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A new study of the mathematical-physical mode of cognition.
Hilary Putnam's unceasing self-criticism has led to the frequent changes of mind he is famous for, but his thinking is also marked by considerable continuity. A simultaneous interest in science and ethicsÑunusual in the current climate of contentionÑhas long characterized his thought. In Philosophy in an Age of Science, Putnam collects his papers for publicationÑhis first volume in almost two decades. Mario De Caro and David Macarthur's introduction identifies central themes to help the reader negotiate between Putnam past and Putnam present: his critique of logical positivism; his enduring aspiration to be realist about rational normativity; his anti-essentialism about a range of central philosophical notions; his reconciliation of the scientific worldview and the humanistic tradition; and his movement from reductive scientific naturalism to liberal naturalism. Putnam returns here to some of his first enthusiasms in philosophy, such as logic, mathematics, and quantum mechanics. The reader is given a glimpse, too, of ideas currently in development on the subject of perception. Putnam's work, contributing to a broad range of philosophical inquiry, has been said to represent a Òhistory of recent philosophy in outline.Ó Here it also delineates a possible future.
Includes section "Book reviews."
Publisher Description
This volume of new essays, written by leading philosophers of science, explores a broadly methodological question: what role should metaphysics play in our philosophizing about science? The essays address this question both through ground-level investigations of particular issues in the metaphysics of science and by more general methodological investigations.
A physics professor pairs short, elegantly written essays with simple drawings that offer engaging and accessible explanations of 51 key ideas in physics, from triangulation to relativity and beyond Humans have been trying to understand the physical universe since antiquity. Aristotle had one vision (the realm of the celestial spheres is perfect), and Einstein another (all motion is relativistic). Understandings often begin with a drawing, a humble but effective tool of the physicist's craft, part of the tradition of thinking, teaching, and learning passed down through the centuries. Don Lemons, a professor of physics and author of several physics books, pairs his essays with drawings that together convey important concepts from the history of physical science. The essays proceed chronologically, beginning with Thales' discovery of triangulation, the Pythagorean monochord, and Archimedes' explanation of balance. Readers will learn about Leonardo's description of “earthshine” (the ghostly glow between the horns of a crescent moon), Kepler's laws of planetary motion, and Newton's cradle (suspended steel balls demonstrating by their collisions that for every action there is always an equal and opposite reaction). Lemons reaches the 20th and 21st centuries with pieces on the photoelectric effect, the hydrogen atom, general relativity, the global greenhouse effect, Higgs boson, and more. The essays also place the science of the drawings in historical context—describing Galileo's conflict with the Roman Catholic Church over his teaching that the sun is the center of the universe, the link between the discovery of electrical phenomena and the romanticism of William Wordsworth, and the shadow cast by the Great War over Einstein's discovery of relativity.