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VIDEO DEMONSTRATIONS, RE-IMAGINED AND RE-RECORDED WITH NEW INFORMATION, NOW AVAILABLE SEPARATELY ON DVD.Praise fort PIANO TECHNIQUE DEMYSTIFIED: "This book is a delightful collection of helpful insights. A terrific aspect is its inclusion of online video demonstrations. Many of the fingerings, note-grouping concepts, rotational ideas and so on make the passages in the examples easier to play than when approached with more traditional ideas." American Music Teacher, Feb./Mar., 2015***INCLUDES LINKS TO VIDEO DEMONSTRATIONS, NEW AND EXPANDED CHAPTERS, MORE DETAILED INFORMATION ON FINGERING CONCEPTS. ***If you've ever felt at a loss as to how to achieve the excellence you would like at the piano, then take a look at this book. In this volume you will find the distillation of a life in music, a "how to" for the musician seeking joy in music-making. Here are insights into learning to play using the natural design of the body. Dispel old wives' tales and myths left over from the 18th century harpsichordists. Learn to make accurate leaps, to play fast without feeling hurried. What is practicing and how and why should we memorize music? And how can we put anxiety to good use? What is a good hand position and really, how slowly should I practice? Non-pianists will find ample information on the learning process and many aspects of performing. The author took part in the first Taubman Institute at Rensselaerville, NY, and though not a representative of the institute, he has participated in many, studying privately in New York for many years with Edna Golandsky.***Comments from readers: "I've read and re-read your book since receiving it months ago as a gift from a pianist friend. Your advice and instruction have moved from the merely intellectual to the gut level of understanding. And, like that proverbial road not taken, it has made all the difference. Practicing and playing are a joy now that my fingers and forearms are cohabiting and working peacefully together. The keyboard no longer feels like an adversary, but my friend in music-making. I particularly appreciated the psychological insights you offer for performance anxiety, nerves and other demons that afflict most of us. 'The committee' made me laugh and gave me hope: most helpful to externalize all those internalized voices with one, annoying group of malcontents. Thanks for that and all the other intuitive observations about playing. You've been a great help already." ...Michael in New York City***"After closing the last page [of your book], I was compelled to learn more about the genius who put this information together, in MY language. I want to thank you for doing me such unbelievable service with this book...Your book has turned the tides for me today, and I am so very grateful. In fact, I will be using it as a Christmas gift for all my pianist friends. I have no doubts that they too will find your book to be inspiring and helpful."...Chase in Tampa, Florida***"Thanks for a Great book." ...Eric in Rochester, NY*** "I have your book, which I like very much, and I find these videos very helpful in clarifying the material . I've watched the "On Fingering ..." video many times, and I would love to see more. Thanks again." ... Bruce
Describes and demonstrates the places of balance, standing and sitting in balance, structure, movement of the hands and arms, and other topics.
Brahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.
INCLUDES LINK TO VIDEO DEMOS. Pianists are horizontalists. When confronted with competing horizontal lines, though, we are called upon to rethink our predilection for spinning a single line beautifully to the right. To some it may seem sacrilege, but we must think more vertically. In these pages we consider the techniques of coordinating more than one musical line. We learn to apply principles of grouping notes together and shaping lines in certain ways for technical ease. We consider fingerings, sometimes more than one. When technical solutions coincide with musical objectives, we are delighted. But when there is a technical problem, we examine it on its own merits. No mindless rote here. We consider approaches to ornamentation and articulation and their expressive partners, dynamics and phrasing. All of this gently couched in physical movements so natural to the body as to be irresistible.***Praise for the previous volume, "Piano Technique Demystified": "This is an excellent book. Whether you are an advanced pianist or a novice, the concepts shared in this book will bring your technical skills at the piano to a new level." "This is a very well written book with lots of humor and fascinating anecdotes shared by the author. The reader is sure to find a wealth of useful and helpful information to enhance mastery of the piano." "Neil Stannard provides a clear, concise summary of how to co-ordinate good movement patterns into your piano practice. He approaches learning difficult repertoire as a series of solvable problems, and offers the reader many tools to come up with solutions."
(Piano Adventures Supplementary). While nearly every pianist's training includes the renowned exercises of Charles-Louis Hanon, the power and weight of the modern grand requires an updated approach. This unique edition introduces vital pianistic warm-ups and routines that ensure correct gesture and relaxation. The pedagogical sequence omits inefficient and potentially damaging exercises and presents a long-needed pathway for dexterity and gesture that newly advances the virtuoso pianist. * Includes selected exercises from Hanon's The Virtuoso Pianist, Parts 1 and 2 * New transformative warm-ups develop gesture, dexterity, and virtuosity * For students in Levels 3A, 3B, and above
(Educational Piano Solo). Since its first publication in 1873, Charles-Louis Hanon's Le Pianiste Virtuose ( The Virtuoso Pianist ) has became an undisputed classic, the staple of technical study in music schools and conservatories worldwide. Easy Hanon is a simplified version of the first part of the book (20 exercises), along with the major and minor scales, arpeggios, and additional excerpts. The exercises have been shortened and condensed to make them more accessible for the elementary to intermediate level pianist. A bonus practicing plan created by the editor includes suggested rhythmic and articulation variations to the exercises. Includes: exercises 1-20; exercises for turning the thumb under; preparatory exercises for the scale; major and minor scales; chromatic scales; arpeggios; practicing plan; and more!
A slight condensation of Hanon's first exercises. The simplification in layout and range make the exercises appear less difficult to a young student.
This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/