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Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
In presenting the Photographic Sketch Book of the War to the attention of the public, it is designed that it shall speak for itself. The omission, therefore, of any remarks by way of preface might well be justified; and yet, perhaps, a few introductory words may not be amiss. As mementoes of the fearful struggle through which the country has just passed, it is confidently hoped that the following pages will possess an enduring interest. Localities that would scarcely have been known, and probably never remembered, save in their immediate vicinity, have become celebrated, and will ever be held sacred as memorable fields, where thousands of brave men yielded up their lives a willing sacrifice for the cause they had espoused. Verbal representations of such places, or scenes, may or may not have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith. During the four years of the war, almost every point of importance has been photographed, and the collection from which these views have been selected amounts to nearly three thousand.
Few images of black Americans in the Civil War period exist or have survived, but now the granddaughter of a South Carolina slave has assembled the most comprehensive and significant collection of such rare images ever compiled. Bringing the truth of their daily lives to light, scenes of maternal affection, matrimony, war, and the grim reality of the master-slave relationship will help readers focus their perceptions of the black American experience in ways not otherwise available in modern history studies.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Alexander Gardner's photographs are among the most memorable images of the Civil War, and they fill this powerful biography, which was nominated for a Pulitzer Prize in History. "This album of Gardner's work is nothing less than sensational " -- "Booklist"
This volume contains one hundred of the greatest war pictures ever taken. Union troops in battle, Lincoln at Antietam, the ruins of Richmond, Lee's surrender at Appomattox, and more. It became the Civil War's best-known visual record and helped define how viewers would come to know the war. This classic also became foundational in the history of American photography, combining, for the first time, words and images in a sophisticated and moving account.
In 1861, the art of photography came of age just as Civil War erupted and tore the United States apart. As a result, more than 2,000 photographers covered the conflict, making it the first historical event captured fully by the camera. Noted historian William C. Davis has chosen the finest of these images, enhancing the pictures with illuminating text that places them in context. Many of these evocative photos are rarely seen, and portray not only the battles and their tragic aftermath, but also the people caught in the devastation. "
This set of essays by twenty-seven historians of the Civil War describes a wide array of the war's photographs, examining them in unfamiliar ways.
A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.