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Early historic Scotland - from the fifth to the tenth century AD - was home to a variety of diverse peoples and cultures, all competing for land and supremacy. Yet by the eleventh century it had become a single, unified kingdom, known as Alba, under a stable and successful monarchy. How did this happen, and when? At the heart of this mystery lies the extraordinary influence of the Picts and of their neighbours, the Gaels - originally immigrants from Ireland. In this new and revised edition of her acclaimed book, Sally M. Foster establishes the nature of their contribution and, drawing on the latest archaeological evidence and research, highlights a huge number of themes, including the following: the origins of the Picts and Gaels; the significance of the remarkable Pictish symbols and other early historic sculpture; the art of war and the role of kingship in tribal society; settlement, agriculture, industry and trade; religious beliefs and the impact of Christianity; how the Picts and Gaels became Scots.
The Picts were an ancient nation who ruled most of northern and eastern Scotland during the Dark Ages. Despite their historical importance, they remain shrouded in myth and misconception. Absorbed by the kingdom of the Scots in the ninth century, they lost their unique identity, their language and their vibrant artistic culture. Amongst their few surviving traces are standing stones decorated with incredible skill and covered with enigmatic symbols - vivid memorials of a powerful and gifted people who bequeathed no chronicles to tell their story, no sagas to describe the deed of their kings and heroes. In this book Tim Clarkson pieces together the evidence to tell the story of this mysterious people from their emergence in Roman times to their eventual disappearance.
In the 780s northern Britain was dominated by two great kingdoms; Pictavia, centred in north-eastern Scotland and Northumbria which straddled the modern Anglo-Scottish border. Within a hundred years both of these kingdoms had been thrown into chaos by the onslaught of the Vikings and within two hundred years they had become distant memories. This book charts the transformation of the political landscape of northern Britain between the eighth and the eleventh centuries. Central to this narrative is the mysterious disappearance of the Picts and their language and the sudden rise to prominence of the Gaelic-speaking Scots who would replace them as the rulers of the North. From Pictland to Alba uses fragmentary sources which survive from this darkest period in Scottish history to guide the reader past the pitfalls which beset the unwary traveller in these dangerous times. Important sources are presented in full and their value as evidence is thoroughly explored and evaluated.
Shortlisted for the 2009 Saltire Society History Book of the Yea. rFrom Caledonia to Pictland examines the transformation of Iron Age northern Britain into a land of Christian kingdoms, long before 'Scotland' came into existence. Perched at the edge of the western Roman Empire, northern Britain was not unaffected by the experience, and became swept up in the great tide of processes which gave rise to the early medieval West. Like other places, the country experienced social and ethnic metamorphoses, Christianisation, and colonization by dislocated outsiders, but northern Britain also has its own unique story to tell in the first eight centuries AD.This book is the first detailed political history to treat these centuries as a single period, with due regard for Scotland's position in the bigger story of late Antique transition. From Caledonia to Pictland charts the complex and shadowy processes which saw the familiar Picts, Northumbrians, North Britons and Gaels of early Scottish history become established in the country, the achievements of their foremost political figures, and their ongoing links with the world around them. It is a story that has become much revised through changing trends in scholarly approaches to the challenging evidence, and that transformation too is explained for the benefit of students and general readers.
When the Romans withdrew from Britain, the north of the country was ruled by the most mysterious of the ancient British races, the Picts. Much of what is known about these “painted” warriors, comes from the remains of the fortifications that they left scattered around Scotland. Although the Picts are famous as sea raiders, they were also subjected to attacks from a number of opponents. To their south, the Romano-British reoccupied the abandoned Roman fortifications and hired Saxon mercenaries to strike against the Picts. Meanwhile, from the west a new group, the Scoti, attacked from Ireland. This book covers the fortification of the ancient Picts in all their conflicts and discusses the importance of these sites as religious centres and seats of power, while using the latest archeological evidence to help unravel the mystery of this ancient race.
During the first millennium AD the most northerly part of Britain evolved into the country known today as Scotland. The transition was a long process of social and political change driven by the ambitions of powerful warlords. At first these men were tribal chiefs, Roman generals or rulers of small kingdoms. Later, after the Romans departed, the initiative was seized by dynamic warrior-kings who campaigned far beyond their own borders. Armies of Picts, Scots, Vikings, Britons and Anglo-Saxons fought each other for supremacy. From Lothian to Orkney, from Fife to the Isle of Skye, fierce battles were won and lost. By AD 1000 the political situation had changed for ever. Led by a dynasty of Gaelic-speaking kings the Picts and Scots began to forge a single, unified nation which transcended past enmities. In this book the remarkable story of how ancient North Britain became the medieval kingdom of Scotland is told.
“A major study of the art of the Picts.” —Library Journal Drawing on their extensive research and expertise, renowned historians George and Isabel Henderson illuminate one of the great enigmas of medieval art: the unique metalwork and sculpture of the Picts. Tribal Celtic-speaking warriors and farmers in what is now Scotland, the Picts were one of the major peoples of early medieval Britain, but their culture and their beautiful art have puzzled historians for centuries. George and Isabel Henderson’s acute analysis reveals an art form that both interacted with the currents of “Insular” art and was produced by a sophisticated society capable of sustaining large-scale art programs. The illustrations include specially commissioned drawings that help one understand the mysterious symbols found in the art.
The dramatic story of Scotland - by charismatic television historian, Neil Oliver. Scotland is one of the oldest countries in the world with a vivid and diverse past. Yet the stories and figures that dominate Scottish history - tales of failure, submission, thwarted ambition and tragedy - often badly serve this great nation, overshadowing the rich tapestry of her intricate past. Historian Neil Oliver presents a compelling new portrait of Scottish history, peppered with action, high drama and centuries of turbulence that have helped to shape modern Scotland. Along the way, he takes in iconic landmarks and historic architecture; debunks myths surrounding Scotland's famous sons; recalls forgotten battles; charts the growth of patriotism; and explores recent political developments, capturing Scotland's sense of identity and celebrating her place in the wider world.
Hector Munro Chadwick (1870-1947) was a literary critic and historian, who made notable contributions to the development of philology. Originally published in 1949, this book was edited and completed after Chadwick's death by his wife, Nora Kershaw Chadwick (1891-1972), another prominent literary scholar. The text presents a detailed study of life in early Scotland, encompassing the Picts, the Scots, and the Welsh of southern Scotland. Numerous illustrative figures and detailed notes are also included. This is a fascinating book that will be of value to anyone with an interest in Scottish and Celtic history.
Some years ago a revolution took place in Early Medieval history in Scotland. The Pictish heartland of Fortriu, previously thought to be centred on Perthshire and the Tay found itself relocated through the forensic work of Alex Woolf to the shores of the Moray Firth. The implications for our understanding of this period and for the formation of Scotland are unprecedented and still being worked through. This is the first account of this northern heartland of Pictavia for a more general audience to take in the full implications of this and of the substantial recent archaeological work that has been undertaken in recent years. Part of the The Northern Picts project at Aberdeen University, this book represents an exciting cross disciplinary approach to the study of this still too little understood yet formative period in Scotland's history.