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Finally, here is a photography textbook authored in the 21st century for 21st century audiences. Photography: A 21st Century Practice speaks to the contemporary student who has come of age in the era of digital photography and social media, where every day we collectively take more than a billion photographs. How do aspiring photographers set themselves apart from the smartphone-toting masses? How can an emerging photographic artist push the medium to new ground? The answers provided here are innovative, inclusive, and boundary shattering, thanks to the authors’ framework of the "4Cs": Craft, Composition, Content and Concept. Each is explored in depth, and packaged into a toolbox the photographic student can immediately put into practice. With a firm base in digital imaging, the authors also shed new light on chemical-based photographic processes and address the ways in which new technology is rapidly expanding photographic possibilities. In addition, Photography: A 21st Century Practice features: • 12 case studies from professional practice, featuring established photographic artists and showcasing the techniques, concepts, modes of presentation, and other professional concerns that shape their work. • Over 40 student assignments that transform theory into hands-on experience. • 800 full-color images and 200 illustrations, including photographs by some of the world’s best-known and most exciting emerging photographic artists, and illustrations that make even complex processes and ideas simple to understand. • More than 50 guided inquiries into the nature of photographic art to jump start critical thinking and group discussions.
The best photographs of the first 21 years of the 21st century take center stage in this incredible volume of National Geographic's world-famous imagery. In just two short decades of the 21st century, National Geographic has ushered in a new era of visual storytelling excellence, including innovations in digital, drone, and smartphone photography, and reached out to a global audience through one of the world's most popular Instagram accounts, @NatGeo. In these 21 years, photography has transformed from a rarefied discipline to a universal medium of communication, available in the palm of everyone with a mobile phone. Through it all, National Geographic has remained at the forefront, shining a light on the beauty, wonder, and heartbreak of the world. A remarkable collection, The 21st Century culls more than 250 of the very best, most impactful National Geographic images across print, digital, and social media, celebrating: Extraordinary wildlife Unique cultures around the world Beautiful landscapes One-of-a-kind portrait photography And behind-the-shot stories from celebrated National Geographic photographers like Joel Sartore, Nick Nichols, Jodi Cobb, Anand Varma, and Evgenia Arbugaeva. Spanning the remarkable moments year-by-year from 2000 to 2021, The 21st Century is a beautiful, giftable, and important record of our rapidly changing world--a treasury you'll want to keep on the coffee table and turn to again and again. Complete your National Geographic photography collection with best-selling favorites: America the Beautiful: A Story in Photographs Women: The National Geographic Image Collection National Geographic Rarely Seen: Photographs of the Extraordinary National Geographic The Photo Ark: One Man's Quest to Document the World's Animals
"As digital technologies continue to impact photography, there are those image-makers who rise above the fray to produce compelling work. Photo Art: Photography in the 21st Century features 120 of the latest, greatest, and newly up-and-coming artists in a luscious compendium, each showcased in a four-page spread, with texts by sixteen top curators and theorists, and a glossary of important terms. More than a coffee-table book, Photo Art reads like an international art fair between covers."--Publisher's website.
Hans Eijkelboom: People of the Twenty‐First Century is an enormous and completely fascinating collection of "anti‐sartorial" photographs of street life by the Dutch conceptual artist/street photographer. From Amsterdam to New York and Paris to Shanghai, these photographs, taken over a period of more than twenty years, provide a cumulative portrait of the people of the twenty‐first century. A magnetic panoply of images, this cult object has a place in the library of every photography book collector as well as anyone interested in contemporary culture. Democratic, apolitical and unique, the archive of thousands of images offers an engrossing and engaging cross-section of society. Over the course of the last two decades, the Dutch photographer worked methodically on his monumental Photo Notes project: First he would select a busy pedestrian area – his favorite spots were often near shopping centers – where he would stay for 30 minutes up to a few hours. He then spent time observing passers-by before recognizing a common type, normally based on a garment, sometimes a behavior: people in band T‐shirts, fur caps or beige trench coats; young couples walking arm in arm; women in suit dresses; men with gelled hair or pushing shopping trolleys. . . He snapped them with a camera hung around his neck, attached to a trigger in his pocket. Back in the studio, the images were laid into grids called Photo Notes. Their simplicity of form and presentation belies their complex anthropological, social and artistic commentary.
Including discussions of film-based cameras and darkroom techniques, this book bridges the gap between traditional photographic skills and the latest digital technology.
In the last century, photography was always novel. Now, it feels like our world is over-saturated with images. In the 21st century, what can photography do that is new? This extensively illustrated survey answers that question, presenting fifty photographers from around the world who are defining photography today. Their styles, formats, and interpretations of the medium vary widely, but in each case, the work featured in this book represents photography doing what it has always done best: finding new ways to tell stories, and new stories to tell. Artists featured include Nan Goldin, Wolfgang Tillmans, Hassan Hajjaj, Andreas Gursky, Juno Calypso, Ryan McGinley, Zanele Muholi, Shirin Neshat, Catherine Opie, Martin Parr, Cindy Sherman, Hiroshi Sugimoto and Juergen Teller.
Documentary photography is undergoing an unprecedented transformation as it adapts to the impact of digital technology, social media and new distribution methods. In this book, photographer and educator Michelle Bogre contextualizes these changes by offering a historical, theoretical and practical perspective on documentary photography from its inception to the present day. Documentary Photography Reconsidered is structured around key concepts, such as the photograph as witness, as evidence, as memory, as narrative and as a vehicle for activism and social change. Chapters include in-depth interviews with some of the world's leading contemporary practitioners, demonstrating the wide variety of different working styles, techniques and topics available to new photographers entering the field. Every key concept is illustrated with work from a range of innovative, influential and often under-represented photographers, giving a flavor of the depth and range of projects from the history of this global art form. There are also creative projects designed to spark ideas and build skills, to help you conceive, develop and produce your own meaningful documentary projects. The book is supported by a companion website, which includes in-depth video interviews with featured practitioners.
Contains primary source material.
"Top political and social events of the 20th century as well as highlights from the worlds of culture, science, and sports, all documented in more than 100 stunning photographs." -- BACK COVER.
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.