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Titles: * Allegro (Bartók) * Bagatelle, Opus 6, No. 6 (Bartók) * Le Petite Berger (Debussy) * Le Petite Nègre (Debussy) * Prelude No. 2 (Gershwin) * Waltz, Opus 123, No. 6 (Gretchaninoff) * Playing Ball (Kabalevsky) * Toccatina, Opus 27, No. 6 (Kabalevsky) * The Bagpipes (Menotti) * Lullaby (Menotti) * The Manger (Menotti) * Gymnopedie No. 1 (Satie) * The Mechanical Doll (Shostakovitch) * Vivo (Stravinsky)
The 11 titles include: Prelude in D Minor (Bach) * Prelude No. 1 in C Major (Bach) * Two-Part Invention No. 8 in F Major (Bach) * Allemande (Couperin) * Prelude No. 8 in E Minor (Couperin) * Sarabande in F Major (Handel) * La Joyeuse (Rameau) * Sonata in C Major (Scarlatti) * Sonata in D Minor (Scarlatti) * Bourr_e in F Major (Telemann) * Fantasia in C Minor (Telemann).
The 16 titles include: Arabesque, Opus 100, No. 2 (Burgmuller) * Ballade, Opus 100, No. 15 (Burgmuller) * Prelude, Opus 28, No. 4 (Chopin) * Prelude, Opus 28, No. 7 (Chopin) * Spinning Song (Ellmenreich) * Patriotic Song (Grieg) * Morning Song (Gurlitt) * Scherzo (Gurlitt) * To a Wild Rose (MacDowell) * Ecossaise in D Major (Schubert) * Berceuse, Opus 124, No. 6 (Schumann) * The Happy Farmer (Schumann) * The Wild Horseman (Schumann) * Italian Song (Tchaikovsky) * Morning Prayer (Tchaikovsky) * The Sick Doll (Tchaikovsky).
Featuring authentic keyboard pieces exclusively from the Classical Period, this collection serves as an excellent introduction to classical keyboard literature for late-elementary to early-intermediate level performers. Well-placed fingerings, minimal dynamic markings, suggested realizations of ornaments in footnotes, limited articulations, and well-spaced engraving make this an ideal transitional book to introduce students to standard repertory. Outstanding literature selected for its quality and accessibility include: Allego, K.3 (Mozart) * Country Dance in D (Beethoven) * Ecossaise, WoO23 (Beethoven) * German Dance in A, WoO 42 (Beethoven) * German Dance in D (Haydn) * German Dance in E (Haydn) * Gigue (Arnold) * Little Dance and Rondo (Turk) * Melody and Sonatina Op. 168, No. 2 (Diabelli) * Menuett K.1, K. 2, and K. 6 (Mozart) * Minuet in G (Haydn) * Two Minuets (L. Mozart) * Minuetto (Hook) * Sonatina in C (Duncombe) * Sonatina in C (Haslinger).
Titles: * Sonatina in C Major (Biehl) * Andante in F Major, Bright Is the Sky, The Festive Dance and In the Garden (Gurlitt) * Children's Song (Kohler) * Ecossaise in G Major (Schubert) * Melody op. 68, no. 1 and Soldier's March op. 68, no. 2 (Schumann) * Old French Song op. 39, no. 6 (Tchaikovsky) and more.
Titles: * Chorale in F Major, Minuet in G Major, Musette in D Major and Polonaise in G Minor (Bach) * King William's March and Trumpet Minuet (Clarke) * Le Petite Rein (Couperin) * Bourr_e No. 1 in G Major and Sarabande in D Minor (Handel) * Air in D Minor (Purcell) * Rondino in C Major (Rameau) and more.
A progressive repertoire series designed to motivate students while allowing them to progress evenly and smoothly from the earliest classics toward intermediate literature. These pieces are from the standard classical literature, chosen to appeal both to teacher and student. Each volume comes with a corresponding CD. PIanist Kim O'Reilly Newman holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Music. Kim is a brain tumor survivor and now specializes in performing music for the left hand.
This collection includes 13 of the most often taught pieces from the large Notebook for Anna Magdalena Bach. Special highlights include a composer biography, history of the notebook, research notes on each piece, and written out ornaments. A must for all teachers and students.
A beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.
Contains Heller's finest etudes, including: Opus 45, Nos. 2, 7, 10, 16, and 22 * Opus 46, Nos. 2, 7, 8, and 11 * Opus 47, Nos. 3, 13, and 15 * Opus 138, No. 9 * Opus 125, No. 8.