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A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.
Now Back in Print!Eighty-plus brilliant color photographs are accompanied by captions and essays from experts of Voodoo, or VODOU, the dazzlingly symbolic spiritual tradition. Photographer Phyllis Galembo shows us the human and divine faces and voices of real Haitian Vodou in a beautiful, personal, and intimate document of a fascinating and deeply misunderstood religion.Reissued with a new cover to coincide with the author's one-person show at the Albany Institute of History and Art in New York.A groundbreaking collection that was before its time. As alternative religions such as Wicca gain in popularity, less understood traditions such as vodou are garnering more attention. Captions and essays from experts in the field accompany brilliant photographs documenting the vodou religious practice.
A Whimsical array of ghosts and goblins, spooks and skeletons, animals and nursery-room characters parade through this unparalleled collection of more than one hundred years of American Halloween costumes and masquerade. Photographer Phyllis Galembo approaches her subjects with the delight and wonder of one who has discovered an entire cast of characters backstage in an abandoned theater. Through her lens, the costumes rise from the dead to once again dance, play, and amuse. Ranging from handmade to store-bought, satin to polyester, the masks, wigs, and costumes, whether recognizable figures or obscure, pique our childhood memories. In her celebration of Halloween revelry, Galembo never settles for the ordinary; instead she creates evocative scenes of dressed-to-scare young trick-or-treaters "modeling" their disguises and of undead spirits haunting their surroundings. The costumes, which span over a century, take on magical qualities through fanciful sets and specialized lighting effects. Accompanying the costumes is a history of this always-popular holiday and essays discussing Galembo's inspirations and techniques. Through her art, Galembo allows us to act out our youthful fantasies of transformation -- to become, or at least observe, what we most want to be: free of inhibitions, of fixed notions of identity. Her images make us laugh and dream and maybe even believe in ghosts. Book jacket.
The first section of this book contains rare photographs of traditional priests and priestesses and the shrine objects they use. Both the essay by Rosen, an ordained Olokun priestess, and Galembo's powerful photographs illuminate some of West Africa's elaborate cultural and religious traditions. The second section explores the Brazilian form of ancient African spiritual religion brought to the New World during the Atlantic slave trade of the sixteenth century. This book breaks new ground in the study of African diaspora while it provides powerful photographs that are, above all, a celebration of the senses.
Gary Baseman offers you a nostalgic and eerie tribute to one of America's favorite holidays through his personal collection of vintage Halloween pictures. In Nightmares of Halloween Past, Gary Baseman presents for the first time his unique collection of found vernacular Halloween-themed pictures collected over the last twenty years. Here, you can discover photos he has gathered at garage and yard sales, thrift stores, and received as submissions from online fans, all presented in this dark and eerie photobook of adults and children on All Hallows' Eve. The photos compiled here speak a thousand words and inspire a thousand more questions. What might first appear scary will soon become endearing when you realize that many faces under the ghoulish masks and macabre costumes are smiling and having fun. A must for any Halloween and Americana lover
This is a state-by-state guide for collectors and general folk art enthusiasts to learn about the types of masked dances still carried out in Mexico's Indian and mestizo communities today. Close to one hundred color photographs of authenticated masks from the collection of the Museum of International Folk Art are presented, including finely carved pieces from the nineteenth century to simple face coverings made in the past ten years. The masked ceremonies are brought to life with documentary photographs showing masqueraders acting out their roles. --Amazon.
Working closely with Moebius Productions in France, Dark Horse is putting the work of a master storyteller back in print--with some material in English for the first time! Stel and Atan are interstellar investigators trying to find a lost space station and its crew. When they discover the mythical paradise planet Edena, their lives are changed forever. The long out-of-print Edena Cycle from Moebius gets a deluxe hardcover treatment! Moebius's World of Edena story arc is comprised of five chapters--Upon a Star, Gardens of Edena, The Goddess, Stel, and Sra--which are all collected here. A storyboard artist and designer (Alien, Tron, The Fifth Element, among many others) as well as comic book master, Moebius's work has influenced creators in countless fields. “Moebius is a master draftsman, a superb artist, and more—his vision is original and strong.” —George Lucas
Bilingual, to appeal to the Spanish-speaking market in the US and in Mexico. The first book (in either English or Spanish) dedicated solely to this branch of handcraft ingenuity, in spite of its long importance to the Mexican festival calendar. In the past 20 years, the craft has experienced a renaissance, resulting in new forms, monumental sizes, cartonería events, and the spread of working with paper and paste in other parts of the country. This book is the first to document the craft's importance, and its revival.
This work provides a more literal take on the title of Ed Ruscha's iconic photobook 'Colored people' (1972). It is a collaboration with sixteen people who were asked to photograph themselves, acting out metaphorical moods related to colour. Piper then took responsibility for selecting and sorting the photographs, depending on her response to the expressions. According to Piper, the book "was intended as a light-hearted conceptual gesture with serious implications".--Publisher's website.