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Tennis writer and photographer Chris Nicholson brings you a book detailing techniques for making great tennis photos. The pages of Photographing Tennis offer a breakdown of everything the photographer needs to know before heading to court: How to choose the right gear, how to choose positions to shoot from, strategies for composing photos, techniques for timing, how to capture the ball and freeze motion, and more.
This book is a photographic record of early lawn tennis.Tennis in the 19th Century was mostly played by the upper social classes, although some homeowners of moderate income did build private courts. Their courts often were sloped, cow-pasture bumpy, and included hazards such as boulders and trees. Ordinary people mostly wore their formal street clothes to play the game.The photographs in this book show a far different look to the game than that of today.The book looks into the faces of these long dead people and enters the landscapes of their distant years.
The Manual of Sports Photography is a handbook about taking excellent sports photos. Cristiano Pugno is a professional photographer who has made a short guide to getting the best action shots, whether it be in soccer (football), running, gymnastics, or water sports. Keep this little manual with you when you are shooting athletic events; it will help you take front-page photos.
A comprehensive look at all aspects of photographing sports teams—from selecting and using equipment to processing and presenting the images while building a client base—this reference proves indispensable to any photographer looking to expand their repertoire or branch out into a new profession. Professional guidance covers topics ranging from working with school administrations and coaches to the keys to capturing subjects in motion. Chapters on creating attractive, salable group packages and forming a distinctive business plan are also included.
A collection of full-color photographs and quotes that highlights various aspects of tennis, such as players, fans, equipment, and courts.
Creating an idealized image of a subject is a portrait photographer's job. However, the approach is not quite formulaic. From one subject to the next and one day to the next, there are different goals and scenarios—on Monday, you may be tasked with photographing your subjects under cloudy skies on a beach; on Tuesday, you may need want to downplay your client's wide hips in the studio; on Wednesday, you may want to create dramatic lighting for an actor's portfolio—on-stage. Every day, there is a unique challenge to meet, often under varying conditions. So, how do you make a magically good portrait during every shoot? In this book, Bill Israelson shows you how to tackle the problem of creating a great portrait of your every client. Beginning with a discussion on equipment essentials, breaking the discussion into two topics—gear for studio work and portable equipment for location work. Next, you'll learn simple posing strategies for making women, men, kids, and groups looks their best in any presentation. You'll learn how to position the body from head to toe to maximize assets and downplay common problem areas. Lighting is the backbone of every image. In the studio, you have complete control over every facet of the lighting—from its hardness or softness to its color temperature and direction. On location, the basic principles of good lighting still apply—but the quality and quantity of light is subject to change. Israelson shows you how to harness the available light and supplement it when needed to create saleable images every time. With straightforward, jargon-free text and a wide range of image examples, this book will help you quickly learn how to improve your portrait results to create client-pleasing portraits every time.