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"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
As part of the Getty Foundation's Pacific Standard Time: Art in L.A., 1945-1980 regional initiative, the exhibition Backyard Oasis, mounted by Palm Springs Art Museum in 2012, examines photographs of swimming pools from 1945 to 1982 as visual analogs of the ideals and expectations associated with Southern California. These images of individual water-based environs in the arid landscape are an integral part of the region's identity, a microcosm of the hopes and disillusionments of the country's post-World War II ethos. The catalogue contains an introductory essay providing an overview of the development of the swimming pool and its attendant aesthetic and social culture. Authored by the exhibition's organizing curator and its contributing research team members, the catalogue's five chapters are: Exposed Desires: Poolside Reflections on Celebrity, Daniell Cornell, Senior Curator and Deputy Director for Art, Palm Springs Art Museum; Swimming Alone: The Backyard Pool in Cold War California, Jennifer Watts, Curator of Photographs, Huntington Library, San Marino; Designing Nature: The Pool in the Garden, Robert Stearns, Independent Curator and Project Coordinator, Palm Springs; From Beefcake to Skatecake: Subcultures and Masculinity, Tyler Stallings, Director, Sweeny Art Gallery, University of California, Riverside; Dystopia and the Swimming Pool, Dick Hebdige, Professor of Art, University of California, Santa Barbara.