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Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs.

Photographers often look at an image—one they’ve either already created or are in the process of making—and ask themselves a simple question: “Is this a good photograph?” It’s an understandable question, but it’s really not very helpful. How are you supposed to answer that? What does “good” even mean? Is it the same for everyone?

What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act of creating photographs? What if asking stronger questions allowed you to establish a more effective approach to your image-making? In The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs, photographer and author David duChemin helps you learn to ask better questions of your work in order to craft more successful photographs—photographs that express and connect, photographs that are strong and, above all, photographs that are truly yours.

From the big-picture questions—What do I want this image to accomplish?—to the more detail-oriented questions that help you get there—What is the light doing? Where do the lines lead? What can I do about it?—David walks you through his thought process so that you can establish your own. Along the way, he discusses the building blocks from which compelling photographs are made, such as gesture, balance, scale, contrast, perspective, story, memory, symbolism, and much more. The Heart of the Photograph is not a theoretical book. It is a practical and useful book that equips you to think more intentionally as a photographer and empowers you to ask more helpful questions of you and your work, so that you can produce images that are not only better than “good,” but as powerful and authentic as you hope them to be.

TABLE OF CONTENTS
Better Questions

PART ONE: A GOOD PHOTOGRAPH?
Is It Good?
The Audience's Good
The Photographer's Good

PART TWO: BETTER THAN GOOD
Better Subjects

PART THREE: BETTER EXPRESSION
Exploration and Expression
What Is the Light Doing?
What Does Colour Contribute?
What Role Do the Lines and Shapes Play?
What's Your Point of View?
What Is the Quality of the Moment?
Where Is the Story?
Where Is the Contrast?
What About Balance and Tension?
What Is the Energy?
How Can I Use Space and Scale?
Can I Go Deeper?
What About the Frame?
Do the Elements Repeat?
Harmony
Can I Exclude More?
Where Does the Eye Go?
How Does It Feel?
Where's the Mystery?
Remember When?
Can I Use Symbols?
Am I Being Too Literal?

PART FOUR: BETTER PHOTOGRAPHS
The Heart of the Photograph
Index

Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He recreates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today. And Our Faces, My Heart, Brief as Photos is a seamless fusion of the political and personal.
A powerful, poetic memoir of an Indigenous woman's coming of age on the Seabird Island Band in the Pacific Northwest—this New York Times bestseller and Emma Watson Book Club pick is “an illuminating account of grief, abuse and the complex nature of the Native experience . . . at once raw and achingly beautiful (NPR). Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame. Mailhot trusts the reader to understand that memory isn't exact, but melded to imagination, pain, and what we can bring ourselves to accept. Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story, and, in so doing, reestablishes her connection to her family, to her people, and to her place in the world.
"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.
A compilation of true life stories and poems that will make you laugh, cry and search for memories hidden away in your heart.
Bless Your Heart is a collection of photographs by Grant Ellis made on numerous trips to the Mississippi Delta. Each photograph is an intimate portrait of a narrow aspect, be it common or uncommon, that serves as a wider narrative of what the people do, how they live, what they enjoy, their sadness and despair and happiness and humility that extends before and after each frame, so that the photos come to serve as brief narrative glimpses into the continuous story of the people's lives.
For professional photographers, chasing the light, waiting for it, sometimes helping it, and finally capturing it is a constant preoccupation and for some, an obsession. Drawing on four decades of working with light, Michael Freeman takes a simple but practical approach to interpreting, reacting to, and capturing photography's most valuable commodity. Practical advice is organised into three straightforward sections: Waiting, Chasing, and Helping. Begin by mastering the art of patience, and recognise the immense value of anticipating and planning for gorgeous light that's just over the horizon. Then learn the techniques to meet otherwise transient and fleeting lighting conditions halfway, with quick thinking and fast reactions. Finally, make the most of the tools at your disposal to enhance and manipulate light as you find it, covering everything from in-the-field shooting choices to technical transformations in post-production. This is the method of a working professional the way to interpret, approach, and master whatever lighting situation is thrown at you and always get the shot, no matter what.
Brian Lanker saw more than most of us do. He saw opportunities in the moment, and he grabbed a camera, "the tool that was as quick and reflective as his brain," writes sports columnist and editor Blaine Newnham. Newnham recommended Lanker's hire as picture director at the Eugene Register-Guard in 1974, just one year after Lanker had won the Pulitzer Prize for feature photography at age 24, for his photographs in the Topeka Capital-Journal of a couple bringing forth their second baby during natural childbirth. "I want to show people things they can't see, normally," Lanker said. That quote from Brian Lanker, along with many others, can be found among the captions in these pages, all of which were researched and written by Mike Tharp, a war correspondent and award-winning journalist, with whom Lanker teamed up at the Topeka Capital-Journal and became lifelong friends. From the Heart combines Tharp's captions with a striking selection of Lanker's photographs and a collection of essays written by Lanker's colleagues and friends, who for the most part were one and the same. These essays--thoughtful, poignant, funny, and respectful--tell the story of Lanker's bolting career start at the Topeka Capital-Journal, his ceaseless creativity, his driving work ethic, and his giving heart. In her prologue, writer and poet Maya Angelou writes, "There was a generosity about Lanker, which allowed him to give himself to everyone as he was needed." Brian Lanker was a photojournalist with the eye of an artist. Some of his photographs are timeless, and others are wholly of their time. From the Heart is a tribute to his singular vision, and a moving portrait of both man and artist.
Out of my hopelessness and desperation, I realized I couldn't go on living with this terrible pain that had taken over my life. I needed help, but I didn't know who could help me deal with this grief I was going through. I knew I couldn't do it in my own strength, and it had to be someone much stronger than me. It had to be someone who could understand and know the pain in my heart. I found that someone who took away this pain that was choking the life out of me. I found strength in his loving arms. Without Him, I could not have made it on my own. He knew what I was going through because He could feel my pain. This is my story about my grief journey and how someone rescued me from my grief. He gave me so much of Himself that the only way I could share it with you is to take you through the 'Photos of The Heart." I was born August 2, 1949 in Gadsden, Alabama. While attending college, I met the most wonderful woman, my beloved future wife, and we were married 34 years. We have three sons, a daughter-in-law, and five grandkids, whom I love dearly. I don't have a long list of books that I have written to convince you to read this book. But I do have backing from the greatest author who ever was, is and will ever be: God. I have written in this book what He gave me, and since this is His book, all royalties will go to Him. My heartfelt prayer is that when you read this book, you will see God's wonderful love and see He is waiting for you to give Him your grief.