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The Piano Concerto in E-flat Major, WoO 4, is Beethoven¿s earliest concerto and probably his first work to use any sort of an orchestra. Probably composed in 1785, the work is a substantial one, with three fully-developed movements spread fairly evenly over its thirty-five minute length. A manuscript copy of the solo piano part (no full score has been found) contains all tutti sections as well as instrumental cues indicating an orchestra of two flutes, two horns, and strings. In 1943 a workable version for piano and orchestra assembled by Swiss musicologist Willi Hess was published, but it was a product of its time, and some liberties were taken (for instance, the endings of the second and third movements were changed). The present edition retains Beethoven¿s scoring and also features parts for bassoons, which would normally have played along on the bass line. The original endings of the Larghetto and Rondo have been restored, original dynamics are closely adhered to, thematic material is introduced at logical places, and interplay between the soloist and various instruments is featured at a number of locations. Beethoven tightened up this concerto by crossing out measures in all three movements, and these have been included in appendices.
The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
Widely regarded as the greatest composer that ever lived, Ludwig van Beethoven was the principal musical figure in the transitional period between the Classical and Romantic eras. Dominating a period of musical history as no other composer before or since, Beethoven produced monumental works that combine a forceful intensity of feeling with a perfection of design. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Beethoven’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Beethoven’s masterworks * Learn about the classical pieces that made Beethoven a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you are reading about * Features a special ‘Complete Compositions’ section, with an index of Beethoven’s complete works and links to popular streaming services * Includes Beethoven’s letters (translated by Lady Wallace) - spend hours exploring the composer’s personal correspondence * Also features four biographies, including Thayer’s seminal study - explore Beethoven's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Cantata on the Death of Emperor Joseph II Piano Concerto No. 2 Piano Sonata No. 8, Pathétique Symphony No. 1 Piano Sonata No. 14, Moonlight Sonata Violin Sonata No. 9, Kreutzer Sonata Symphony No. 3, Eroica Fidelio Violin Concerto in D major Symphony No. 5 Symphony No. 6, Pastoral Egmont Bagatelle No. 25, Für Elise Piano Concerto No. 5, Emperor Concerto Piano Trio No. 7, Archduke Symphony No. 7 Missa solemnis Symphony No. 9 String Quartet No. 14 Complete Compositions Index of Beethoven’s Compositions The Letters Beethoven’s Letters (1790-1826) The Biographies Life of Beethoven by Anton Schindler The Life of Ludwig van Beethoven by Alexander Wheelock Thayer Beethoven: A Memoir by Elliott Graeme Brief Biography: Ludwig van Beethoven by Donald Francis Tovey Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
A rare volume dedicated entirely to scholarship on the genre of the concerto.
This book offers an insight into Beethoven's career, showing in well-documented detail the rise and decline of his powers as a performer.
First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven’s piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
The book description for the previously published "Thayer's Life of Beethoven" is not yet available.