Download Free Photography Migration And Identity Book in PDF and EPUB Free Download. You can read online Photography Migration And Identity and write the review.

Between the 1933 Nazi seizure of power and their 1941 prohibition on all Jewish emigration, around 90,000 German Jews moved to the United States. Using the texts and images from a personal archive, this Palgrave Pivot explores how these refugees made sense of that experience. For many German Jews, theirs was not just a story of flight and exile; it was also one chapter in a longer history of global movement, experienced less as an estrangement from Germanness, than a reiteration of the mobility central to it. Private photography allowed these families to position themselves in a context of fluctuating notions of Germaness, and resist the prescribed disentanglement of their Jewish and German identities. In opening a unique window onto refugees’ own sense of self as they moved across different geographical, political, and national environments, this book will appeal to readers interested in Jewish life and migration, visual culture, and the histories of National Socialism and the Holocaust.
When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.
Written in the context of unprecedented dislocation and a global refugee crisis, this edited volume thinks through photography’s long and complex relationship to human migration. While contemporary media images largely frame migration in terms of trauma, victimhood, and pity, so much more can be said of photography’s role in the movement of people around the world. Cameras can document, enable, or control human movement across geographical, cultural, and political divides. Their operators put faces on forced and voluntary migrations, making visible hardships and suffering as well as opportunity and optimism. Photographers include migrating subjects who take pictures for their own consumption, not for international recognition. And photographs themselves migrate with their makers, subjects, and viewers, as the very concept of photography takes on new functions and meanings. Photography and Migration places into conversation media images and other photographs that the contributors have witnessed, collected, or created through their diverse national, regional, and local contexts. Developed across thirteen chapters, this conversation encompasses images, histories, and testimonies offering analysis of new perspectives on photography and migration today.
Today, more people than ever are fleeing persecution and war. Over 68 million people are on the move worldwide, according to the UN's latest figures. With his new book "Migration as Avant-Garde," Michael Danner delivers a moving, critical, and thought-provoking contribution to the current public debate. He skillfully deploys a variety of elements and combines his own photos and texts with historic images. The result is a consistent but multifaceted narrative, which is frequently deconstructed both in terms of design and content. While the title at first seems somewhat bewildering, it becomes self-explanatory in the course of reading the quotations, interspersed throughout the book, from Hannah Arendt's 1943 essay "We Refugees." The events that Arendt wrote about more than seventy years--giving up one's home, one's friends, family, and language--are more pressing today than ever before. In search of progress, driven by the desire for a better future, and risking their lives, people both then and now hit the road, break through physical and psychological boundaries, and thus provide our society with new perspectives and ways of thinking.
Immigration from one country to another is a complex psychological process with significant and lasting effects on an individual's identity. Even under the best circumstances, immigration is a traumatic occurence; like other traumas, it mobilizes a mourning process. It also offers renewed opportunity for psychic growth and alteration, and the mourning-liberation process transforms the immigrant's identity. In this book, this progression is highlighted along the dimensions of drives and affects, interpersonal and psychic space, temporality, and social affiliation. As the topics of identity and immigration are brought together in a deep and meaningful way, their clinical assessment and relevance are presented. Detailed guidelines are offered for conducting psychotherapy with immigrant patients, including child and family interventions. The specific dilemmas of the immigrant therapist are also explored, including linguistic differences, maintaining cultural neutrality and transference-countertransference issues.
Transcultural Images in Hollywood Cinema examines the transnational and transcultural characteristics of Hollywood cinema. The narrative, cinematographic, and aesthetic structures of Hollywood cinema are turned upside down as chapters analyze gender, social, cultural, and economic-political contexts.
This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, "Latinx" spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life. In "Latinx," Carribean Fragoza traces Laura Aguilar's influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today. "Collectively, their images cast a greater net for the multiple ways of seeing Latinx people," Tompkins Rivas notes of the issue's photographers, "creating a visual archive whose edges are yet to be defined."
Brettell's new book provides new insight into the processes of migration and transnationalism from an anthropological perspective. It has been estimated at the turn of the millennium that 160 million people are living outside of their country of birth or citizenship. The author analyzes macro and micro approaches to migration theory, utilizing her extensive fieldwork in Portugal as well as research in Germany, Brazil, France, the United States and Canada. Key issues she discusses include: the value of immigrant incorporation vs. assimilation models; the impacts on individual, household and community as well as institutions and states; the role of ethnicity and ethnic groups; the effects of clandestine or illegal immigration; the differing commitments to host vs. sending communities; the shift from city enclaves to suburban areas; the constraints and opportunities that lead to ethnic entrepreneurship; the role of religion in transnational linkages; and the differing experiences of men and women as migrants. Brettell also explores the relevance of life histories and oral narratives in understanding the immigration process and the mediation of boundaries in a new society. This book provides a fresh perspective on the contemporary experience of migration and will be indispensable to instructors and researchers in anthropology, race and ethnic studies, immigration studies, urban studies, sociology, and international relations.