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A practical art book designed to comprehensively illustrate the use of liquid photographic emulsion, this book showcases the work of top photographers and artists, such as David Scheinmann, Chris Nash, Lana Wong, Melanie Manchot, Jennifer Bates, and Jane Quinn. A clear and concise technical guide, taking the reader through all the necessary steps to produce exciting images on a multitude of surfaces, including handmade paper, plaster, fabric, glass, ceramics, rubber, metal, painted surfaces, wood, plastics, and stone is also included.
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
This guide explains how to transfer polaroid images onto artists' papers,ilk, wood, and tile. It also describes how to enhance these pictures withaint, markers and crayons.
In Digital Alchemy, acclaimed printmaker Bonny Pierce Lhotka shows how to turn your standard inkjet printer into a seemingly magical instrument capable of transforming your printed images into true works of art. Using plenty of visuals and straightforward terms, Lhotka walks you step-by-step through over a dozen projects. Forget printing on boring old paper, in Digital Alchemy, you’ll learn how to transfer and print images to a variety of surfaces including metal, wood, fabric, stone, and plastic using the techniques Lhotka’s spent years developing. If you’re a photographer looking for new ways to personalize your work or a digital artist who’s ready to take your work to the next level, you’ll find all of the tools, techniques, and inspiration you need in this book. Lhotka’s enthusiasm for experimenting with unusual printing materials and processes has led her to create new and amazing transfer techniques, including one that resembles a PolaroidTM transfer on steroids. She also shows you how to make prints using unexpected, everyday materials such as hand sanitizer and gelatin. You’ll even learn direct printing, the technique for sending your custom substrate through your printer almost as if it were paper. In Digital Alchemy, you’ll learn how to: Transfer images to metal, wood, plastic, and other materials that will not feed through an inkjet printer Print directly on metal for a fraction of the cost of using a print service Simulate a print from an expensive UV flatbed printer using an inexpensive desktop printer Use carrier sheets and paintable precoats to print on almost any surface Achieve near-lithographic quality digital prints with transfer processes to uncoated fine art paper In addition to the tutorials in the book, you can watch Lhotka in action on the included DVD-ROM, which has over 60 minutes of video footage where you’ll learn how to perform an alcohol gel transfer, transfer an image to a wooden surface, use your inkjet printer to achieve remarkable prints, and more. Simply insert the DVD-ROM into your computer's DVD drive. Note, this DVD-ROM will not work in TV DVD players.
Over 25 unique effects illustrated with process photos, finished examples, and variations. Mixed Emulsions is a follow up to Karen Michel's book, The Complete Guide to Altered Imagery. Mixed Emulsions: Altered Art Techniques for Photographic Imagery takes a slightly different tact, bringing traditional and digital photography front and center, showing the many ways that photographic imagery can be manipulated, not electronically, but using various art materials and techniques. The chapters explore ways to add color (paints, oil sticks, watercolors, inks), ways to add texture (embossing powders, gessos, pastes, wax), and special effects (printing on unusual substrates, imprinting, photo mosaics, using tissue, fabric, cardboard). Altered art continues to grow as an area of interest for many kinds of crafters. A great technique book for artists looking to expand the creative possibilities for altered photography A gallery of artwork by other well-known artists offers further inspiration
Reprint of the original, first published in 1881.
For the second year running, anthotype and alternative photographic process artists from all over the world came together. On Saturday, the 19th of August 2023, anthotypes were created and photographic prints were made from plants and pigments. The second World Anthotype Day was celebrated by artists creating vibrant and colourful photographs from homemade emulsions made from plants, powders or dyes, and then exposing the prints in the sun. World Anthotype Day was facilitated by a small team at AlternativePhotography.com and this book is a collection of the artists’ research, process and notes to learn and draw inspiration from. The collective research of almost 140 artists from 31 countries has been compiled in this book, covering emulsions made by: Annatto, Avocado, Bahraini almond, Balloon flower, Beach rose, Beetroot, Begonia, Bellflowers, Birch, Black elder, Black swallow wort, Blackcap raspberry, Bloodroot, Blueberry, Bougainvillea, Bracken, Brown-eyed Susan, Calendula, Chard, Chokeberries, Clematis, Cocoa, Cosmos, Costa Rican pitahaya, Crown lime, Dandelion, Fennel, Fern, Fireweed, Flame vine, Genipap, Geranium, Grape, Greater celandine, Hibiscus, Hollyhock, Hosta, Indian shot, Indigo, Iris, Jaboticaba, Jamaica flower, Juneberry, Kale, Lamb’s quarter, Lamb’s-ear, Lily of the valley, Lupine, Mallow, Mango, Mangosteen, Morning glory, Mulberry, Mustard, Nasturtium, Nettle, Oak, Onion, Paprika / Pepper, Peony, Peregrina, Persimmon, Plum shiso, Pokeweed, Poppy, Pumpkin, Red cabbage, Rocket, Rose, Saffron crocus, Saint George’s sword, Service berry, Silk floss tree, Sour cherry, Spinach, Squill, Strawberry, Sweet pea, Syngonium, Tayoba, Tea, Tomato, Tulip, Tulip tree, Turmeric, Walnut, Wine, Wineberry, Wonga-wonga vine and Yerba mate. Whether you are a beginner at the anthotype process or an experienced anthotypist, this book is invaluable and will save time in finding the next plant or pigment to use in your printing, or simply give you inspiration.