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This impressive 12 x 12 book of 184 stunning color portraits and text by award-winning documentary photographer Alison Wright with a foreword by Pico Iyer, is a testament to the connectedness of the universal human spirit. Warmth, dignity and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. From Asia to Africa, to the Middle East and back, this book celebrates the tapestry of humanity in all its diversity and splendor.
"Whichever side of the camera you like to be on, this book will show you how, with some simple camera techniques and inexpensive items of wardrobe, you can revolutionize your portfilio. That's always been the mission of photographer Mark and presenter and model Imogen, and now they've brought the expertise that has made their YouTube channel a hit to this imspiring volume."--
The face is the most important part of any portrait—but there are over seven billion unique faces on this planet and no single approach that will flatter every one of them. In this book, acclaimed photo-educator Jeff Smith shows you how to rise to the challenge. Step-by-step lessons show you how to customize every aspect of the portrait to emphasize your client’s best features through careful posing and conscious placement of each light source. Simple fixes are also included to disguise common issues like double chins, larger noses, protruding ears, and uneven eyes—along with tips for slimming the face, enhancing symmetry, and de-emphasizing signs of aging. Before and after images are provided throughout, making it easy to master each skill and begin creating portraits that practically sell themselves.
This book of photography represents National Geographic's Photo Ark, a major cross-platform initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals -- especially those that are endangered. His message: to know these animals is to save them. Sartore intends to photograph every animal in captivity in the world. He is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. He has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the prose of veteran wildlife writer Douglas Chadwick, this book presents an argument for saving all the species of our planet.
A defining characteristic of Bruce Gilden's photography is his creative attraction to what he calls 'characters', and he has been tracking them down all through his career. Growing up in Brooklyn with what he describes as a 'tough guy' of a father, Bruce Gilden developed a love of the streets, often calling them his 'second home'. The unique energy of the streets mesmerised Bruce, an energy that can momentarily expose something inside people that generally stays hidden.
In this groundbreaking publication, Ewing announces the death of the conventional portrait. In an age when we are bombarded with flawless images of youthful beauty, when rejuvenation is available through a jar of cream or a scalpel, artists and photographers seek to portray the face in new ways.
Great photographers and celebrities come together in this glittering collection of over 200 iconic portraits. In Face to Face Paul Ardenne sharpens our awareness of what it means to be photographed, to be taken hostage by the photographic image. He explores questions of authenticity, value, and the capacity for a portrait to create an illusion. The photographs, by the greatest names in photography, have been carefully juxtaposed to demonstrate the diversity of photographic styles. Photographs by: Diane Arbus, Matthew Barney, Cecil Beaton, Constantin Brancusi, Harry Callahan, Sophie Calle, Robert Capa, Larry Clark, Henri Cartier-Bresson, Gilbert & George, Nan Goldin, David Hockney, Dorothea Lange, Jacques-Henri Lartigue, Annie Leibovitz, Robert Mappelthorpe, Yasumasa Morimura, Helmut Newton, Orlan, Pierre & Gilles, Man Ray, Bettina Rheims, Cindy Sherman, Wolfgang Tillmans, Andy Warhol, William Wegman Featuring: Mao Tse-tung, Che Guevara, Abraham Lincoln, Lady Diana and Dodi Al-Fayed, Fidel Castro, Jacqueline Kennedy, Ronald Reagan, Richard Nixon, Marcel Duchamp, Catherine Deneuve, Billie Holiday, Greta Garbo, Man Ray, Georgia O'Keefe, Marlene Dietrich, Ava Gardner, Kate Moss, Pablo Picasso, Salvador Dali, Marilyn Munroe, Ingrid Bergman, Uma Thurman, David Bowie, Brooke Shields, Robert Redford, Sylvester Stallone, Sophia Loren, Elizabeth Taylor, Elton John, Sammy Davis Jr., Meryl Streep, Anthony Hopkins, Keith Richards, John Lennon and Yoko Ono, Liza Minelli, Bianca Jagger, Barry Manilow
A revolutionary exploration of the relationship between human energy and color, visualized through more than 200 photographs from the “the Annie Leibovitz of aura photography” (New York Times) and a “Dutch painter on acid” (Vogue). The prodigal daughter of a visionary painter mother and a two-time commune founding father, Christina Lonsdale was raised by her parents on a commune in Taos, New Mexico, at the dawn of the digital age in the 1990s—formative years when science (the advent of the worldwide web, the introduction of the cell phone) and spiritualism (New Age) occupied equal bandwidth. Having her aura photograph taken awoke a passion that combined her spiritual and technological interests (an aura is an energy field emanating around a living being comprised of mental, spiritual, and emotional levels; an aura camera captures the colors of the aura on Polaroid film). With her first aura camera—the Auracam 6000—she began photographing and analyzing family and friends, then in 2014, took her skills and equipment on the road. Radiant Human includes hundreds of Polaroids selected from the author’s vast archives of some 45,000 images she has taken over a six-year period. The book explores the nature of the human aura, and the notion that aura images may not only capture a person’s essence in that moment, but reveal characteristics of their overall disposition. As Lonsdale describes what all the colors suggest, considering their many variations and nuances, and in relationship to each other. To illuminate her discoveries, she shares her subjects’ stories throughout the book, sometimes accompanied by a single shot, other times by a series of images taken over a period of year. She also includes profiles of well-known people she has photographed including Chloë Sevigny, Joseph Altuzarra, Busy Philipps, and SZA. Lonsdale makes clear that we are not just physical bodies, but collections of energy as well—giving consideration to the relationship of how we present ourselves to the world and who we are as well as the potential reality of the space in between. Her aura work is a study of humanity, and the energy we radiate and receive—the good, the bad, and the weird vibes—helping us understand better who we are.
The Face of Appalachia: Portraits from the Mountain Farm is the culmination of over twenty years of work by acclaimed photographer Tim Barnwell. Combining beautiful landscapes with tender portraits, his remarkable black-and-white images provide a stunning record of a vanishing way of life on the remote mountain farms of rural Appalachia. Over one hundred photographs, printed here in elegant duotone reproductions, are combined with conversations with the subjects, to give us an insight into the daily lives, activities, and dreams of the hard working, proud, and resourceful men and women of this unique area of our country. Transcending their geographical origins, these photographs give us a look at how our forefathers lived, for generations, with seemingly little change, in the decades before modern industry, roads, and technology transformed the country from an agrarian to an industrial economy and then to the information age we live in today. The rugged and remote mountains of the southern Appalachian region have served to isolate and preserve the last vestiges of life as it once was throughout rural America. By documenting this disappearing way of life, Mr. Barnwell has captured the essence, beauty, and rugged character of the rural landscape and its people, for this and future generations.