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He has been called "the phantom of photography", but he sees himself as a "nonviolent anarchist" with a Leica, film and geometric vision. Henri Cartier-Bresson, the most acclaimed candid photographer in the world, is revered as a demigod by legions of miniature-camera enthusiasts, who have almost never seen a picture of him. After half a century of shooting everybody, everywhere, he has remained the photographer without a face until now. In May 2000, while on assignment chronicling camera old-timers, Cartier-Bresson decided to shoot his subject, friend and colleague David Douglas Duncan at the Picasso museum in Paris. Upon arriving at the shoot, Duncan seized a rare opportunity. He borrowed his wife’s zoom-lens camera and asked Cartier-Bresson for a roll of film. Then, without a word between them, Duncan began to photograph Cartier-Bresson. Duncan fully realized the outstanding nature of these images and decided to turn them into a tribute to a master of photography. This book captures the true essence of portraiture and is sure to become a classic of its genre - a one-of-a-kind portrait of a photographer and a lesson of spontaneity in portrait photography.
Following in the outstanding success of the first edition, this wonderful celebration of landscape photography shortlists the winning photographs from the second Landscape Photographer of the Year competition. Take a view, the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected ......
"This commemorative portfolio displays the full gallery of all 100 pictures awarded in the 2021 Wildlife Photographer of the Year competition. It also tells the stories of how they were created and what they reveal about the subjects depicted. Representing the work of photographers from 30 countries, they illustrate both the beauty and the drama of the natural world and our so-often conflicted relationship with it."--Back cover.
Legendary nature photographer Art Wolfe presents an intimate, behind-the-scenes guide to the experiences, decisions, and methods that helped him capture images from some of the most exciting locations across the globe. In Photographs from the Edge, you'll discover the secrets behind forty years of awe-inspiring photography from around the world. Wolfe takes you from the mountains of the Himalayas to the sandy shores of Mnemba Island, with stops in the crowded streets of India and the alkali lakes of Africa along the way. You’ll learn the equipment, settings, and creative choices behind each photograph. From endangered species to cultural celebrations to natural wonders, Wolfe brings each subject to life through his stunning photography and the stories he shares in this one-of-a-kind photo safari.
Imagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists’ renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation—from the initial recording of images, to their acquisition and storage, to their circulation—has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
Beginning in 1962, the World Press Photo Foundation has had an annual book published, featuring all prize-winning entries. 2020's Yearbook will prove to be another must-have edition, bringing together the very best press photographs from 2019, carefully selected from thousands of powerful, moving and sometimes disturbing images. The World Press Photo Foundation is a global platform connecting professionals and audiences through trustworthy visual journalism and storytelling, founded in 1955 when a group of Dutch photographers organised a contest ('World Press Photo') to expose their work to an international audience. In the six decades since then, the contest has grown into the world's most prestigious photography competition.
The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.
A classic book of nature photography, this large-format volume is designed to convey the spirit of American nature as so sensitively described by Thoreau. Eliot Porter, one of America's foremost nature photographers, blends short excerpts from Thoreau's Walden and many other works with 72 full-color photographs that perfectly reproduce the writer's sense of quiet drama.