should not have given way to the desire to make such a book had we not known how valuable it would be if properly produced, and had we not felt that we had hit upon the right plan. -- Preface.
Twenty years of experimental art from a globalized China Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography.
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.
This standard specifies technical requirements of surveillance digital video and audio coding and decoding in the field of safety protection. This standard is applicable to real-time compression, transmission, broadcast, storage and other video and audio business in the field of safety protection, which may be used in other video and audio coding and decoding fields for reference.
The current standards stipulate and describe the classifications, features, causes, assessment principles, classifications of standard diagrams and the scope of application, assessment methods and test report of the acid pickled macrostructure of structural steels. The current standards are applicable to assess the allowable and unallowable defects in the acid pickled macrostructure of cross section of carbon structural steel, alloy structure steel and spring steel material (forged or rolled compact). The current standards could also be used to assess the macrostructure of the other steels according to the agreement between the supplying and purchasing parties.