Download Free Phrasis Book in PDF and EPUB Free Download. You can read online Phrasis and write the review.

The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
This second collection by Wendy Xu develops her lyricism--a seraphic, extractive poetics--in the serenely personalized landscape of Brooklyn.
This etymological dictionary gives the origins of some 20,000 items from the modern English vocabulary, discussing them in groups that make clear the connections between words derived by a variety of routes from originally common stock. As well as giving the answers to questions about the derivation of individual words, it is a fascinating book to browse through, and includes extensive lists of prefixes, suffixes, and elements used in the creation of new vocabulary.
This volume provides the first modern scholarly editions of four works on the rhetoric of counsel by Sir Thomas Elyot (1490-1546), humanist scholar and advisor to Henry VIII of England. The Doctrinal of Princes, a translation of Isocrates’ To Nicocles, and probably the earliest English book translated directly from Greek into English, consists of a collection of aphorisms, all advising moderation, addressed to monarchs. Pasquill the Playne, the first English pasquinade, is a comic dialogue on the ethical challenges involved in counseling a prince. Of That Knowledge Which Maketh a Wise Man is a direct imitation of a Platonic dialogue, in which Plato’s confrontation with the Sicilian tyrant Dionysius is given dramatic form. A third dialogue, The Defense of Good Women, is the first printed English book that argues for the moral and political equality of women to men. Included in the volume are a general introduction to Elyot’s life and political career, extensive critical introductions to each of the texts, full recordings of the variations between printed editions, and substantive notes.
Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.
Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.