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Excerpt from The Photographic Times and American Photographer, 1891, Vol. 21: A Journal Devoted to the Art, Science and Advancement of Photography A Collotype frontispiece, and other Illustrations. Price, 50 cents. All four Annuals sent to one address, post free, on receipt of two dollars. The scovill adams company. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Photographic Times, and American Photographer, 1889-1890: A Journal Devoted to the Art, Science and Advancement of Photography; Volumes 19-20 Professional or Amateur. (second Edition.) Paper Covers, 50 cents. Library Edition No. 2. The Art and Practice of Silver Printing. By H. P. Robinson and capt. W. DE W. Abney, R. E. F. R. 8. (third Edition.) Paper Covers Library Edition No. 4. How to Make Pictures. By henry clay price. (fourth Edition.) The A B C of dry-plate Photo graphy. Paper Covers Library Edition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank