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This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.
Editor Thomas Labí© has produced a new critical edition of Robert Schumann's Piano Concerto in A Minor, Op. 54 based on the autograph manuscript and the composer's personal copy of the first printed edition. Labí© has included extensive historical background, helpful performance suggestions, expert fingering and a new orchestral reduction for second piano, making this among the most comprehensive editions available of Schumann's only published piano concerto.
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
The pieces in this series are long-time favorites that have appeal for pianists of all ages. Very carefully correlated to standard piano method levels, each book contains arrangements that are musically appropriate to that level. The arrangements are teacher friendly, even for the teacher who is reluctant to add pop music to the curriculum. And the series is student friendly -- there will be willing practice! Titles: * Begin the Beguine * Evergreen * I Only Have Eyes for You * Stairway to Heaven * 'S Wonderful * Star Wars (Main Title) * Tea for Two * Theme from A Summer Place * The Thorn Birds (Main Theme) * The Wind Beneath My Wings * Your Smiling Face.
Edvard Grieg's Concerto for Piano, Op. 16, is one of the most beloved works in the piano repertoire. Composed in 1868, it combines elements of the Norwegian folk tradition with classical forms and structures, resulting in a vibrant and expressive work that is both accessible and technically challenging. This edition includes a detailed introduction and analysis of the concerto, as well as performance notes and suggestions. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Composed in 1901 for Leopold Auer, Arensky's unjustly neglected concerto is a one-movement gem which serves as a superb example of the lyrical Romantic style developed by the young composer, a student of Tchaikovsky. This new digitally-enhanced reissue of the score issued by P. Jurgenson will be a welcome addition to violinists, conductors, and anyone interested in exploring the music of this Russian composer. In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly checked to make sure it is readable, then beautifully printed on quality stock with an attractive glossy cover. Matching full score and orchestral parts are also available from Serenissima Music (95832).