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Discover the most influential photographers of the last century and their finest monographs. Arranged alphabetically, this biographical encyclopedia covers the earliest representatives of classical Modernism right up to the present day, complete with book and magazines fascimiles.
The Old West comes alive through photographs made in the Arizona Territory from its beginning to statehood. Jeremy Rowe, a well-known Arizona photo historian, has combined his unique collection of photographs with his rendering of the history of photography in Arizona, opening a window into one of the most colorful chapters in our western heritage. In addition, the book includes the most comprehensive listing of photographers working in Arizona from 1850 to 1920 together with biographies of each and sources utilized in gathering the biographical information.
Here's an easy-to-follow, illustrated guide that combines information about the basics of film and digital photography; details about different types of photography, such as landscape, architecture, and people and events; and specific information about photographing the defining locations in Arizona, including the Grand Canyon, Sedona, Monument Valley, and the Mogollon Rim.
With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.
“Olbinski chases storms . . . capturing lightning, tornadoes and dramatic cloud formations in images that convey the awesome power and beauty of nature.” —International Business Times The storms that cross the Great Plains of North America each spring are some of nature’s most spectacular. They can also be some of the most dangerous. Most people who live in areas susceptible to these storms keep a close eye on the weather reports and take cover or evacuate when one is on the way. Storm chasers keep an even closer eye on the weather data, but for a different reason: they don’t run away when they see a storm approaching, they follow it! Professional photographer and Emmy Award winner, Mike Olbinski has chased storms throughout his native Arizona, as well as even further afield, including Texas, Oklahoma, Kansas, and Colorado. Whether he’s photographing lightning, tornadoes or even cloud formations, his remarkable images are able to convey nature in its most dramatic and impressive forms. With over 100 stunning colour photographs, this book brings together some of Mike’s most breathtaking images from the past five years as he describes his love of the open road and the thrill of capturing the perfect storm on film. “These pictures are truly fascinating; they show just how small we are and how little control we have over the environment and that these storms can pack a wallop. For fans of weather and spectacular photos, this is the book for you.” —San Francisco Book Review (5-star review) “A striking series of breath-taking pictures of nature lashing out from apocalyptic skies.” —Daily Mail Online
The core goal of photography is representing subjects that have depth and texture in a medium that inherently lacks both those qualities, and this book shows the best way to rise to that challenge: through the careful application and capture of lighting. It demonstrates how to accentuate or minimize textures, add or subtract highlights, and create or combat shadows to showcase the subjects in the best way and create the illusion of a third dimension in the images. Exploring techniques for lighting portraits, still-life subjects, nature images, and architectural shots, both studio and location lighting are covered in detail. The book teaches photographers how to study their subjectsÑwith all of the textures, colors, shapes, and surfaces they haveÑthen visualize the image as a finished photograph before the photography actually begins. With chapters that thoroughly cover the science of lighting and visualization, photographers can apply that knowledge and successfully create artful images.
When paired with the historic images of 19th and 20th century photographers, Arizona photographer Allen Dutton's modern-day images reveal the changes that have shaped the state's landscape during the past 100-plus years. To illustrate these sometimes drastic, sometimes subtle differences, Allen searched the state to locate the precise spots from which to rephotograph the scenes captured by his predecessors--endeavoring to achieve the same angles, perspectives, and lighting as in the early photographs.
From Navajo families and a Mohave girl to the splendor of the Grand Canyon and the grasslands of Southern Arizona, the 100 images that appear in these pages are the best to have ever been published in Arizona Highways, as chosen by Photo Editor Jeff Kida and Editor Robert Stieve. As Stieve writes, "In my mind, there was no golden era, just decades and decades of spectacular photography one great shot after another." This book celebrates those great shots, both old and new, and pays tribute to the men and women who made them.
Designed as a set of practical tutorials for beginners and advanced photographers alike, this Coffee Table Style Book is full of creative photographs illuminated with; lighting examples, lighting diagrams, lighting pull-back photos and 30 plus years of technique for Off Camera Flash.Several setup pull-backs, diagrams, charts and descriptive text will guide you on your personal journey into Off Camera Flash. A must have Book you will love reading and referring to often as you set your course on the adventurous path of creative OCF photography. Over a 140 pages packed full of 30 years of professional experience.
Joan Liftin's third monograph, Water for Tears , is a lyrical memoir. The book is about family and trips, about running away and coming back, short texts and photographs about pleasure in the newness of everyday life. There are layered images from everywhere, like the blind woman feeling her way by a timeworn splattered wall in Mexico or the teenage boys posing with a head of Reagan in the Soviet Union in 1988, while the darkest ones are from the American South's brutality during the struggle of the Civil Rights Movement. Her observations are mysterious, sensuous and often very funny. At the heart of the book is a tender farewell to her life with Charlie, Magnum photographer Charles Harbutt. There are no captions or dates, except in the back of the book, but you know where you are - you are with Joan.