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This publication brings together four texts which analyze Gerhard Richter's monumental project Atlas, an assemblage of photographs that he has collected since 1962. Atlas, which at present comprises more than 5,000 images -- ranging from political portraits to landscapes and from found photojournalistic pictures to photographs taken by the artist himself -- constitutes an ordered collection of personal visual memories from which Richter draws the themes and motifs for his ongoing exploration of the possibilities of painting. Buchloh examines Atlas as a mnemonic device, comparing Richter's assemblage to Aby Warburg's 1927 monumental project on collective memory; Chevrier distinguishes European and American uses of photography and art and positions Richter's work in contrast to that of the Photorealists and American Pop artists; Zweite discusses Atlas as a response to the tension between semantics and semiotics in Modernism; and Rochlitz analyses the complex relationship between photography and painting in contemporary art with specific reference to Richter's works Ema and Betty.
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This fascinating book offers unprecedented insight into artist Gerhard Richter's life and work. From his childhood in Nazi Germany to his time in the West during the turbulent 1960s and '70s, this work presents a complete portrait of the often-reclusive Richter.
Text by Robert Storr.
Original edition published 2011 by Tate Publishing.
This volume presents and describes 50 of the artist's works with essays by leading Richter experts. It also includes personal testimonials in previously unpublished letters as well as a conversation between Gerhard Richter and Richter expert Uwe Schneede. This book provides new insight into the complexity of Richter's imagery in which banality and evil confront one another: the dreams and aspirations of the times, fast cars and new travel possibilities; personal memories; the oppressive past; contemporary politics; and both trivial and meaningful everyday objects. The cycle 18 Oktober 1977 (1988), which deals with the death of members of the Red Army Faction ('Baader-Meinhof gang') plays an important role in our understanding of the evocative power of these pictures from the 1960s. Richter's intense preoccupation with this event concludes this group of paintings from photographs. This cycle, which was loaned to the Bucerius Kunst forum in Hamburg by the New York Museum of Modern Art, has led to a new interpretation and positioning of Richter's work.
Gerhard Richter is one of the foremost artists of his generation. Central to his work is a strong set of values which throughout his career he has expressed in extensive notes & writings, & in provocative & memorable public declarations. This book makes available a wider & more up-to-date selection of Richter's texts.
This book demonstrates how Richter pursues the theme of the portrait in his various types of work, as well as in all of the visual genres in which he works: painting, prints, drawing photography, and film.
Gerhard Richter is one of the most influential artists of the second half of the 20th century and is still at the forefront of painting today. His painting 'September' is the response to the bombing of the World Trade Centre on September 11, 2001. This book explores the painting and the event itself.
After his paintings, Gerhard Richter's editions are now also attracting increasing interest from around the world. Editions are all of the artist's original works of art that have been produced in multiple. In his new catalogue raisonné Hubertus Butin presents all of the prints, photography editions, artist's books, multiples (objects), and painting editions from 1965 to 2013. Informative essays and numerous illustrations make it clear that the editions are an independent, major part of Richter's oeuvre. They offer the artist a chance to reach a larger audience while at the same time he can explore creative possibilities in especially diverse and experimental ways.