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"This collection of photographic portraits traces 150 years of U.S. history through the lives of well-known abolitionists, artists, scientists, writers, statesmen, entertainers, and sports figures. Drawing on the photography collection of the Smithsonian's National Portrait Gallery, Deborah Willis celebrates the ways in which these images furthered recognition and equality in America, and even today challenge us all to uphold America's highest ideals and promises." --Book Jacket.
Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
"Collaboration and Resistance: Images of Life in Vichy France, 1940-1944 offers an unprecedented view of French life during World War II under German occupation. Most of these images came from the Vichy government office of information and propaganda and have not been seen in historical context. Some have never before been published. Other images, such as posters, newspapers, leaflets, and rare photographs that make evident the activity of the Resistance, as well as the machine of German propaganda, are taken from little-known archival sources."--BOOK JACKET.
The Lord?s Resistance Army (LRA), led by the infamous Joseph Kony, was active in northern Uganda from the second half of the 1980s. The rebel group became notorious for the use of extreme violence, in particular its large-scale abductions of children. Rebel Lives is a visual story about life inside the rebel movement: based on photographs taken by LRA commanders between 1994 and 2004, this book documents life within violent circumstances, and depicts the rebels as they wanted to be seen among themselves and by the outside world. 00Kristof Titeca, Associate Professor in Development Studies at the University of Antwerp and expert on the LRA, collected this material, and used it to trace the photographed (former) rebels. Together with Congolese photographer Georges Senga, he travelled back to photograph the former rebels in their current context. 00With text contributions from Jonathan Littell, Harriet Anena, Rein Deslé, and Christine Oryema Lalobo.
In Imprisoned in a Luminous Glare, Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary abou
Our Culture Is Our Resistance: Repression, Refuge, and Healing in Guatemala is a stunning document of this tiny Central American country, revealing stories of life and death, of hope and despair, and of struggles for survival, respect, and truth. For the past ten years Jonathan Moller has photographed communities uprooted by war in Guatemala. The beauty and strength of Moller's one hundred forty-seven tritone portraits and the accompanying texts not only document and preserve the faces and events associated with this land and its history, but also display for the viewer the humanity and dignity of these largely Mayan indigenous peoples. Sponsors and official endorsers of the book include Amnesty International, the Soros Foundation, Global Exchange, The Nation Institute, the Photo Review, Witness for Peace, and Cultural Survival.
"Resistance Art" was Sue Williamson s classic account of the visual art against apartheid. First published in 1989, it soon became a bestseller. Editions were sold in the United States and the UK, and the South African edition sold out within a few years. Because of continuing demand, this landmark work has now been reprinted with a new preface, so as to make the art of the 1980s and 1990's available to a new generation of readers and art lovers.
Gerard Malanga has been acclaimed as a poet, photographer, and filmmaker. Resistance to Memory is a compilation of his photographic portraits taken during the 1970s, many never before published. Included are remarkable photographs of the legendary cultural, artistic, literary, and musical personalities of our time, including: Robert Mapplethorpe, Jasper Johns, George Plimpton, Lou Reed, Patti Smith, Abbie Hoffman, Candy Darling, Allen Ginsberg, Lawrence Durrell, Roman Polanski, William Burroughs, and many more. The book features texts by Thurston Moore, a founding member of the band Sonic Youth, and the late Ben Maddow, one of the visual critics of twentieth-century film and photography.
A gripping memoir written by a 96-year-old Jewish Holocaust survivor about his escape from Nazi-occupied Poland in the 1930's and his adventures with the French Resistance during World War II
How have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation Spanning more than 100 years of photography, the works in Our Selves range from a turn-of-the-century photograph of racially segregated education in the United States, by Frances Benjamin Johnston, to a contemporary portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero. As the title of this volume suggests, Our Selves affirms the creative and political agency of women artists. A critical essay by curator Roxana Marcoci asks the question "What is a Feminist Picture?" and reconsiders the art-historical canon through works by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by emerging scholars explore themes such as identity and gender, the relationship between educational systems and power, and the ways in which women artists have reframed our received ideas about womanhood. Published in conjunction with a groundbreaking exhibition of photographs by women artists--drawn exclusively from MoMA's collection, thanks to a transformative gift of photographs from Helen Kornblum in 2021--this richly illustrated catalog features more than 100 color and black-and-white plates. As we continue to aspire to equity and diversity, Our Selves contributes vital insights into figures too often relegated to the margins of our cultural imagination.