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Shawn M. Tomlinson, with the help of fellow photographer Gary W. Ziroli, reconsiders the camera brand that got him started long before digital single-lens reflex cameras existed. In this 12th volume of Shawn M. Tomlinson's Guide to Photography, the author outlines the history of the camera maker, its film and digital cameras, and explains why Pentax is a viable choice for the serious amateur, enthusiast, semi-pro and professional photographer. From the book: "I was a Pentax Loyalist for years, then a Pentax Apologist, then I rather switched that fight it anymore, then I began to re-appreciate Pentax. ... The point was/is that I write these guide books to help the less-than-wealthy budding photographer get the best equipment possible for the lowest prices possible. ... I write this stuff because I know what it's like to yearn for the newest, shiniest cameras and lenses, yet at the same time know that I cannot possibly afford them. I know there are a lot of other people out there who have the same problem."
The designers at Nikon in 2004-05 were looking for a way to reach the semi-pro photographer. The semi-pro is someone who has another job but shoots photos Ñ often at weddings Ñ as a part-time job. TheyÕre sometimes called weekend warriors. They tend to be serious and dedicated, but they had no need for the pro digital single-lens reflex behemoths like the Canon EOS IDX Mark II or the Nikon D5. What they needed then and now is a DSLR camera that is built strong, is always reliable and can handle their workload. That led to the first true semi-pro camera from the company, the Nikon D200. The D200 may have been overshadowed by its successor, the Nikon D300, but itÕs still a great camera. A great camera that can be had relatively cheaply, and that makes it an even better camera.
In this expanded edition of 'Photography: The Workhorse DSLR: Revisiting the Canon EOS 20D, ' photographer and author Shawn M. Tomlinson reminds us of just what a great camera the 20D was. The camera is relevant today, especially for those just starting out in photography. Tomlinson illustrates the book with many images shot with the Canon EOS 20D, which he uses frequently in his own work. This popular volume now contains more details and hands-on practice hints and tips
I have been somewhat reluctant to write about the absolute best digital single-lens reflex camera I have ever used, the Nikon D800E. The reason is that I like to write about older cameras that have become cheaper to buy and use for the frugal photographer. Although some of the cameras I have written about were terribly expensive when first released, by now they are reasonably cheap. For example, IÍve written books about the Canon EOS 1DS/1DS Mark II, the Nikon D1 and the Nikon D2X. These all are pro DSLRs and as such were released at prices ranging from $6,000 to $8,000. By now, however, the most you will pay is around $400 for any of them. In a few years, the Nikon D800E, too, will be much cheaper and an obvious choice for the frugal photographer. No matter the price, the D800 and D800E are two of the best DSLRs ever made. Either will change you as a photographer in fantastic ways.
The author takes a look at the reasons to buy a second digital single-lens reflex camera body and gives some advice about what the 2nd DSLR should be. This expanded edition goes more in-depth about the reasons to own a 2nd DSLR body and includes film SLR cameras and a handy backup system.
In the ninth volume of Shawn M. Tomlinson's Guide to Photography, the author finally gets around to directly helping the novice photographer move from smartphone cameras to serious cameras. In this expanded edition, the basics of how to make great photos and launch into serious photography are explained. Everything from aperture, shutter speed, ISO and shooting modes to composition and photo processing get a thorough treatment. It's a great starting point for the budding photographer
A while back, I wrote a guide to the first truly professional and practical DSLR camera, the Nikon D1, titled: Photography: Going Pro for $200: Revisiting the Nikon D1. That volume proved popular and I hope it helped some photographers to get started with their first pro DSLRs. The aged D1 may not have the megapixels of modern cameras, and it certainly has some frustrating menu items, but it is a fun and inexpensive way to get your hands on a pro DSLR without spending a lot of money. This book recently was expanded for print and adds details about the Nikon D1x and D1H. The thing is that, if you are like me, once you've shot with a pro DSLR, it makes you hungry for more. But those current models - the Canon EOS 1Dx and Nikon D4s (the latest as of this writing) - still have huge price tags that can bring tears. The best thing is that, used, you can put your hands on a D2x for less than $400 and get one of the best lenses Nikon makes - the Nikon AF D 50mm f/1.8 - for another $100.
You've done it!You've finished your novel (or memoir, or how-to, or poetry collection, etc.).Sit back. Breathe a sigh, take a drink, light a cigar.You've done it!Now what?Usually, an author is so exhilarated by finishing a book that he or she doesn't really think about what's next.Sure, there are those dreams of every publisher knocking at your door, starting a bidding war for your manuscript and your book becoming a best-seller over night.And that can happen. It does occasionally, but more often the hard work still is to come.This book is not for those authors who get an agent who gets them editors who convince their publishers to publish their books.This book is for those intrepid souls who decide the only way to maintain control over their books -- and/or to make more money per book than with a traditional publisher -- is to self-publish.
Be wary, ye whoÉ Sorry. Just wanted to warn you up front that some of these stories donÕt have conclusions. Most of them do, but some I just never could finish. Oh, yeah, and some of them are parts of series that are here published alone because I just was unable to find the other stories. I swore when I was young that that would never happen to me. It did. IÕm dealing with it. The reason that such stories Ñ those without endings and those for which there are other, connected stories Ñ is that, well, IÕm getting old. I wanted to collect the majority of my writings before IÕm dead. Some of these are very early stories. The earliest, I believe, is ÒCounterterrorist.Ó Yes, the main characterÕs name is Jack, but it was written many years Ñ decades Ñ before Jack Bauer, counterterrorist, made it to TV in 24. That should be obvious, but I thought IÕd mention it. Just try to enjoy the stories.
Outside was crazy. The thick, coming storm weighed me down. It could come any minute: thunderous, hurricane rain, followed by all kinds of hell. I dashed across the lawn, into The Lab and up the stairs. The bookcase was locked. Most of our books anyone can look at. Some, we donÕt think would be wise to let out. I fumbled the key chain, looking for the tiny key that could open the door. I managed to get it near the keyhole when the electricity died. Cara may curse my pipe, but right then, I think sheÕd have been glad I had a lighter. The lighter helped me again. The deep, old books were a window to the past. We had read few. That would entail things like dying horrible deaths. Instead, we had a collection of Òabout books, Ó essays written anywhere from last year to a thousand years ago. The one I was looking for was deep red, 'AichlanÕs Deimos.' In it I hoped to sort out how to send Xith back to wherever the hell it came from before it ate Lily Dale, or whatever it does.