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(Piano Solo Personality). Astor Piazzolla (1921-1992) was an Argentinian composer, best known for his tangos. Phillip Keveren has arranged 15 of these tangos for late intermediate or early advanced students. Includes: Adios nonino * Calambre * Decarisimo * Dernier lamento * El mundo de los dos * Greenwich * Gulinay * Nuevo Mundo * Presentania * Quand tu liras ces mots (Rosa Rio) * Recuerdo New York * Revirado * Romantico Idilio (Sans ta presence) * Tanguisimo * Te quiero tango.
(Boosey & Hawkes Chamber Music). 25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for alto saxophone and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. Includes Piazzolla's most famous tangos "Libertango" and "Oblivion." Appropriate for the intermediate to early advanced player. Contents: ARTISANE 1 from A Midsummer Night's Dream AUSENCIAS (The Absent) CHANSON DE LA NAISSANCE (Song of the Birth) DANSEE (Dance) from A Midsummer Night's Dream DUO 1 from A Midsummer Night's Dream EL VIAJE (The Voyage) FRACANAPA LA CHANSON DU POPO (The Song of Popo) from Famille d'artistes LIBERTANGO LOS SUENOS (Dreams) MILONGA from A Midsummer Night's Dream MILONGA FOR THREE MILONGA PICARESQUE MUMUKI NUEVO MUNDO (New World) OBLIVION OUVERTURE from A Midsummer Night's Dream PSICOSIS (Psychosis) SENSUEL (Sensual) from Famille d'artistes SIN RUMBO (Aimless) STREET TANGO TANGO FINAL from Famille d'artistes TODO FUE (It All Was) VUELVO AL SUR (I'm Returning South)
(Piano Solo Personality). 28 piano arrangements from the tango master, including: Adios nonino * Buenos Aires Hora Cero * Detresse * El mundo de los dos * Fievre (Fiebre de Tango) * Greenwich * Iracundo * La fin del mundo * Nuevo Mundo * Presentania * Recuerdo New York * Se Termino (C'est fini) * Tango choc (Doudou) * Tanguisimo * Te quiero tango * and more. Includes bio.
(Piano/Vocal/Guitar Songbook). A fitting follow-up to one of the most popular songbooks ever 150 of the Most Beautiful Songs Ever , this collection contains 150 more classics with no duplication of songs between the two volumes. Songs include: All I Ask of You * All the Way * Beautiful in My Eyes * Can You Feel the Love Tonight * Change the World * Cry Me a River * Do I Love You Because You're Beautiful? * Don't Know Why * Dream a Little Dream of Me * Easy Living * Everything Happens to Me * A Fine Romance * Grow Old with Me * I Remember You * I've Got My Love to Keep Me Warm * Imagine * Let's Fall in Love * Love Me Tender * Misty * My Heart Will Go on (Love Theme from Titanic ) * They Say It's Wonderful * Time After Time * A Whole New World * Wonderful Tonight * You Raise Me Up * and more.
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. Rather than perpetuating the glamorous worldwide conceptions that often only reflect the tango that left Argentina nearly 100 years ago, authors Kacey Link and Kristin Wendland trace tango's historical and stylistic musical trajectory in Argentina, beginning with the guardia nueva's crystallization of the genre in the 1920s, moving through tango's Golden Age (1932-1955), and culminating with the "Music of Buenos Aires" today. Through the transmission, discussion, examination, and analysis of primary sources currently unavailable outside of Argentina, including scores, manuals of style, archival audio/video recordings, and live video footage of performances and demonstrations, Link and Wendland frame and define Argentine tango music as a distinct expression possessing its own musical legacy and characteristic musical elements. Beginning by establishing a broad framework of the tango art form, the book proceeds to move through twelve in-depth profiles of representative tangueros (tango musicians) within the genre's historical and stylistic trajectory. Through this focused examination of tangueros and their music, Link and Wendland show how the dynamic Argentine tango grows from one tanguero linked to another, and how the composition techniques and performance practices of each generation are informed by that of the past.
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
The full score to one of Piazzolla's most popular and beloved works. In 1965, Piazzolla began writing Cuatro Estraciones Porteñas, a homage to both the tango and Vivaldi's The Four Seasons, and completed the work in 1970. The Four Seasons: 1. Otoño porteño (Fall) - 6:00 2. Invierno porteño (Winter) - 6:50 3. Primavera porteña (Spring) - 5:20 4. Verano porteño (Summer) - 3:45 The parts are available for rent. Contact [email protected].
(Piano Solo Personality). 28 piano arrangements from the tango master, including: Adios nonino * Buenos Aires Hora Cero * Detresse * El mundo de los dos * Fievre (Fiebre de Tango) * Greenwich * Iracundo * La fin del mundo * Nuevo Mundo * Presentania * Recuerdo New York * Se Termino (C'est fini) * Tango choc (Doudou) * Tanguisimo * Te quiero tango * and more. Includes bio.
The tangos in this collection are not traditional Argentinean dance pieces, but rather instrumental pieces written specifically for the piano. Included are delightful pieces by composers Isaac Albéniz, Ernesto Nazareth, Manuel Ponce, Joaquín Turina and others. The selections range in difficulty from intermediate to moderately difficult. Titles: * Tango, Op. 165, No. 2 (Albéniz) * Danza espagnola, Op. 232, No. 3 (Albéniz) * Cielo de encantos (Campos) * El velorio (Cervantes) * La tarde está amorosa (Cervantes) * Los tres golpes (Cervantes) * Tango (Hinson) * Solace (Joplin) * Duvidoso (Nazareth) * Espalhafatoso (Nazareth) * Famoso (Nazareth) * Fon-fon (Nazareth) * Garôto (Nazareth) * Matuto (Nazareth) * Odeon (Nazareth) * Ranzinza (Nazareth) * Remando (Nazareth) * Sagaz (Nazareth) * Malgré tout (Ponce) * Tango, Op. 8, No. 2 (Turina)