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This work is an explanation of the role of the nineteenth-century photographer as a conscious historian of the West - a recorder of events, people, and places as surely as they were the diary-keepers, journalists, and writers. Like them, he exercised choice in what he recorded; unlike them, he documented aspects of reality that we can know in no other way. Photographers as documenters are too often casually, even carelessly, regarded. Photography And The Old West is intended to convey as clearly as possible how people learned to use a camera and became camera-wise in an individual way; how tools and materials affected photographic seeing; and what a few of the many photographers hoped to express. This work is not a comprehensive survey but rather a selective look at some of the imagery of the West that a few conscious photographers produced.
The first major publication on O'Sullivan in more than 30 years, this book offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon.
A Photographic Look at the Old West That Is Alive and Well in California It was a thrilling time, when wagon trains and stagecoaches raced to the California goldfields – on the trail where the dust and campfire smoke met. In the shadow of the towering Sierra Nevada, the real Wild West was born. And it still lives today, in the extraordinary people who pack mule-strings into the mountains, race over mountain passes on horseback while recreating the Pony Express, and drive cattle out of the high country each fall. It lives on beneath the massive wheels of the twenty-mule-team wagons and teams of draft horses pulling historic wagons over a mountain pass. Sit back and enjoy this fascinating journey as the Old West comes alive in a book filled with unique western images, inspiring stories from the trail, memorable cowboy poetry, and some western history.
After years of cowboying, Charles A. Siringo had settled down to store-keeping in Caldwell, Kansas, when a blind phrenologist, traveling through, took the measure of his "mule head" and told him that he was "cut out" for detective work. Thereupon, Siringo joined the Pinkerton National Detective Agency in 1886. A Cowboy Detective chronicles his twenty-two years as an undercover operative in wilder parts of the West, where he rode with the lawless, using more stratagems and guises than Sherlock Holmes to bring them to justice and escaping violent death more often than Dick Tracy. He survived the labor riots at Coeur d'Alene, Idaho, in 1892 (his testimony helped convict eighteen union leaders), hounded moonshiners in the Appalachians, and chased Butch Cassidy's Wild Bunch. Once described as "a small wiry man, cold and steady as a rock" and "born without fear," Charlie Siringo became a favorite of high-ups in the Pinkerton organization. Nevertheless, the Pinkertons, ever sensitive to criticism, went to court to block publication of Siringo's book. Frank Morn, in his introduction to this Bison Books edition, discusses the changes that resulted from two years of litigation. Finally published in 1912 without Pinkerton in the title or the text, A Cowboy Detective has Siringo working for the "Dickensen Detective Agency" and meeting up with the likes of "Tim Corn," whom every western buff will recognize. The deeper truth of Siringo's book remains. As J. Frank Dobie wrote, "His cowboys and gunmen were not of Hollywood and folklore. He was an honest reporter.
Re-explore the Wild West, where America's legends and myths were made, for the first time with fully-colorized images by bestselling author and cinematographer, John Guntzelman. The lure of the Wild West has been a driving force in the American experience. Originally the stuff of dreams, dime novels, and Wild West shows, the fascination continued in motion pictures such as The Great Train Robbery, High Noon, The Magnificent Seven, the so-called spaghetti westerns of Clint Eastwood, and hundreds more. Whether through the appeal of wide-open spaces, the control of our own destiny, or just the desire for a better life, the Wild West still strikes a chord that resonates within. Following the Civil War and Reconstruction, the country expanded westward ready to grow--and grow it did. The evocative landscapes of these unexplored lands ­­were recorded by a number of excellent photographers: John C. H. Grabill; Edward S. Curtis; John K. Hillers; and Timothy O'Sullivan, the famed Civil War photographer. Many of their striking images survive and continue to inspire us today. These iconic and incredibly evocative photographs from another era capture the reality and immediacy of that time and only require the careful addition of color to make them far more accessible, believable, and meaningful to present-day readers. The Wild West in Color includes over 200 of the best black-and-white photographs from that time, fully colorized to bring this lost world back to life! It offers a new glimpse into a period of the American experience that has inspired countless books, motion pictures, and stories--a time that continues to resonate and inspire us to the present day.
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.
This rare collection of wanted posters from the American West is a historical treasure. The book's nearly 150 original wanted posters, fugitive notices, and Pinkerton Agency circulars are supplemented by fascinated details about the technology of identification, the history of wanted posters, and the stories behind the crimes, which ranged from horse theft, safe blowing, train robbery, seduction, ''white slavery,'' and murder. Posters for notorious bandits such as Jesse James, Butch Cassidy, and the Sundance Kid are also featured.
The rolling prairies and ranch communities of the great heartland of America's West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has clocked up many thousands of miles over several years exploring and capturing in rich photographic detail the compelling worlds of the American cowboy/cowgirl, championship rodeo arenas, ranch life and farming communities of this slice of the United States. Set out in a beautiful large-format book, the pages within are filled with Krantz's magnificent duotone images of the spirit of an extraordinary group of people and their lives, and in their own words, their great love of family, tradition and work ethic, and their great pride and affinity with their animals and the rich American rodeo championship sporting culture. Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island ISBN 9781864707427 (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. AUTHOR: Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. Living in New York, she completed her high school at the Lycée Francais and earned her bachelor degree while working for a lifestyle magazine. Following college she worked at Cartier's corporate office in New York that oversees the Americas. Anouk later studied at the International Center of Photography and has developed several notable bodies of work, including Wild Horses of Cumberland Island. Her work has appeared in prominent galleries and earned accolades from the International Photography Awards and International Monochrome Awards. Her first book Wild Horses of Cumberland Island (2017) became an immediate bestseller among the photography genre. The book and her art have been praised by international publications, such as Vanity Fair, Town & Country, Time, Harper s Bazaar, Daily Mail UK, and Garden & Gun among many others. SELLING POINTS: * Exceptional fine art photography - several years in the making - of the American cowboy/cowgirl and rodeo communities, the horse and cattle ranches, and the remarkable landscape of America's Wild West, by celebrated and award-winning photographer, Anouk Masson Krantz * Intimate explorations and portrayals of a society that honours historical traditions and practices a set of values that includes honesty, integrity, loyalty, work ethic, and dedication to family * A lavish tome filled with rich and awe-inspiring photography of mysterious and inspiring elements of American culture, accompanied by the author/photographer's unique storytelling 175 b/w photographs
This volume explores how photography has shaped and transformed the American West in the collective imagination, from 1850 to today. This investigation includes a broad range of styles, from nineteenth-century works made a few years after the invention of photography to iconic images of the twentieth century, to pictures made in the early twenty-first century. Includes works by famous photographers and artists such as Cindy Sherman, Diane Arbus, Larry Sultan.